Personal file No. ( 1991 ) - literary and artistic almanac . The collection is composed of poems and critical essays by seven representatives of the Soviet “ underground ” [1] . All of them united on their own will in the play "Almanac" on the stage of Theater Workshops STD RSFSR. The collection also includes drawings, art photos, small sculptural forms, paintings by I. Kabakov , V. Yankilevsky , E. Bulatov , V. Pivovarov , G. Bruskin , A. Orlov , A. Petrov, D. A. Prigov , A. Yulikov , S. Faibisovich , V. Komar and A. Melamid , which are considered as the artistic and plastic context of the poetic avant-garde . The compiler of the almanac is Lev Rubinstein ; artist - Alexander Yulikov; photo - Roman Spector; Editor - Z. K. Abdullaeva. The foreword to the almanac was written by Mikhail Aizenberg , the afterword was written by Andrei Zorin .
| Personal file No. | |
|---|---|
 Cover of the first issue of the almanac "Personal File No." ( 1991 ) | |
| Specialization | literary and artistic almanac |
| Language | Russian |
| Editorial Address | V / O "Soyuzteatr" Moscow , Blagoveshchensky Lane , 3 |
| A country |  the USSR |
| Publisher | V / O "Soyuzteatr" STD USSR Editorial board of theatrical literature |
| Circulation | 30,000 copies |
Content
- 1 Text writers
- 2 Quotes
- 3 Editions
- 4 notes
- 5 Links
Text authors
- Sergey Gandlevsky
- Michael Aizenberg
- Dmitry Alexandrovich Prigov
- Timur Kibirov
- Denis Novikov
- Victor Koval
- Leo Rubinstein
The list of authors is given in the order in which it is presented on the cover of the almanac " Personal File No. " In the lower right corner of the cover there is an inscription: “Keep forever years”
Quotes
To make a critical article about the Almanac group under the same cover as its members is a rather risky venture. As the reader has already seen, the poets presented in the book themselves readily discuss their work. Therefore, the task of the author of these lines is not to supplement or summarize the manifestos placed here, but to try to look at the group as if from the outside, with the eyes of a sympathetic and, to the extent possible, attentive viewer.
Perhaps the first distinct impression of the Almanac is its heterogeneity. Speaking poets do not represent a single generation, not a single direction. The age range of the group from Dmitry Alexandrovich Prigov to Denis Novikov exceeds a quarter of a century, and the stylistic one is almost even wider. The dramaturgy of the Almanac performances is largely based on the contrast of the creative looks of the characters, and yet the audience or readers who decide that they are faced with a purely random association of authors, connected only by non-artistic friendship, will be wrong.
The Poetry Theater Almanac proves that poetry is possible even when it is not possible.
- Andrey Zorin. [2]
Editions
- Personal file No .: Literary and artistic almanac. - M .: V / O "Soyuzteatr" STD USSR Main editorship of theatrical literature, 1991. - 272 p. ISBN 5-85717-002-8
- Personal file - 2 : An art and poetry collection. - M .: New Literary Review, 1999. - 236 p. ISBN 5-86793-067-X
Notes
- ↑ Bookshelf : Literary critic Varvara Babitskaya about her favorite books. "Personal file No.: Literary and artistic almanac"
- ↑ Personal file No .: Literary and artistic almanac. - M .: V / O "Soyuzteatr" STD USSR Main editorship of theatrical literature, 1991. - 272 p. - S. 246-271.