Drubich, Anna Sergeevna

Anna Sergeyevna Drubich in 2006 graduated from the Higher School of Theater and Performing Arts in Munich , faculty of piano.
She performed with concerts, collaborated with:

• the Salzburger Mozarteum Orchestra ,
• Moscow Virtuosi Orchestra
• Crimean Symphony Orchestra ,
• chamber orchestra KREMLIN ^[1] .

Since 2013, lives in Los Angeles , writes music for films ^{[2] [3]} .

Filmography

• “The black rose is the emblem of sadness, the red rose is the emblem of love ” - episode (1989);
• “ House under the starry sky ” - Catherine (1991);
• “ Three Sisters ” - Masha in childhood (1994);
• “ 2_Assa_2 ” - episode (2009).

Anna Drubich - composer of film music:

• The Star (2014).
• “ Keys ” (2016).
• " Big " (2017).
• “ Optimists ” (2017).
• TV series " Red Bracelets " (2017).
• Garden Ring (2018).
• " Factory " (2019).

Family

• Anna Sergeyevna Drubich is the daughter of actress and doctor Tatyana Drubich and director Sergei Solovyov .
  • Raises two daughters.

Lives in Los Angeles , USA .

Anna Solovyova was repeatedly nominated for various musical awards; among them:

• Moscow competition to them. Beethoven (1st place);
• Bremen National Piano Competition (Mozart Award);
• scholarships from the Spivakov Foundation and the Krainev Foundation;
• Nominee and finalist of the Russian national film award Nika for composer work;
• music award "Triumph" ^[4] .

• I went one summer to the composer Isaac Schwartz . We walked through the woods, listened to music, ate ice cream and talked. Schwartz, who by that time had written music for a hundred films, told me, among other things: “An, get out of my head the concept of“ movie music ”. There is no film music in nature. There is just music, and it either sounds or is silent. ”

• As far as I can remember, I always composed music. Once I was strumming a piano, dad was finishing work on the film “ On Love ”. He heard me strumming and said: “Listen, how great, I just need about such crap for a movie. Can you come to Mosfilm tomorrow? I’ll put the pieces of the film for you, and you will have another drink. ” And so it happened. Then he beat me up to write music for “Anna Karenina”, quite for his own selfish reasons. All the composers with whom he then wanted to work, asked for large advances. And so he needed to shoot the ball scene, he needed a waltz! Composers were breaking fees, without a contract they did not undertake to write music. My father came to me angry: “Listen, well, you’re my musician. You play Chopin. Write me a waltz, huh? What does it cost you? We need a light waltz, Chopin, effortlessly turning into Prokofiev. Well, something like one-two-three, one-two-three. " Of course, I twisted my finger at the temple, but I wrote the waltz.

• Official site
• Drubich, Anna Sergeyevna (English) on the Internet Movie Database
• Anna Drubich - about life in the USA, Hollywood, work on a new film by Parfenov and her legendary parents.
• Anna Solovyova: daughter of the legendary couple - Tatyana Drubich and Sergey Solovyov
• Anna Drubich on the site of the Production Company "Wednesday"