Licensees Yamaha VL1 (1994) VL1m, VL7 (1994) VP1 (prototype) (1994) VL70m (1996) EX5 (1999) PLG-100VL, PLG-150VL (1999) YMF-724, 744, 754, 764 S-YXG100plus-VL Korg Prophecy (1995)Z1 , MOSS-TRI (1997)EXB-MOSS (2001) OASYS PCI (1999)OASYS (2005) with some modules, for instance the STR-1 plucked strings physical model [1] Kronos (2011) same as OASYSTechnics WSA1 (1995) PCM + resonator Seer systems Creative WaveSynth (1996) for Creative Labs Sound Blaster AWE64 . Reality (1997) - one of the earliest professional software synthesizer product by Dave Smith team Cakewalk Dimension Pro (2005) - software synthesizer for OS X and Windows XP . [2]
References
Further reading Daniel Levitin. Yamaha VL-1 revolutionizes synthesizer technology (Eng.) // Billboard: magazine.- Lynne Segall, 1994 .-- May 7. - P. 102-103 . Yamaha VL1. Virtual Acoustic Synthesizer , Sound on Sound , July 1994Paul Verna. Yamaha, Stanford join forces. Licensing program offers new technologies (Eng.) // Billboard: journal.- Lynne Segall, 1997 .-- August 2. - P. 56 . Julius O. Smith. Digital Waveguide Architectures for Virtual Musical Instruments // Handbook of Signal Processing in Acoustics / David Havelock, Sonoko Kuwano, Michael Vorländer. - Springer, 2008. - P. 399-417. - ISBN 978-0-387-77698-9 . Martin Russ. Sound Synthesis and Sampling .- Focal Press, 2008. - P. 288–289. - ISBN 978-0-240-52105-3 . Brian Heywood (Nov 22, 2005) Model behavior. The technology your PC uses to make sound is usually based on replaying an audio sample. Brian Heywood looks at alternatives. , PC Pro Stefan Bilbao. Numerical Sound Synthesis: Finite Difference Schemes and Simulation in Musical Acoustics .- John Wiley and Sons, 2009. - P. 11-14. - ISBN 978-0-470-51046-9 . Digital sound synthesis by physical modeling using the functional transformation method .- Springer, 2003. - P. 77–86. - ISBN 978-0-306-47875-8 .
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