Absalyam Fayzoll (Fayzulla) ( November 23, 1911 , now Irgiz district of Aktobe region - 1993 , Alma-Ata ) - one of the first Kazakh cameramen, documentary. Honored Artist of the Kazakh SSR (1969), a member of the Union of Cinematographers of the Kazakh SSR.
| Absalyam Fayzoll | |
|---|---|
 | |
| Date of Birth | November 23, 1911 |
| Place of Birth | Irgiz district , Aktobe region |
| Date of death | July 1, 1993 (81 years) |
| Place of death | Alma ata |
| A country | |
| Occupation | cinematographer |
Biography
Fayzulla Absalyamov in 1926 graduated from the seven-year school, studied at the Kazakh Institute of Education in Kzyl-Orda , at the preparatory department of the Transport Institute in Tashkent [1] . In 1930, Faizoll Absalyamov worked as an assistant to Alibi Dzhangildin [2] .
In 1939, the Resolution of the USSR People's Commissariat on the training of national personnel for the republics of Central Asia and Kazakhstan was issued. At that time F. Absalyamov was a student of the Physics and Mathematics Faculty of the Kazakh State University named after SM Kirov and was among the six gifted young men and women selected to study at VGIK .
When the Great Patriotic War began, Fayzollah Absalyamov returned home. He began his creative activity in 1941 at the Central Studio of Feature Films in Almaty. He was an operator when shooting feature films “ Antosha Rybkin ” (1942), “Songs of Abay” (1945). During this period, he worked in creative collaboration with the pioneers of Kazakh cinema Kabysh Siranov, Dariga Tnalina, Oraz Abishev .
After the war, he continued his studies at the camera department at VGIK, which he graduated in 1948. He studied in the workshop Kosmatova L. In . After graduation, Absalyamov took part in the development of the Kazakh documentary newsreel. His documentary paintings were devoted to simple field workers, farmers, shepherds, rice farmers. They were filmed more than 600 scenes for the film magazine "Soviet Kazakhstan". He was the production director of the documentary films “The Bread of the Virgin” (1958), “Happy Birthday, Kyzylorda” (1969), “Dream Island” (1969) and other documentaries.
People's Artist of the USSR Aimanov Sh. K. in one of the last interviews said [3] :
| “Conventionally, we can name three stages of the emergence of our national cinema. Birth first. First of all there was a newsreel. The first films created on Kazakh soil were documentary. This is natural for all world cinematography. Documentary filmmakers have always been explorers, scouts of gold placers of interesting facts, human characters and unique expressive means of new art. And the point is not only that the chronicle was undemanding and could do with the then primitive technique. It was with us that she was supposed to be the first because no country in the world knew such a cosmic take-off from medieval backwardness to the heights of socialist power, like my Kazakh land. New buildings smoked and rumbled, the lights of schools glittered, the foundation of industry was laid, diversified agriculture developed, theaters and clubs opened. And all this just needed to be captured in order to help people to realize the great historical changes with bright film journalism. In those days, began to regularly publish newsreel "Soviet Kazakhstan". And at the same time, during the years of the first birth of cinematography in Kazakhstan, construction sites and steppes, mines and fishermen’s sows included operators Gennady Novozhilov, Mauken Sagimbayev, Yakov Smirnov, Fayzulla Absalyamov, director Oraz Abishev and others. The man with the camera firmly entered the life of the republic. " |
Family
Brother - Abdisalyamov Galymzhan (Alim Almat) (1917) - the first violinist of Kazakhstan (although in the music world the first violinist of Kazakhstan is officially considered to be Aytkesh Tolganbaev, born in 1924. Aytkesh is his student). The participant of the first Decade of the Kazakh art in Moscow in 1936. He studied music in Almaty, Tashkent. In the ranks of the Red Army he was called up by the Almaty Main Military Command in 1939, served as a private soldier, a violinist of a musician platoon of the 84th infantry regiment of the 6th rifle division . He was captured in the Brest Fortress on the first day of the war [4] . After the end of World War II, he did not return to his homeland, graduated from the Russian Conservatory named after Rachmaninov in Paris. He was personally acquainted with Temirbek Zhurgenov and Shokai with Maria Gorina. Lives in Turkey [2] .
Notes
- ↑ Fayzulla Absalyamov // brod.kz
- ↑ 1 2 Lyazzat Egibaeva. The first violinist of Kazakhstan // Aktobe Bulletin. - 2011. - 10 March.
- ↑ Zaituna Dzhandosova: Shaken Aimanov - three births of Kazakh cinema (Not available link) . headline.kz (October 28, 2014). The date of circulation is October 28, 2014. Archived November 3, 2014.
- ↑ Laila Akhmetova. June 22, 1941. Brest Fortress. Kazakhstan . Internet newspaper © ZONAkz (June 22, 2012). The date of circulation is July 1, 2017.
Literature
- Kazakh SSR: a brief encyclopedia, Almaty: Ch. ed. Kazakh Soviet Encyclopedia, 1991. v.4
- Directory of the Union of Cinematographers of the USSR in 1981 (compiled by G. Mirnova) - M., BPSK. 1981
- Encyclopedia "Aktobe", Aktobe, Otastarstar-Polygraphy, 2002.