Ton Fan (東方 畫 會, Latin: Ton Fan Group ) is the general name for the avant-garde art movements of the 1950s and early 1960s , primarily in China . also known as Société de Peinture de l'Orient [1] , Eastern Painting Society , Eastern Art Group , Orient Movement , Dongfang Huahui , is the Taiwanese avant-garde art movement founded in 1956 in Hoi Kang in Taipei. The creation of this group played an important role in the development of Taiwanese art and in the history of Chinese art of the 20th century [2] .
Content
Appearance
In 1949, Mao Zedong emerged victorious from the Civil War in China . The People's Republic of China was declared October 1, 1949 in Beijing. Chiang Kai-shek's government moved to Taiwan, the former Japanese colony captured by China after 1945. Due to the uncertainties associated with years of suffering and war, many Chinese leave the continent to emigrate to China. Taiwan or Hong Kong in search of a new hope for peace. While the very conservative political regime of Chiang Kai-shek is tied to tradition, young people will want to discover a new product, namely the West [3] .
Museum
- Chinese National Museum of Art , Beijing, China
- Museum of Modern Art (MOMA), New York, USA
- Metropolitan Museum of Art and New York Public Library, New York, USA
- Museum of Contemporary and Contemporary Art of Barcelona, Spain
- National History Museum, Taipei, Taiwan
- National Museum of Taiwan, Taichung, Taiwan
See also
- Futurology
- Passionism
- Moscow in the XXIII century
Notes
- ↑ Lü Peng. Histoire de l'art chinois au XX . Somogy, éditions d'art, 2013, p. 448. ISBN 978-2-7572-0702-4
- ↑ The Search for the Avant-Garde 1946-69 . TFAM Collection Catalog (Taipei Fine Arts Museum), tome II, 2011. Reédition 2012. chapitre 11 ISBN 978-986-03-0997-3
- ↑ [1] (link unavailable) Weastcollection
Literature
- Lü Peng. Histoire de l'art chinois au XX . Somogy, éditions d'art. Paris 2013, p. 438-469. ISBN 978-2-7572-0702-4
- Michael Sullivan. Art and Artists of Twentieth-Century Chin a. University of California Press. 1996, p. 1984-85. ISBN 978-0-520-07556-6 . Retrieved 3 July 2012.
- Julia F. Andrews and Kuiyi Shen. The Art of Modern China . University of California Press, 2012. p. 248-49.
- Michael Sullivan. Moderne chinese artists, a biographical dictionary . University of California Press. 2006. ISBN 978-0-520-24449-8
- Asian traditions / modern expressions: Asian American Artists and Abstractions, 1945-1970 . Edited by Jeffrey Weschler. Harry N. Abrams, Inc., Publishers, in association with the Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey. 1997. Reminiscences of Mi Chou: The First Chinese Gallery in America by Franck Fulai Cho p. 210. ISBN 0-8109-1976-1
- Formless Form: Taiwanese Abstract Art . Taipei Fine Arts Museum. 2012. ISBN 978-986-03-5352-5
- The Search for the Avant-Garde 1946-69 . TFAM Collection Catalog. Volume II. Taipei Fine Arts Museum. 2011. reprint 2012.p.11. ISBN 978-986-03-0997-3
- The Modernist Wave. Taiwan Art in the 1950s and 1960s. National Taiwan Museum of Fine Arts. 2011. P. , 139, 147, 148, ISBN 978-986-02-8859-9