“The Future” ( English The Future ) - American - German cinema drama 2011 Miranda Julay , who wrote the script, acted as a director and starred in the title role. The world premiere took place at the 2011 Sundance Film Festival , where the film was shown in the Premieres section. The film was nominated for the Golden Bear at the 61st Berlin International Film Festival . [3] [4] The film was released in the USA on July 29, 2011, [2] in Germany - October 27, 2011. [5] In Russia, the film was released on November 10, 2011.
| Future | |
|---|---|
| English The future | |
| Genre | drama |
| Producer | Miranda Julay |
| Producer | Gina Wong, Gerhard Meixner, Roman Paul |
| Author script | Miranda Julay |
| In the main cast | Miranda Julay Hamish Linklater |
| Operator | Nikolai von Grevenits |
| Composer | John braion |
| Film company | GNK Productions Haut et court The match factory Medienboard Berlin-Brandenburg Razor Film Produktion GmbH |
| Duration | 90 min [1] |
| Budget | $ 1 million [2] |
| Fees | $ 887,172 [2] |
| A country | |
| Tongue | English |
| Year | 2011 |
| IMDb | ID 1235170 |
The “Future” was born as a performance that was staged by July at the Theater in New York in 2007 .
Content
Story
The film takes place in the USA of the 1930s . Spouses Sophie ( Miranda Julay ) and Jason ( Hamish Linklater ) decide to take home a stray cat Poe. They still do not know that this decision will radically change their outlook on life, testing their faith in each other and in themselves.
Cast
- Miranda July - Sophie / Voice Poe
- Hamish Linklater - Jason
- - Marshall
- Isabella Acres - Gabriella
- Joe Putterlik - Joe / Voice of the Moon
- Angela Trimbur - dance studio receptionist
- Mary Passerie - animal shelter receptionist
- Kathleen Gati - Dr. Strauss
- Diana Sandoval - Neighbor
- Erinn K. Williams - Tammy
- Oona Mekas - Sasha
- Samantha Milazzo - Jayline
Film crew
- Director - Miranda Joulay
- Producers are Gina Wong, Gerhard Meixner, Roman Paul, Aaron Beckum (Associate Producer), Verona Meyer (Producer Assistant), Lissi Mushol (Assistant Producer), Mary Prendergast (Associate Producer), Rod Smith (Associate Producer), Sue Bruce Smith ( executive producer) Chris Stinson (co-producer)
- Screenwriter - Miranda Julay
- Operator - Nikolai von Grevenits
- Composer - John Brion
- Artists - Elliott Hostetter (director), Ruth De Jong, Christy Whittenborn (for costumes), Max Yuren (for scenery)
- Editor - Andrew Bird
Reception
The “Future” received generally positive reviews. So, the rating of the movie on the site Rotten Tomatoes is 72%; the consensus read: "A dark and bizarre exploration of human existence that challenges viewers how much it rewards them." [6] On the Metacritic website, which uses an average rating of critics, the film received 67/100, indicating “generally favorable reviews”. [7]
The film did not perform well in film distribution, raising only $ 568,290 in the United States with a budget of about $ 1 million. [2] Outside the United States, the film raised $ 318,510, including $ 113,922 in the UK , $ 72,523 in Germany and $ 18,593 in Russia . [five]
Notes
- ↑ The Future (12A) . British Board of Film Classification (August 15, 2011). The appeal date is November 30, 2011.
- ↑ 1 2 3 4 The Future (2011) (English) . Box Office Mojo . The appeal date is July 6, 2018.
- ↑ Berlin International Film Festival 2011: First Competition Films . Berlinale . The appeal date is January 3, 2011.
- ↑ First Berlin 2011 Contenders are Revealed . IndieMoviesOnline.com . The appeal date is January 3, 2011.
- ↑ 1 2 The Future (2011) - International Box Office Results (eng.) . Box Office Mojo . The appeal date is July 6, 2018.
- ↑ The Future (2011) (English) . Rotten Tomatoes . The appeal date is July 6, 2018.
- ↑ The Future Reviews (English) . Metacritic . The appeal date is July 6, 2018.
Links
- " Future " (English) on the Internet Movie Database
- “Future” (eng.) On the AllMovie website
- "Future" (eng.) On the site Rotten Tomatoes
- “Future” (eng.) On the Metacritic website
- " Future " (eng.) On the box office mojo (eng.)
- Brows Held High's take on the film (Eng.)