“Yerevan” is a Moscow cinema located in the Beskudnikov district on Hovhannes Tumanyan Square [3] . The artistic image of the theater is associated with the capital of the republic, whose name is the building [4] . At the cinema there was a center of Armenian culture [5] . In Soviet times, the cinema had close contact with the Ministry of Culture of the Armenian SSR . Thanks to this cooperation, the cinema hosted the premieres of all films of Armenia released on the Union screen, as well as marked major events in the cultural life of the republic [6] . The green zone of the cinema was a favorite vacation spot for residents of the region [7] .
| Cinema | |
| Cinema "Yerevan" | |
|---|---|
 | |
| A country |  Russia |
| Location | Moscow |
| Architectural style | modernism |
| Project Author | I. Loveyko , N. Gaigarov , I. Dyachenko, V. Talkovsky, B. Shishkin [1] |
| Builder | Ing. L. Vinarskaya Decor A. Bdeyan [2] |
| Building | 1970 |
Architecture
The site on which the cinema is located is adjacent to Dmitrovskoye Shosse ; the building itself is facing it with its side facade, which positively affects its perception. The basic principle of the building’s construction is the volumetric and spatial composition of the structure, which combines the dull volume of the hall and the glazed foyer space located beneath it. A similar method used by architects in the layout of the cinema is functional and aesthetically expressive [8] . In the lobby of the cinema there was a panel entitled “Gifts of Armenia” painted in oil and tempera. The author of the work was the honored artist of the Armenian SSR, the painter Mkrtich Kamalyan [9]
Situational center of the Moscow metro
Since the mid-90s, the Yerevan cinema has not been working. By Order No. 6407 of the Moscow City Property Department of July 26, 2013, the right of economic management for a non-residential building located at Dmitrovskoye Sh. 82 (cinema “Yerevan”), transferred to the State Unitary Enterprise “Moscow Metro”. The cinema building was rebuilt for the needs of the subway. In February 2017, the Center for Management of Transport Security of the Moscow Metro was opened in the building of the former cinema [1] .
Notes
- ↑ Yu.S. Yaralov. Moscow. - Moscow: Stroyizdat, 1979. - S. 119. - 170 p.Original text (Russian)“Yerevan” in Degunin (architects I. Loveyko, Yu. Gaygarov, I. Dyachenko, V. Talkovsky, B. Shishkin, engineer L. Vinarskaya, artist V. Fuchs, etc.
- ↑ M. Ghazaryan. Fine Arts of the Armenian SSR. - Moscow: Sov. artist, 1978. - S. 60. - 221 p. Original text (Russian)Bdeyan Amayak Gurgenovich Born in 1925 in Tiflis. Ceramic artist, Honored Artist of the Armenian SSR . In 1957 he graduated from the Tbilisi Academy of Arts, where he studied under 3. P. Maysuradze and D. N. Tsitsishvili. In 1961 - 1964 taught at the Yerevan Art College F. Terlemezyan. Participant of art exhibitions since 1957. Personal exhibition: Yerevan, 1960. Works: jugs, flower vases, decorative vases P. Maysuradze and D.N. Tsitsishvili. In 1961 - 1964 taught at the Yerevan Art College F. Terlemezyan. Participant of art exhibitions since 1957. Personal exhibition: Yerevan, 1960. Works: jugs, flower vases, decorative vases - “Karas”, “Khnotsi” (1962 - 1963); figurines - “Doe” (1961), “Dream” (1962), “Bather” (1963); decorative vases in Matenadaran and on Sayat-Nova Street (Yerevan); decor of the Yerevan cinema in Moscow
- ↑ Bulletin of the mayor and government of Moscow. - Issue 27, Parts 1-3. - Moscow: City Hall, 2009 .-- S. 230.
- ↑ Yu.S. Yaralov. Architectural creativity of the USSR. - Moscow: Stroyizdat, 1979. - S. 119. - 170 p.
- ↑ Moscow architecture and construction. - Moscow: Executive Committee of the Moscow City Council of People's Deputies, 1989. - S. 6.
- ↑ The art of cinema. - Issues 4-6. - Moscow: Ministry of Cinematography, 1973. - S. 150.
- ↑ Yu. Luzhkov. Beskudnikovsky district // Symbolism of Moscow: city, administrative districts, districts. - Moscow: Profizdat, 2003 .-- S. 49. - 262 p.
- ↑ Yu.S. Yaralov. Cinema "Yerevan" // Architectural Creativity of the USSR .: Problems and Judgments. [Almanac (Volume 2). - Moscow: Stroyizdat, 1974.- S. 75. Original text (Russian)YEREVAN CINEMA , which is already home to 200 thousand people - the population of the whole city. Here, in addition to the built-in cinema, the design of a commercial enterprise is planned, while the rest of the buildings and structures of the future public center are in the distant future. The site adjoins Dmitrovskoye Shosse, to which the building faces a side facade, which eliminates unnecessary front page and positively affects its perception. The main principle of the volumetric-spatial composition of the building was the combination of the deaf volume of the hall and the glazed foyer space located below it. This sharp technique, now used in cinema layouts, is functional and aesthetically expressive. “Yerevan” automobiles took into account the experience of “May Day” designers and reduced the length of the side facade. However, they could go further in this: not to include the volume of the premises of the cinema equipment in general outlines with the volume of the hall. The functional differentiation of the premises logically suggests the possibility of a richer volume plastic. Likewise, the small hall with its foyer could be expressed in the plasticity of the masses of the building, which is unreasonably depleted in its excessive desire for conciseness. Ten to fifteen years ago, a popular manner was to mold the shape of a building in general terms,
- ↑ T.N. Gorina . Kamalyan, Mkrtich Ayrapetovich // Artists of the peoples of the USSR. - Volume 4, Book 2 ,. - Moscow: Art, 1995 .-- S. 121-122.