Vladimir Ivanovich Shishin (born December 5, 1952 , Rostov-on-Don ) is a composer , teacher, professor of the Rostov Conservatory , a member of the Union of Composers of Russia . Honored Artist of the Russian Federation .
| Shishin Vladimir Ivanovich | ||
|---|---|---|
| Date of Birth | December 5, 1952 (66 years old) | |
| Place of Birth | Rostov-on-Don | |
| A country |  Russia  the USSR | |
| Professions | composer | |
| Awards |
| |
Content
Biography
Vladimir Ivanovich was born on December 5, 1952 [1] in the city of Rostov-on-Don [2] . In 1972 he graduated from the Rostov School of Arts (button accordion class A. I. Dyadchenko) [1] . In 1977 , V. I. Shishin graduated from the Rostov State Conservatory. S.V. Rachmaninov specializing in the button accordion (class of Professor V. V. Ushenin ) [1] . Since 1976, Vladimir Ivanovich has been working as a teacher at the Rostov State Music and Pedagogical Institute . In 1982, Vladimir Ivanovich Shishin simultaneously completed an assistant internship at the Russian Academy of Music named after Gnesins (class of professor S. M. Kolobkov) and at the Rostov State Music and Pedagogical Institute , specializing in composition (composition class of professor A. I. Kusyakov ) [1] .
In 1977, Vladimir Shishin participated in the International Competition of Accordionists and Accordionists in Germany ( Klingenthal ) and became the winner of this competition, having also received the Champion of Europe cup and a special prize “For the best performance of a compulsory composition”. He is the first of Rostovites who won the First Prize at international competitions.
Vladimir Ivanovich is included in the tour plan of the Roskontsert and Soyuzkontsert, becomes a soloist in the Rostov Regional Philharmonic and has concerts in many cities of the USSR : Yakutsk , Magadan , Ukhta , Arkhangelsk , Vologda , Magnitogorsk , Kurgan , Yekaterinburg , Ufa , Sevastopol , Orenburg , Ulyanovsk Tolyatti , Chisinau , Zaporozhye , Simferopol , Yevpatoriya , Bishkek , Tashkent , Fergana , Kokand , Ashgabat and other cities. The impressions of the speeches of Vladimir Ivanovich Shishin were shared by a graduate of the Rostov Conservatory , Honored Artist of Russia , candidate of pedagogical sciences , professor , head of the department of folk instruments of the Tambov Musical Pedagogical Institute named after S.V. Rachmaninova Roman Nikolaevich Bazhilin:
At the concert of Vladimir Shishin I happened to visit once, in the 80s of the last century, but he was remembered for a lifetime. The concert was in the Small Hall of the Rostov Philharmonic. In the program of the concert, in addition to the original works, “Pictures from the Exhibition” by M. Mussorgsky were announced. I remember my student skepticism and critical attitude to the performance of this masterpiece on the button accordion. Then it seemed to me that the cycle definitely loses to the piano, and the evening will be lost in vain.
The concert began, and all my skepticism disappeared after the first sounds I heard. I forgot that the accordion player on stage. “Pictures from the exhibition” sounded and there was no any sense of the physical reality of the “manipulations” of the musician behind the button accordion, like all purely external aspects of button accordion. All that remained was bare music in its pristine purity, the idea of a masterpiece, its crystallized content. There was a feeling that “Pictures from the exhibition” Mussorgsky conceived precisely for the button accordion. Watching the performer, sometimes it seemed that the whole process of execution was happening within him. A deep inner concentration organically coexisted with an external restraint that does not interfere with the disclosure of the emotional world and the elements of unfolding music. Mathematical stability, rigid logic was present in every part. The continuation of the concert was no less impressive, as well as the performance of his own compositions.
After this wonderful evening, I more than once pondered the secret of Vladimir Shishin's performing success and once caught myself thinking that it was based on composing talent. Playing any composition, he is completely immersed in the author’s huge peculiar world, as in his own, and then it doesn’t matter what instrument the original was written for, it’s important that you are not a simple performer, but a creator and that you are present at the great mystery of the birth of Music [3] .
Professor of the Rostov Conservatory - Vladimir Ivanovich Shishin - prepared more than 40 graduates, including 7 laureates of the All-Russian, All-Union, international competitions in Russia , France , Poland , Lithuania : A. Nikolaev, E. Valchenko, S. Kirillova (Derevianko), A. Vedenev , D. Karaketov, D. Novikov, R. Murzenko.
Shishin V. I. - author of over 40 works [2] .
Compositions
- "Contrasts" for the button accordion;
- Preludes for button accordion;
- Romance on poems by Lesia Ukrainka “Singer”;
- Russian suite for an orchestra of Russian folk instruments (score);
- Nocturne for orchestra of Russian folk instruments (score);
- Concert for accordion and symphony orchestra (score);
- 13 preludes for piano;
- Polyphonic variations for flute, oboe, clarinet, two bassoons.
Publications
- Three plays: 1. Crocodile, 2. Python and the rabbit 3. Parrot from the suite “At the Zoo” (Op.) (In Sat: Album for the Young. Works for the button accordion. Issue 5 M. Muzyka, 1990);
- Specific techniques for playing the button accordion and the methodology for their execution (article) (Krasnodar method. Cabinet, 1991);
- Two pieces for a quartet of Russian folk instruments (op.) (Pedagogical repertoire with methodological annotations for music schools) (Krasnodar method. Cabinet, 1991);
- Strokes on the button accordion (accordion) in music school (article) (Publishing house Rostov Method. Cabinet, 1991);
- Organizing strokes on the button accordion. Volume I (monograph). (Publishing: Methodical cabinet of educational institutions of culture and art, Krasnodar, 1991);
- Organizing strokes on the button accordion. Volume II (monograph). (Publishing: Methodical cabinet of educational institutions of culture and art, Krasnodar, 1991);
- Organizing strokes on the button accordion. Volume II, part 2 (monograph). (Publishing: Methodical cabinet of educational institutions of culture and art, Krasnodar, 1991).