Inna Samoilovna Chernetskaya (nee Boytler ; August 29, 1894 - 1963 ) - dancer, choreographer, dance theorist. The founder of the "synthetic" direction in dance [1] .
Inna Samoilovna Chernetskaya | |
---|---|
Inna Samoylovna Boitler | |
Date of Birth | August 29, 1894 |
Place of Birth | Riga |
Date of death | 1963 |
Occupation | |
Children | Yuri |
Content
Biography
Inna Samoylovna Boitler was born in Riga [2] (according to other sources in Moscow [3] ), in a Jewish family. Her brothers are comedian actor Arkady Beutler , architect and civil engineer Veniamin Beutler and cyclist Mikhail Beutler , sister Anna Beutler.
After graduating from high school in 1910, she studied natural sciences at the University of Berlin [1] and at the same time she studied at the dance school with Elizabeth Duncan , the sister of the dancer Isadora Duncan . She transferred to the University of Lausanne at the Faculty of History and Philosophy, and later studied in Munich (music by A. Sakharov and painting by A. Yavlensky ). At this time, plastic and rhythmic dances became widespread in Russia thanks to the successful performances here by Isadora Duncan. In parallel with her studies (at this time she specialized in Rudolf von Laban), Chernetsky was studying the theoretical foundations of “synthetic dance”. In early 1914, she continued her studies at the gymnastics academy of Emile Jacques-Dalcroze, and in the summer of 1914 she returned to Russia.
Having settled in Moscow, she studied at the school of choreographer M. Mordkin and at the drama courses of A. Adashev. In the same year, 1914, I. S. Chernetskaya opened her school-studio at the intersection of Sadovaya and Tverskaya streets (house number 10), where she sought to unite music, painting and various types of stage movement in a production. The dance created by her, striving to merge the choreography with painting, music and drama, was called “synthetic” [4] [2] .
Her first solo performance took place at the Zimin Theater in 1915 . At the same time she opened her own classes for the preparation of actors of the “synthetic theater”, where she was taught plastics, acrobatics and gestures (in 1919 the studio was registered as a state) [1] .
In 1916, the studio of Khanzhonkov released a picture with the participation of Russian actress Vera Kholodnaya . One of the producers of the picture was the brother of Chernetsky - Arkady Beutler. The main character of the film was called “Inna Chernetskaya” [5] .
In 1917, Inna Chernetskaya married Boris Shcherbakov and her son Yury Shcherbakov was born [6] . During the Civil War, Chernetskaya brought a studio to Kislovodsk [1] . The poet Vyacheslav Ivanov spoke at the opening of the studio in Kislovodsk. In addition to working in the studio, I. S. Chernetskaya taught at the Kislovodsk Conservatory, read lectures, and organized demonstration evenings in which famous actors and poets took part. In the 1920s, she returned to Moscow and reopened her studio at the choreological laboratory (1923). She collaborated with international journals, in particular, she participated in discussions between "Dunkan" and "Munich" supporters of dance development.
In 1922 Chernetskaya participates in the first ballet Olympiad [6] .
In 1923, Inna Chernetskaya performs on the anniversary of Bryusov at the Bolshoi Theater with the composition Pan (to the music of C. Donanie ) [7] . There is a series of photographs taken in the element native to Pan, among the trees, with half-naked dancers in sensual poses [1] .
In 1925 (?), Inna Samoilovna went to Paris and Germany as part of the delegation preparing the world exhibition. He meets Korovin and will be in correspondence with him until the end of his life. He also restores contacts with his choreographic school and teachers, continues to seriously prepare the theoretical substantiation of his work. In 1927 he created the ballet "Steel" [8] . Tries to find a composer, in February 1927, turns to Prokofiev (unsuccessfully) [9] . But in December 1927 the composer Mosolov presents an overture to this ballet (Zavod [8] )
Since 1928 - teacher director at the Bolshoi Theater.
In 1929, the fight begins with the studio dance movement. A studio room is being taken away from Chernetskaya, her apartment on Arbat is being sealed, and her neighbor is assigned a snitch. In 1933, Lunacharsky died. Chernetskaya works at GOSET , and later goes to work as a dance director for Stanislavsky at the Moscow Conservatory [10]
After the war, continues to teach at the Moscow Conservatory.
Proceedings
- The main elements of the art of dance (guidelines for the heads of dance circles). All-Union Committee on Arts at SNK USSR. All-Union House of Folk Art. N. K. Krupskaya. Muskombinat. M .: Red Warrior Printing House, 1937. [11]
Links
Notes
- ↑ 1 2 3 4 5 Sirotkina I. Free movement and plastic dance in Russia, Moscow, 2001, 361 p.
- ↑ 1 2 Boris Altshuler “Extreme States of Lev Altshuler” // Seven Arts, № 6 (43) June 2013
- ↑ Russian ballet. ENCYCLOPEDIA (94)
- ↑ Russian ballet
- ↑ Cold Vera Vasilyevna
- ↑ 1 2 Nikolay Otten. “She was generous, hospitable, unrestrained in actions ...” (From a book about CG Paustovsky. Memories of T. A. Evteeva) Archived on April 17, 2014.
- ↑ Performance of the studio Chernetskaya - Anatoly Lunacharsky
- 2 1 2 Larry Sitsky Music of the Repressed Russian Avant-garde, 1900-1929
- ↑ THE TALE ABOUT THAT SERGEY SERGEYEVICH PROKOFIEV APPROXED TO “BOLSHEVIZIYA” (Prokofiev’s Diary. The selection was prepared by D. Gorbatov.) // Lebed (independent almanac) No. 266 April 07, 2002
- ↑ Novitskaya L.P. Lessons of inspiration (Inaccessible link) . The appeal date is April 16, 2014. Archived March 4, 2016.
- ↑ WRITERS OF RUSSIA (Materials for the bio-bibliographic dictionary), Compiled by Yu. A. Gorbunov