Sayuri Yoshinaga ( 吉 永 小百合 Yoshinaga Sayuri ) March 13, 1945 , Shibuya , Tokyo , Japan ) - Japanese film actress and singer. One of the main stars of modern Japanese cinema . The last of that generation of outstanding [1] Japanese actresses who still worked during the golden years of Japanese cinema. Her name flashed a bright star on the movie olimp in the 1960s , when the Japanese cinema swept over the “New Wave” - this was the most successful period for her, although she, in fact, had nothing to do with this trend of young filmmakers (except for the role in the film Kiroiro Urayama " City of hundreds of blast furnaces ", filmed in 1962 ). He continues to act actively until today, without creative downtime, moving from one era to another. The owner of a large number of prestigious national film awards, and in terms of the she received at Sayuri Yoshinaga outperformed all actresses in Japan - she was four times the winner of this film award in the most prestigious nomination "For Best Actress". It is not surprising that when the classic of Japanese cinema, director Kon Itikawa was looking for a performer for the role of the outstanding Japanese actress of the 20th century, Kinuyu Tanaka in the biographical film about her “ Cinema Actress ” ( 1987 ), he did not hesitate to choose the best Japanese actress of that time - Sayure Yoshinage (shortly before this was awarded the Kinyu Tanaka Prize for outstanding career achievements). In 2006, Sayuri Yoshinaga was awarded the Medal of Honor with a purple ribbon for her services in the field of cinema [2] .
| Sayuri Yoshinaga | |
|---|---|
| jap. 吉 永 小百合 English Sayuri Yoshinaga | |
| Date of Birth | March 13, 1945 ( 74) |
| Place of Birth | Shibuya , Tokyo , Japan |
| Citizenship | |
| Profession | actress singer |
| Career | 1957 - |
| Awards | - Medal of Honor with a purple ribbon (2006) - Kinuyu Tanaka Prize Laureate (1986) |
| IMDb | ID 0949045 |
Biography
The early years
Sayuri was born in March 1945, five months before the end of World War II , her life is inextricably linked with the post-war history of Japan . Sayuri’s father, Yoshiyuki Yoshinaga, was born in Kagoshima Prefecture and was an official of the Ministry of Foreign Affairs , and Kazué's mother, who was born on the outskirts of Tokyo, was a piano teacher. Sayuri from childhood instilled a high artistic culture. The first appearance of Sayuri in the media took place at the age of twelve, when she took part in the radio show "Suzunosuke Akado" ( 1957 ) [1] . And two years later, the fourteen-year-old Sayuri made her film debut in a secondary role in the film adaptation of Minoru Yoshida's essay “Whistling in the Morning” ( 1959 , directed by Tisato Ikoma).
Movie career
The young debutante signed a contract with the Nikkatsu film company and played a lot of leading roles in it during the 1960s . The screen immediately took the young debutant into her arms, for there were a lot of invitations to act in her first years of work in front of the camera. Only in the 1960s and 1961, the young actress starred in more than twenty films. Her first leading role was the work in the lyric melodrama about the first teenage love “Girl in Glass” (dir. Mitsuo Wakasugi), which was released in the fall of 1960 and was the first of a series of “purely love films” in which she starred with Mitsuo Hamada . Although the New Wave of Japanese Cinema ruled in Japanese cinema in the 1960s, the young actress shone in the simple comedies and melodramas of such regular Nikkatsu artisans as Katsumi Nishikawa , Buichi Saito, Kenjiro Morinaga and others. In many of her early films, she played the role of serious schoolgirls or students who, with their sincere character, are able to become the subject of close attention from the class or group of peers. Among the films that formed this significant side of her image, one can note the drama from school life, “Blue Mountains” ( 1963 , directed by Katsumi Nishikawa), based on the novel of the same name by the writer 1947.
Almost simultaneously with the beginning of her film career, Sayuri also began her career as a singer, recording several singles in those years. And already in 1962, her single “It Doesn't matter When to Dream,” recorded with Yukio Hashi, was awarded the Japan Record Award Grand Prix [3] . The disc sold 300,000 copies [4] .
The 1960s became the period of greatest success for the Japanese audience for Sayuri Yoshinaga, it was the peak of her popularity - young fans all over the country created dozens of fan clubs , and her fans were called nothing more than “Sayuris” (Sayurisuto). Yoshinaga portrayed purposeful heroines on the screen, which was in tune with the dreams and aspirations of the young generation of the Japanese of that time. Although the Nikkatsu leadership used young talent as girls in entertaining teenage films, she would still be lucky to meet one of the representatives of the “new wave”, the novice director Chiriro Urayama. Sayuri Yoshinaga played in his debut work, the film “ City of hundreds of blast furnaces ” ( 1962 ), the role of the main character, a girl named Jun, daughter of a hereditary metallurgist and was, as they say, in the top ten. Both the film itself and the play of seventeen-year-old Sayuri were greeted with enthusiasm by critics and fellow filmmakers. For the performance of this role, Sayuri Yoshinaga was named the best actress of 1962 at the award ceremony for the Blue Ribbon film award in 1963 . And two years later, in 1965 , the actress was awarded yet another “Blue Ribbon”, then there was a prize of audience sympathy in the nomination “Most Popular” (Most Popular Award).
In 1965, Sayuri Yoshinaga successfully passed the exams and entered Waseda University to study at the Department of History, and also attended optional lectures on literature. Accustomed to the busy schedule of work on the set, the student continued to act in films during her studies, graduating from university in 1969 and taking 2nd place in terms of total points among graduates of that year [1] .
When at the turn of the 1960s and 1970s, the Nikkatsu film company was on the verge of bankruptcy, many of its regular stars left its ranks. Sayuri Yoshinaga was among them and since 1970 starred in films of other film companies. Although it slowed down a little the pace of work, doing one picture a year, however, this went to the actress only to the benefit. It was during this period that the growth of her professional skills and invitations to shoot by leading screen masters began. During these years, the actress starred with veteran Daiske Ito in the role of Oryo in the historical drama The Fall of the Shogunate ( 1970 ), in the films of the highly social direction of one of the leaders of the "independent", directed by Satsuo Yamamoto "War and People" (II and III parts - 1971 , 1973 ) and August without the Emperor ( 1978 ). Yoshinaga starred in two parts of the popular comedy film series Yoji Yamada about Thora-san, “It Is Hard for a Man to Live” ( 1972 , 1974 ). In 1975, thirteen years after working together on the successful film City of Hundred Domains, she was again invited by director Kiriro Urayama to her new project Youth Gate , where the actress embodied the role of Tayo, the stepmother of the main character Sinske.
In the 1980s, a flurry of awards and nominations fell on Sayuri Yoshinago. In 1981, she was nominated for a Japanese Academy Award for Best Actress in the film "Rebellion" directed by Shiro Moritani . In 1984, she was named the best actress at the Hochi Film Awards for starring in two films, Ohan (director Kon Ichikawa ) and Heaven Station , directed by Masanobu Deme . For the same roles, the following year was awarded the prizes of the Japanese Academy, Kinem Jumpo and Mainity .
At the Yokohama International Film Festival ( 1985 ), Sayuri Yoshinaga received a special prize for her career as a whole, and a year later at the Minichi Film Award Ceremony she was awarded the most prestigious award - the Kinyu Tanaka Award for outstanding career achievements.
In 1986 and 1988, the actress was nominated for a prize by the Japanese Academy for starring in the films " Yumetiyo Diary " ( 1985 , dir. Chiriro Urayama) and "Cinema Actress" ( 1987 , dir. Kon Ichikawa). In 1988, he won the Nikkan Sports Film Awards for performing the best female lead in the film " Riot of Flowers " ( 1988 , dir. Kinji Fukasaku ). 1989 brought the actress the second prize of the Japanese Academy and the title of Best Actress of the Year for her roles in the two films "Riot of Flowers" and " Crane " (1988, directed by Kon Ichikawa). And this is only the 1980s , and then more (see the section "Awards and nominations"). It is enough to mention that the actress has a personal record for the awards she received for the Japanese Film Academy - she won four times and plus twelve nominations. Yoshinaga also won the Blue Ribbon Award three times, the Mainity Competition Award winner twice, and won the Nikkan Sports Film Awards twice.
In the 1970s and 1980s , Sayuri Yoshinaga worked a lot on television, appearing in TV shows and commercials (including for such large companies as Sharp Aquos, Nissey and Kagome), and also took part in various talk shows .
In the 1980s, the classic of Japanese cinema, Kon Ichikawa, will pay attention to her, in which she will star in four films and these roles will be among her best works of that decade.
Since the mid-1980s, after starring in the dramatic film "The Diary of Yumethiyo" ( 1985 , directed by Chiriro Urayama, the film tells about the atomic bombing of Hiroshima ), the actress worked hard for the anti-nuclear movement. For more than twenty years, Sayuri Yoshinaga read poetry for free at the Peace Memorial Museum in Hiroshima , thus showing her civic position. Yoshinaga says: "I want the Japanese to always have an allergy to nuclear weapons in the future." Sayuri Yoshinaga released a disc with poems about the atomic bombing of Hiroshima and Nagasaki called "The Second Part." She takes an active part in the Goodbye NPP movement, which began after the accident at the Fukushima nuclear power plant [5] .
Among the most interesting works of the actress, made to her in the 1990s - 2000s: the role of Yumiko Minami in the film directed by Nobuhiko Obayashi "Mature Women" ( 1994 ); Aihati in the film “Nagasaki’s Careless Melody” ( 2000 , dir. Yukio Fukamati); Sino Komatsubara in The Settlers in the North ( 2005 , dir. Isao Yukisada); two works by Yoji Yamada in the dramas Kabei is Our Mom ( 2008 ) and Younger Brother ( 2010 ); the role of a teacher with Hokkaido Habyo Kawashima in the film “ Northern Canaries ” directed by Junji Sakamoto ( 2012 ). For all these works, Sayuri Yoshinaga was either nominated or was awarded the national film awards in Japan.
Over the course of a long career in cinema, actress Sayuri Yoshinaga has starred in more than 110 films [6] , not counting the numerous works on television, and has fans of all ages.
Personal life
Sayuri married television director Taro Okada in 1973 [7] . Members of the Yoshinaga family clan were categorically against this marriage, as the spouse is 15 years older than her. The popular movie star Sayuri Yoshinaga has no children.
Recognition
- In 2006, Sayuri Yoshinaga was awarded the Medal of Honor with a purple ribbon for her services in the field of cinema.
- In 2009, Japan decided to determine the top ten most beautiful Japanese film actresses. According to the results of the voting conducted by the leading Japanese magazine , both readers and authors of the magazine took part in the voting (1043 people took part in the vote), the top ten were: Setsuko Hara , Sayuri Yoshinaga, Hideko Takamine , Kinyu Tanaka , Shima Iwashita , Matiko Kyo , Isuzu Yamada , Ayako Wakao , Keiko Kishi and Sumiko Fuji [4] .
Awards and nominations
[1] [8]
| Reward | Year | Category | Movie (or single) | Result |
|---|---|---|---|---|
| Film Academy of Japan Academy of Sciences | 1981 | Best Actress | Rebellion | Nomination |
| 1985 | Best Actress | Station "Heaven" Ohan | Victory | |
| 1986 | Best Actress | Yumethiyo's diary | Nomination | |
| 1988 | Best Actress | Movie actress | Nomination | |
| 1989 | Best Actress | Crane Riot of flowers | Victory | |
| 1993 | Best Actress | Operating room Serious sin in paradise | Nomination | |
| 1994 | Best Actress | Dream woman | Nomination | |
| 1995 | Best Actress | Mature women | Nomination | |
| 1999 | Best Actress | Period of autumn drizzle | Nomination | |
| 2001 | Best Actress | Nagasaki's Careless Tune | Victory | |
| 2002 | Best Actress | Millennial love | Nomination | |
| 2006 | Best Actress | Settlers in the North (First Year in the North) | Victory | |
| 2009 | Best Actress | Kabei is our mother Where the legend lives | Nomination | |
| 2011 | Best Actress | Younger brother | Nomination | |
| 2013 | Best Actress | Northern canaries | Nomination | |
| 2015 | Best Actress | The story of a mysterious cape | Nomination | |
| 2016 | Best Actress | Life with my mother | Nomination | |
| Blue Ribbon Film Award | 1963 | Best Actress | The city where cast iron is poured | Victory |
| 1965 | Audience Award "Most Popular" (Most Popular Award). | Victory | ||
| 2001 | Best Actress | Nagasaki's Careless Tune | Victory | |
| Mainity Film Award | 1985 | Best Actress | Station "Heaven" Ohan | Victory |
| 1986 | Kinuyu Tanaka Award for Outstanding Career Achievements | Victory | ||
| 1995 | Best Actress | Mature women | Victory | |
| Japan Record Award | 1962 | The Grand Prix | single "No matter when to dream" (in a duet with Yukio Hashi ) | Victory |
| 1997 | Concept award | Victory | ||
| Nikkan Sports Film Award | 1988 | Best Actress | Riot of flowers | Victory |
| 2000 | Best Actress | Nagasaki's Careless Tune | Victory | |
| Film award " Kinem Jumpo " | 1985 | Best Actress | Station "Heaven" Ohan | Victory |
| Hochi Film Awards | 1984 | Best Actress | Station "Heaven" Ohan | Victory |
| Yokohama Film Festival | 1985 | Special Career Award | Victory | |
| Asian film awards | 2009 | Best Actress | Kabei is our mother | Nomination |
Filmography
| Filmography of Sayuri Yoshinaga [6] [9] | ||||||
|---|---|---|---|---|---|---|
| Year | Russian name | original name | Romaji name | English name at international box office | Producer | Role |
| 1950s | ||||||
| 1959 | " Whistling in the morning " | 朝 を 呼 ぶ 口 笛 | Asa wo yobu kuchibue | Limited pressing | Tisato Ikoma | Mivako Kariya |
| 1960s | ||||||
| 1960 | “The Phantom Detective. The invasion of the underground people " | ま ぼ ろ し 探 偵 地 底 人 襲来 | Maboroshi tantei chitei jin shuurai | Ryutaro Condo | Sakura Yoshino | |
| “ Story Arrow 2: The Lightning Man ” | 拳 銃 無 頼 帖 電光石火 の 男 | Kenju burai-cho: Denkosekka no Otoko | Tales of a Gunman: The Man of Lightning | Hiroshi Noguchi | Noriko Dan | |
| "---" | 霧 笛 が 俺 を 呼 ん で い る | Muteki ga ore wo yonde iru | Tokujiro Yamazaki | Yukiko | ||
| “ Story Arrow 3: A Man Who Laughs Ominously ” | 拳 銃 無 頼 帖 不敵 に 笑 う 男 | Kenju Burai-cho: Futeki ni warau otoko | Tales of a Gunman: The Man With Sinister Laugh | Hiroshi Noguchi | Noriko Dan | |
| " Everything rolls into the abyss " | す べ て が 狂 っ て る | Subete ga kurutteru | The Precipice / Everything Goes Wrong | Seijun Suzuki | Noriko | |
| " Girl in the Glass " | ガ ラ ス の 中 の 少女 | Garasu no naka no shôjo | Girl in the Glass | Mitsuo Wakasugi | Yasuyu | |
| " Beautiful resistance " | 美 し き 抵抗 | Utsukushiki teikou | Kenjiro Morinaga | Kumiko Sanjo | ||
| 1961 | " The story of great success " | 大 出世 物語 | Daishusse monogatari | Story of great success | Yutaka Abe | Takako |
| “The angel follows me ” | 天使 が 俺 を 追 い 駈 け る | Tenshi ga ore wo oi kakeru | Saga ida | Kumi | ||
| "---" | 花 と 娘 と 白 い 道 | Hana to musume to shiroi michi | Kenjiro Morinaga | Miyako | ||
| " Dirty work " | ろ く で な し 稼 業 | Rokudenashi kagyo | Dirty work | Buiti Saito | Sumiko Hamada | |
| " Policeman 's diary " | 警察 日記 | Keisatsu nikki | The Diary of a Police Officer | Mitsuo Wakasugi | Yoshi's eldest daughter | |
| "---" | 早 射 ち 野 郎 | Hayauchi yarô | Fast-Draw Guy / Quick Draw Joe | Takashi Nomura | Misa Mayama | |
| " Do as I please " | 有 難 や 節 あ ゝ 有 難 や 有 難 や | Yuu nan ya fushi | Doing What I Please | Katsumi Nishikawa | Yoko morita | |
| " Whistle in the dark " | 闇 に 流 れ る 口 笛 | Yami ni nagareru kuchibue | Whistling in the darkness | Yoichi Ushihara | Sakiko kakizaki | |
| "---" | こ の 若 さ あ る 限 り | Kono wakasa aru kagiri | That Young May Be Eternal / So Long as We Have Youth | Koreyoshi Kurahara | Ryoko Kavanami | |
| “ I refuse to die ” | 俺 は 死 な な い ぜ | Ore ha shina nai ze | I refuse to die | Eisuke Takizawa | Yumiko | |
| " Never admit defeat " | 闘 い つ ゞ け る 男 | Tatakai tsu keru otoko | Never admit defeat | Katsumi Nishikawa | Ryoko Kurama | |
| Crazy Sun | 太陽 は 狂 っ て る | Taiyō wa kurutteiru | The Sun Is Mad / Lost in the Sun | Toshio Masuda | Tisato hojo | |
| " He and I " | あ い つ と 私 | Aitsu to watashi | He and i | Ko nakahira | Yumiko | |
| Lawn Mower | 草 を 刈 る 娘 | Kusa wo karu musume | The Grass-Cutters / The Grass-Mowers | Katsumi Nishikawa | Myoko | |
| Blues of the Black Scar | 黒 い 傷 あ と の ブ ル ー ス | Kuroi kizuato no burūsu | The black scar | Takashi Nomura | ||
| 1962 | Date Season | さ よ な ら の 季節 | Sayonara no ki bushi | Eiskue Takizawa | Sachiko Tonomura | |
| “ Keep your chin up ” | 上 を 向 い て 歩 こ う | Ue o muite arukô | Keep Your Chin Up / Walk with Your Chin Up | Toshio Masuda | Noriko Nagai | |
| “ City of hundreds of blast furnaces ” (“City where cast iron is poured”, “Dome city”; at the USSR box office - “Always exists tomorrow” [comm. 1] [10] ) | キ ュ ー ポ ラ の あ る 街 | Kyûpora no aru machi | Foundry Town / Cupora, Where the Furnaces Glow | Kiriro Urayama | Jun | |
| " The flow of life " | 激流 に 生 き る 男 | Gekiryuu ni ikiru otoko | A torrent of life | Takashi Nomura | Sakai | |
| " Red buds and white flowers " | 赤 い 蕾 と 白 い 花 | Akai tsubomi to shiroi hana | Red buds and white flowers | Katsumi Nishikawa | Tomiko Iwabushi | |
| "The man in the night fog " | 霧 の 夜 の 男 | Kiri no yoru no otoko | Akinori Matsuo | Miki Fukasawa | ||
| " A man with stars in his eyes " | 星 の 瞳 を も つ 男 | Hoshi no hitomi o motsu otoko | The man with stars in his eyes | Katsumi Nishikawa | Saeko Sinada | |
| " The future of the bride " | あ す の 花嫁 | Asu no hanayome | Takashi Nomura | Yuriko Shouzaki | ||
| Young People (Fresh Leaves) | 若 い 人 | Wakai hito | Young People / Flesh Leaves | Katsumi Nishikawa | Keiko Enami | |
| " Two lonely people " | ひ と り ぼ っ ち の 二人 だ が | Hitoribotchi no futari da ga | Two Lonely People | Toshio Masuda | Yuki Tajima | |
| 1963 | " Blue Mountains " | 青 い 山脈 | Aoi sanmyaku | Blue Mountains / Beyond the Green Hills | Katsumi Nishikawa | Shinko Terazawa |
| " Full of hope " | い つ で も 夢 を | Itsudemo yume o | Full of hop | Takashi Nomura | Hikaru Mihara | |
| “A pure heart stained with mud ” | 泥 だ ら け の 純情 | Dorodarake no junjô | The mud-spattered pure heart | Ko nakahira | Mami Yokoyama | |
| " Loser in the rain " | 雨 の 中 に 消 え て | Ame no naka ni kiete | Lost in the rain | Katsumi Nishikawa | Ayako Kawaji | |
| " Back to the sun " | 俺 の 背 中 に 陽 が 当 る | Ore no senaka ni hi ga ataru | With my back to the sun | Ko nakahira | Asako | |
| " Dancer from Izu " | 伊豆 の 踊 子 | Izu no odoriko | The Izu Danser / Love Comes with Youth | Katsumi Nishikawa | Kaoru | |
| “ Under the Roofs of New Tokyo ” | 若 い 東京 の 屋 根 の 下 | Wakai tōkyō no yane no shita | Takeichi Saito | Fukiko Kuvano | ||
| " Beautiful calendar " | 美 し い 暦 | Utsukushii koyomi | Kenjiro Morinaga | Sadako Yajima | ||
| " Mom's wedding dress " | 波 浮 の 港 | Mother's Wedding Gown | Takeichi Saito | Akiyo | ||
| "The shining sea " | 光 る 海 | Hikaru umi | Bright sea | Yasushi Nakahira | Mieko Ishida | |
| 1964 | “ Hello, 20 years ” | こ ん に ち は 、 20 歳 | Kon'nichiwa 20 sai | Kenjiro Morinaga | Kanako Ishizawa | |
| “ Hi baby! " | こ ん に ち は 赤 ち ゃ ん | Kon'nichiwa akachan | Motomu Ida | Keiko Udagawa | ||
| “ Asakusa Lights. The history of the dancer | 浅 草 の 灯 踊 子 物語 | Asakusa no akashi odoriko monogatari | Takeichi Saito | Reiko Kosugi | ||
| "The noise of the surf " | 潮 騒 | Shiosai | The sound of waves | Kenjiro Morinaga | Hatsue Miyata | |
| " Wind, trees and sky " | 風 と 樹 と 空 と | Kaze to ki to sora to | The Wind, The Trees And The Sky | Akinori Matsuo | Takiko Savada | |
| " Homecoming " | 帰 郷 | Kikyô | Homecoming | Katsumi Nishikawa | Tomoko Moria | |
| “ Garden of Heaven ” (“Looking at Love and Death”) | 愛 と 死 を み つ め て | Ai to shi o mitsumete | Amazing at love and death | Takeichi Saito | Michiko Kojima | |
| " In the whirlwind of life " | う ず 潮 | Uzu shio | Eddy currents of life | Takeichi Saito | Fumiko Hayashi | |
| Little Women (Four Young Sisters) | 若 草 物語 | Wakakusa monogatari | Four Young Women / Four Young Sisters | Kenjiro Morinaga | Sizuka Takamura | |
| 1965 | " Farewell song " | 悲 し き 別 れ の 歌 | Kanashiki wakare no uta | Sad song of separation | Katsumi Nishikawa | Yuriko Nomura |
| “ Minors: City of hundreds of blast furnaces 2 ” (“Beginning of life”) | 続 ・ キ ュ ー ポ ラ の あ る 街 未成年 | Miseinen - Zoku cupola no aru machi | The start of life | Takashi Nomura | Jun Ishiguro | |
| “ Frivolous age ” | 青春 の お 通 り | Seishun no o toori | The frivolous age | Kenjiro Morinaga | Sakurako Nambara | |
| “ Song of father and daughter ” (“Song of Love”) | 父 と 娘 の 歌 | Chichi to musume no uta | The song of love | Takeichi Saito | Hiroko Taku | |
| “ Four love stories ” | 四 つ の 恋 の 物語 | Yottsu no koi no monogotari | Four Love Stories / The Four Loves | Katsumi Nishikawa | Miyako Misawa | |
| 1966 | “ Winged Romance ” | 大 空 に 乾杯 | Oozora ni kanpai | Winged romance | Takeichi Saito | Yuriko Takura |
| “ Mill, Tulips and Love ” | 風車 の あ る 街 | Kazaguruma no aru machi | A Windmill, Tulips and Love | Kenjiro Morinaga | Mariko Miura | |
| “ Where there is a will ” | 私 、 違 っ て い る か し ら | Watashi, Chigatteiru kashira | Where there is a will | Akinori Matsuo | Katsura Shiraishi | |
| Chronicle of Love and Death [comm. 2] [10] | 愛 と 死 の 記録 | Ai to shi no kiroku | A Record of Love and Death / The Heart of Hiroshima | Koreyoshi Kurahara | Kazue Matsui | |
| The Swan | 白鳥 | Hakuchô | The swan | Katsumi Nishikawa | Reiko Kobayashi | |
| 1967 | " Black sheep " | 青春 の 海 | Seishun no umi | The black sheep | Sogoro Nishimura | Kyoko Miyake |
| Highway of Love | 恋 の ハ イ ウ ェ イ | Koi no highway | The highway of love | Takeichi Saito | Wakaba Kaji | |
| " Hippie Love " | 君 が 青春 の と き | Kimi ga seishun no toki | Hippie love | Takeichi Saito | Kaori | |
| “ At the end of sunset ” (“Lonely Life”) | 斜陽 の お も か げ | Shayô no omokage | The lonely life | Mitsumasa Saito | Matico Kita | |
| " My lover " | 君 は 恋人 | Kimi wa koibito | My lover | Takeichi Saito | Yuri Yoshinaga | |
| 1968 | " Flower lovers " | 花 の 恋人 た ち | Hana no koibitotachi | The sweet interns | Takeichi Saito | Misao |
| " Windy youth " | 青春 の 風 | Seishun no kaze | The society | Sogoro Nishimura | Mitsuko Kusumoto | |
| “ Who won? " | だ れ の 椅子? | Dare no isu? | The final winner? | Kenjiro Morinaga | Keiko Savamura | |
| “ Monument to the Women's Corps ” | あ ゝ ひ め ゆ り の 塔 | Â Himeyuri no Tô | Ah, Tower of Lilies / Monument to the Girl's Corps | Toshio Masuda | Kazuko Yonamine | |
| 1969 | "---" | 花 ひ ら く 娘 た ち | Hana hiraku musume tachi | Takeichi Saito | Tamiko Kakizaki | |
| " Heroes in the storm " | 嵐 の 勇者 た ち | Arashi no yushatachi | Heroes in a Storm / The Cleanup | Toshio Masuda | Fuyuko | |
| 1970s | ||||||
| 1970 | The Fall of the Shogunate | 幕末 | Bakumatsu | The Restoration of Meiji | Daiske Ito | Oryo |
| "The journey of love " | 風 の 慕 情 | Kaze no bojo | Journey of Love | Noboru Nakamura | Yuko Hase | |
| “ Youth in full assembly ” | 青春 大 全集 | Seishun dai zenshuu | Junzo Mizukawa | Ritsko Nemoto | ||
| 1971 | “ War and people. Part 2 " | 戦 争 と 人間 第二部 愛 と 悲 し み の 山河 | Sensou to ningen dai ni bu | Men and War, Part Two | Satsuo Yamamoto | Junko Godai |
| 1972 | “ A man lives hard. Movie 9: Native Home in Sibamata » | 男 は つ ら い よ 柴 又 慕 情 | Otoko wa tsurai yo: Shibamata bojo | Tora-san's Dear Old Home (Tora-san 9) | Youji yamada | Utako |
| 1973 | “ War and people. Part 3 " | 戦 争 と 人間 第三部 完結篇 | Senso to ningen III | Man and War, Part III | Satsuo Yamamoto | Junko Godai |
| 1974 | “ A man lives hard. Movie 13: Torajiro, Plunged from Love | 男 は つ ら い よ 寅 次郎 恋 や つ れ | Otoko wa tsurai yo: Torajiro koiyatsure | Tora-san's Lovesick (Tora-san 13) | Youji yamada | Utako |
| 1975 | " The gates of youth " | 青春 の 門 | Seishun no mon | The gate of youth | Kiriro Urayama | Tayo, Sinske's stepmother |
| 1977 | " Youth " | 若 い 人 | Wakai hito | Young people | Yoshisuke Kawasaki | Yuki Ayusawa |
| 1978 | August without the Emperor [comm. 3] [10] | 皇帝 の い な い 八月 | Kôtei no inai hachigatsu | August without Emperor | Satsuo Yamamoto | Kyoko |
| 1979 | Tarot, Son of the Dragon (anime) [comm. 4] [10] | 龍 の 子 太郎 | Tatsu no ko tarô | Taro, the dragon boy | Chiriro Urayama , Peter Fernandez | Tatsuya (voice) |
| “ My son is killed! " | 衝動 殺人 息 子 よ | Shodo satsujin: Musuko yo | My son! My son! | Kaisuke Kinoshita | Yasuko Shibata | |
| 1980s | ||||||
| 1980 | " Rebellion " | 動乱 | Dôran | Ciro Moritani | Kaoru Mizoguchi | |
| 1982 | " Strait " | 海峡 | Kaikyô | The longest tunnel | Ciro Moritani | Tae Makimura |
| 1983 | " Small snow " | 細 雪 | Sasame-yuki | The makioka sisters | Kon Ichikawa | Yukiko Makioka |
| 1984 | " Heaven Station " | 天国 の 駅 | Tengoku no eki: Heaven Station | Station to heaven | Masanobu Deme | Kayo Hayashiba |
| Ohan | お は ん | Ohan | Ohan | Kon Ichikawa | Ohan | |
| 1985 | " Yumetiyo 's diary " | 夢 千代 日記 | Yumechiyo nikki | Yumechiyo | Kiriro Urayama | Sachiko Nagai / Yumetiyo |
| 1986 | “ Genkai Tsurezure Song ” | 玄 海 つ れ づ れ 節 | Genkai tsurezure-bushi | Song of Genkai Tsurezure | Masanobu Deme | Yuki Yamaoka |
| 1987 | " Movie actress " | 映 画 女優 | Eiga joyû | Movie actress | Kon Ichikawa | Kinyu Tanaka |
| 1988 | Crane | つ る - 鶴 - | Tsuru | Crane | Kon Ichikawa | Tsuru |
| " The riot of flowers " | 華 の 乱 | Hana no ran | The Rage of Love / A Chaos of Flowers | Kinji Fukasaku | Akiko Yosano | |
| 1990s | ||||||
| 1992 | " Operating " | 外科 室 | Gekashitsu | The operating room | Tamasaburo Bando | Takafune |
| " Serious sin in paradise " | 天国 の 大 罪 | Tengoku no taizai | Heavenly sin | Toshio Masuda | Ryoko Kinuhata | |
| 1993 | " Woman of Dreams " | 夢 の 女 | Yume no onna | Yearning | Tamasaburo Bando | Onami |
| 1994 | " Mature women " | 女 ざ か り | Onna-zakari | A Mature Woman / Turning Point | Nobuhiko Obayashi | Yumiko Minami |
| 1996 | " Misty Meridians " | 霧 の 子午線 | Kiri no shigosen | Masanobu Deme | Yae Sawada | |
| 1998 | " Rennio 's story " | 蓮 如 物語 Rennyo | Rennyo monogatari | Rennyo | Osamu Kasai | narrator (voice) |
| " The period of autumn drizzling rain " | 時 雨 の 記 | Shigure no ki | Diary of early winter shower | Sinichiro Sawai | Tae Horikawa | |
| 2000s | ||||||
| 2000 | “ Nagasaki ’s Careless Tune ” | 長崎 ぶ ら ぶ ら 節 | Nagasaki burabura bushi | Yukio Fukamati | Aihati (Matsuo, Sada) | |
| 2001 | Millennial Love | 千年 の 恋 ひ か る 源氏物語 | Sennen no koi - Hikaru Genji monogatari | Genji: A Thousand-Year Love | Thinly horikawa | Murasaki Shikibu |
| 2005 | “ Settlers in the North ” (“First Year in the North”) | 北 の 零 年 | Kita no zeronen | Year One in the North | Isao Yukisada | Sino Komatsubara |
| 2008 | “ Kabei is our mother ” | 母 べ え | Kâbê | Kabei: Our Mother | Youji yamada | Kayo Kicking |
| " Where the legend lives " | ま ぼ ろ し の 邪 馬 台 国 | Maboroshi no yamataikoku | Where the Legend Lives | Yukihiko Tsutsumi | Kazuko Miyazaki | |
| 2010s | ||||||
| 2010 | " Little brother " | お と う と | Otôto | Younger brother | Youji yamada | Ginko Takano |
| 2011 | Buddha: The Great Departure (anime) | 手塚治虫 の ブ ッ ダ 赤 い 砂 漠 よ! 美 し く | Tezuka Osamu no budda: Akai sabaku yo! Uttsukushiku | Buddha: The Great Departure | Kozo Morishita | Maya (voice) |
| 2012 | “ Northern Canaries ” (“Canaries of the North”, “Chorus of Angels”) | 北 の カ ナ リ ア た ち | Kita no kanaria-tachi | A chorus of angels | Junji Sakamoto | Habyo Kawashima |
| 2014 | Buddha 2: The Endless Journey (anime) | BUDDHA2 手塚治虫 の ブ ッ ダ 終 わ り な き 旅 | Buddha 2: Tezuka Osamu no Budda - Owarinaki tabi | Buddha 2: The Endless Journey | Toshiaki Komura | Maya (voice) |
| " The history of the mysterious cape " | ふ し ぎ な 岬 の 物語 | Fushigi na misaki no monogatari | Cape nostalgia | Izuru Narusima | Etsuko | |
| 2015 | “ If I lived with my mom ” | 母 と 暮 せ ば | Haha to kuraseba | Living with my mother | Youji yamada | Nobuco Fukuhara |
| 2018 | " Northern primrose " | 北 の 桜 守 | Kita no sakuramori | North's sakuramori | Yojiro takita | Tetsu Ezure |
Comments
- ↑ The film was shown at the Soviet box office in May 1964 under the title “Always Exists Tomorrow”, r / u Goskino USSR No. 1074/64 (until April 1, 1974) - published: “Catalog of films of the current fund. Issue II: Foreign Feature Films ”, Inf.-advert. bureau cinema and film distribution committee on cinematography under the Council of Ministers of the USSR, M.-1972, p. 24.
- ↑ The film was shown at the Soviet box office since 1972, r / y Goskino USSR No. 2006/71 (until January 15, 1978) - published: “Annotated catalog of films released in 1972”, Inf.-advert. bureau kinofikatsii and film distribution committee of the USSR Council of Ministers for Cinematography, M.-1973, p. 95.
- ↑ The film was shown at the Soviet box office in March 1981, r / u Goskino USSR No. 2215/80 (until June 20, 1987) - published: "Annotated catalog of films released in 1981. V / O" Soyuzinformkino ", Goskino USSR, M.-1982, p. 112.
- ↑ The film was shown at the Soviet box office in May 1981, r / u Goskino USSR No. 2312/80 (until September 10, 1987) - published: "Annotated catalog of films released in 1981. V / O" Soyuzinformkino ", Goskino USSR, M.-1982, p. 153.
Notes
- ↑ 1 2 3 4 About Sayuri Yoshinaga on mtv.com
- ↑ 紫 綬 褒 章 の 内 示 に on the TV Asahi website (Japanese)
- ↑ 第 4 回 日本 レ コ ー ド 大 賞 on Internet arhive Wayback Machine
- ↑ 1 2 若 尾 文 子 (わ か お あ や こ) on baidu.com (Chinese)
- ↑ Geng Okamoto. Sayuri Yoshinaga: “No” to nuclear weapons in any case (“Asahi Shimbun”, Japan) on the website inoСМИ.Ru (Russian)
- ↑ 1 2 吉 永 小百合 on Japanese Movie Database (JMDb) (Japanese)
- ↑ Sayuri Yoshinaga on FamousBirthdays.com
- ↑ Sayuri Yoshinaga on IMDb-Awards
- ↑ Sayuri Yoshinaga on IMDb (English)
- ↑ 1 2 3 4 List of foreign films at the box office of the USSR from 1955 to 1991. at the forum of the cinema club "Phoenix" (Russian)
Links
- Sayuri Yoshinaga on the Internet Movie Database
- Okamoto Gen: Sayuri Yoshinaga: “No” to nuclear weapons in any case (“Asahi Shimbun”, Japan) on the website inoСМИ.Ru (Russian)
- Inamasu Tatsuo, Professor at Hōsei University: Yoshinaga Sayuri: Last of the Silver Screen's National Heroines at nippon.com