Terentyev, Igor Gerasimovich

Origin

IG Terentyev was born in Pavlograd , in the family of the lieutenant (hereinafter - Colonel of Gendarmerie ) Gerasim Lvovich Terentyev and the daughter of the retired captain Elizabeth (Elizabeth) Mikhailovna von Derfelden. Had a brother and two sisters: Vladimir (born May 17/29, 1894 ), Olga (born April 28 / May 11, 1897 ) and Tatiana (born May 18/31, 1900 ). ^[1] At the beginning of 1900, the Terentyevs moved to Kharkov, where Igor graduated from high school.

Entered the law faculty of Kharkov University , in 1912 transferred to the law faculty of Moscow University ^[2] , which he graduated in 1914.

In 1916 he married and moved to live in Tiflis , to his wife., Lived with his father's wife Mikhail Vikentyevich Karpovich.

In 1918 , IG Terentyev entered the futuristic group “ 41 ° ” created by Ilya Zdanevich ( K. Zdanevich , A. Kruchenykh, and others).

In 1922 , IG Terentyev unsuccessfully tried to emigrate to reunite with his family. He went to Constantinople (Istanbul) , but by the time he arrived, the visas to France , where the Terentyevs had settled, had ceased to be issued, and he had to return back. ^[3]

In the summer of 1923 Terentyev moved to Petrograd . He worked in the Museum of Artistic Culture (hereinafter - GINHUK ) together with K.Malevich , M.Matyushin , P. Filonov . In early 1924 he began directing at Agitstudio and at the Red Theater, for which he wrote and directed the play John Reed (premiered on October 24, 1924 ). Created an experimental Theater of the Press House in the Shuvalov Palace on Fontanka. Here Terentyev, who considered himself a student of Meyerhold , put on his own play “The Tangle”, the opera “John Reed” (1926, composer Vladimir Kashnitsky ), “The Inspector ” by Gogol ( A. Piotrovsky published a review of the production), “Natalia Tarpova” ( according to the novel by S. Semenov ).

In 1928 Terentyev toured with the Theater of the Press House in Moscow at the Meyerhold Theater . The tour went well. A. Lunacharsky proposed to transfer the theater to Moscow, however, Terentyev did not receive either the premises or the money, the troupe broke up. Terentyev left for Ukraine, staged in Odessa the “Freak” of Afinogenov , the “ Inspector ” in Kharkov . He worked in Dnepropetrovsk in Russian drama, created the Ukrainian Youth Theater.

He was arrested in 1931 in Dnepropetrovsk. Under article 58, sentenced to 5 years. He served a sentence on the White Sea Canal , released early in 1934 . Came to Moscow. I tried, but I could not get a job at the theater. Began to shoot the film "Rise of the Stones" about the events of the civil war in Kerch , the work was not completed. Terentyev was invited to an independent volunteer propaganda brigade on the Moscow-Volga Canal . M. Gorky came to the construction of the canal, Terentyeva’s agitbrigade was photographed by A. Rodchenko .

May 28, 1937 Terentyev was arrested again in Dmitrov. He was shot on June 17 in Butyrka prison . Relatives in 1959 were given a fake certificate of his death in 1941 from the "decline of heart activity."

• " Inspector " - comedy N. V. Gogol , Leningrad, Theater House Press, 1927
• "Luna Park" - operetta, music. N. M. Strelnikov . Moscow Operetta Theater , 1928

• The German Slavicist Wolfgang Kazak traditionally tried to identify Terentyev as a “younger brother” of Russian futurism, and installed (as if Russian futurism was something transparent and clear) intelligible vectors of “influence” - which is methodologically controversial, since Terentyev and “ 41 ° "from the first steps with futurism categorically delimited (you can only talk about "mutual influences" among the Russian avant-garde):

“As a Russian futurist, Terentyev was under the influence of A. Kruchenykh , V. Mayakovsky and S. Tretyakov . His small publications reveal the same approach of protest, returning to the original meaning of the word and trying to draw attention to the word and meaning in the new context using the dismissive method of recruitment. By the way, his adherence to well-known proverbs, which he uses as a language and semantic material, belongs to his technique ” ^[4] .

• Twisted grandiose. - Tiflis, 1919 - 16 p.
• Cherubim whistle. Tiflis, 1919
• 17 nonsense guns. Tiflis, 1919
• Fact. Tiflis, 1919
• Record of tenderness: Life of Ilya Zdanevich. Tiflis, 1919
• A treatise on solid indecency. Tiflis, 1920
• John Reed: Play in four acts. M .; L., 1927
• Collected Works / Drafting, podg. text, biographer. help, enter. and the comments of M.Martsaduri and T.Nikolskaya . Bologna: S. Francesco, 1988 . - 552 sec. ("Eurasiatica: Quaderni del Dipartamento di Studi Eurasiatici Universita degli Studi di Venezia. 7")
• Un record de tendresse (Record of tenderness). Paris, 1990
• My funeral: Poems. Letters Investigative evidence. Documents / Ed. S. Kudryavtseva . M .: Gilea , 1993 .
• Investigation case of Igor Terentyev / Publ. S.V. Kudryavtseva, has entered. Art. and note. N. A. Bogomolov and S. V. Kudryavtseva // Past: Historical Almanac. 18. M .; SPb .: Atheneum; Phoenix, 1995
• My funeral: Poems. Kiev: Crane, 1995 (circulation of 50 numbered copies.)
• Here is the tragedy of Јordano Bruno: in the set and in the author’s manuscript - a letter to Ilya Zdanevich / Tot. ed., publ. and comm. S. Kudryavtseva ; development of content plan and graphics. decorated V. Krychevsky . M .: Gilea ; A and B, Tipoligon, 2000 . - [16 pp.] - [298 numer.ex.] [ Facsimile ]. - Pavel Dmitriev review
• Two typographic masterpieces. Facsimile edition. Articles. Comments / Comp. and scientific. ed. A. A. Rossomahin. - SPb .: The publishing house of the European University at St. Petersburg, 2014. - 112 p. : il. + 16 s. + 32 s. [2 facsimile editions of 1919/1920]. - (AVANT-GARDE; edition 5). ISBN 978-5-94380-172-3

publications in the press

• Terentyev and . Mayakovsky "Levey Lefa" [: article] // New LEF . 1928 . N 9. P.47-48.

• Terentyeva T. My father, Igor Terentyev // Sophisticated futurism and Dadaism in Russian culture. - Bern: Peter Lang, 1991.
• Terentyeva T. I. Long, fast life. M .: Folium, 2007.
• The investigation of Igor Terentyev (1931) / Publication of S. V. Kudryavtsev; introductory article and notes by N. A. Bogomolov and S. V. Kudryavtsev // Past: Historical Almanac. M .; SPb .: Atheneum; Phoenix, 1995.
• Terentyevsky collection / Ed. S. Kudryavtseva . Issue 1, 2. - M .: Gilea , 1996 , 1998 .
• Nikolskaya T. Igor Terentiev // The Forgotten Vanguard. [Book 1.] Wien, [ 1989 ]. Pp. 95-96.
• Nikolskaya T. "Fantastic City": Russian cultural life in Tbilisi : 1917-1921 . - M .: Fifth country , 2000 . - 192 s. - ISBN 5-901250-07-9 .
• Nikolskaya T. Avangard and surroundings. - SPb .: Publishing house of Ivan Limbach , 2001 . - 320 s. - ISBN 5-89059-010-3 - review by A. Krusanova .
• Paustovsky KG. Throwing to the south [: memories] // Paustovsky K. G. Sobr. cit. in 8 t. M .: Fiction , 1968 . V. 5. S. 382.
• Brener A., ​​Kudryavtsev S. Gnig zaumi and zaumi. M .: Gilea, 2017. p. 73-91.

• Igor Terentyev. Two typographic masterpieces. Facsimile edition. Articles. Comments / Comp. and scientific ed. A. A. Rossomahin. - SPb. : European University Publishing House in St. Petersburg, 2014.
• Terentyev I. Јordano Bruno. - electronic version of the text
• Shahnazarova, Anna ; Lyashenko, Michael . "± 41 °" - about the books of the publishing house, on the website of the "Journal of Poetry ABG " (Tbilisi, Republic of Georgia)
• Depol, Judith. Abstruse "Auditor" Terentyeva
• Kondratenko, Roman . Igor Terentiev: Postmodernist Biography // Petersburg Theater Magazine . 1996 . No. 12