The Chekhov rifle is the principle of dramaturgy , according to which each element of the narrative should be necessary, and non-essential elements should be removed; no elements should appear in history that deceive the audience’s expectations by never playing a role in further events. This principle is found in the correspondence of Anton Pavlovich Chekhov several times, with some variations: [1] [2] [3]
- “Everything that is not directly related to the story, everything must be ruthlessly thrown away. If you say in the first chapter that a gun is hanging on the wall, in the second or third chapter it must certainly shoot. And if he doesn’t shoot, he should not hang. ” [4]
- “You can’t put a loaded shotgun on the stage if no one wants to shoot it. You can’t promise. ”- Chekhov’s letter to Alexander Lazarev-Gruzinsky , November 1, 1889. [5] [6] [7] here the“ gun ”is a monologue that Chekhov considers unnecessary and not related to the rest of the play.
- “If in the first act you hung a gun on the wall, then in the last act it should shoot. Otherwise, do not hang it. ”- I. Ya. Gurlyand . From the memoirs of A.P. Chekhov. - “ Theater and Art ”, 1904, No. 28, July 11, p. 521. [8] [9]
See also
- Smoked herring , drawing attention to a certain element in order to distract from the more important
- McGuffin , a subject around whose possession the plot side of the work is built, and which in the course of action is often forgotten
- An omen , a plot move involving the inclusion of hints for the further development of events
- Occam’s razor , a principle that states that “new entities should not be attracted unless absolutely necessary”
- The piano in the bushes is an artificial plot twist, clumsy, obviously prepared in advance by “chance”, which the authors present as impromptu.
Links
- ↑ Bicilli, Peter Mikhailovich . Chekhov's work (Experience in stylistic analysis) // Godishnik at Sofia University. Faculty of History and Philology: journal. - Sofia, 1942 .-- T. 38 . - S. 1-138 .
- ↑ Daniel S. Burt (2008), The Literature 100: A Ranking of the Most Influential Novelists, Playwrights, and Poets of All Time , Infobase Publishing
- ↑ Valentine T. Bill (1987), Chekhov: The Silent Voice of Freedom , Philosophical Library
- ↑ Schukin S. N. From the memoirs of A.P. Chekhov (neopr.) // Russian thought . - 1911.
- ↑ Quotations by Berlin . ox.ac.uk.
- ↑ Chekhov A.P. (1 November 1889), Chekhov - Lazarev (Georgian) A.S. , Academy of Sciences of the USSR. Institute of World Lite. , < http://chehov.niv.ru/chehov/letters/1888-1889/letter-707.htm >
- ↑ Leah Goldberg (1976), Russian Literature in the Nineteenth Century: Essays , Magnes Press , Hebrew University , p. 163
- ↑ Chekhov A.P .: Annals of the life and work of A.P. Chekhov: 1889 (part 8) . chehov.niv.ru. Date of appeal March 15, 2017.
- ↑ In 1889, 24-year-old Ilia Gurliand noted these words down from Chekhov's conversation: "If in Act I you have a pistol hanging on the wall, then it must fire in the last act." Donald Rayfield, Anton Chekhov: A Life , New York: Henry Holt and Company, 1997, ISBN 0-8050-5747-1 , 203. Ernest. J. Simmons says that Chekhov repeated the point later (which may account for the variations). Ernest J. Simmons, Chekhov: A Biography , Chicago: University of Chicago Press , 1962, ISBN 0-226-75805-2 , 190.