Below is a list of paintings by German artist Max Ernst .
Content
List
The artist named paintings in German, French, English and Latin. The list along with the Russian translation is given the original name.
The names of some of the paintings consist of whole sentences or poems. The [...] mark indicates the continuation of the name. Full name given in the comments.
| Picture | Title | Year of creation | Technique / Size (cm) | Storage | Note |
|---|---|---|---|---|---|
| Castle Park in Bruhl ( him. Schlosspark von Brühl ) | 1906 | Cardboard, ink 24 × 24 | |||
| Self portrait ( German Selbstporträt ) | 1909 | Oil on cardboard 90 × 60 | Max Ernst Museum , Bruhl | ||
| Landscape with the sun ( it. Landschaft mit Sonne ) | 1909 | Oil on cardboard 80 x 60 | Private collection | ||
| Paris street ( ger. Strasse in Paris ) | 1912 | Watercolor paper 34 × 44 | Bruhl City Collection | ||
| [one] | Towers ( German Türme ) | 1916 | Canvas, oil 60 x 43 | Scottish National Gallery of Modern Art , Edinburgh (The painting is bequeathed by Gabriel Keiller in 1995 ) | |
| [2] | Hat in hand, hat on head ( ger. Der Hut in der Hand, der Hut auf dem Kopf ) | about 1913 | Oil on cardboard 36.8 x 29.2 | Scottish National Gallery of Modern Art , Edinburgh (Purchased in 1997 ) | |
| Immortality ( German. Unsterbichkeit ) | 1913 - 1914 | Tree oil 80 × 54 | |||
| [3] | City with animals ( him. Stadt mit Tieren ) | about 1919 | Canvas, oil 66.6 × 62.3 | Solomon Guggenheim Museum , New York | |
| The fruit of a long experience ( fr. Fruit d'une longue experience ) | about 1919 | Wood, objects, paint 46 × 38 | Private collection | ||
| Aquis Submersus ( Water Uptake ) ( lat. Aquis Submersus ) | 1919 | Canvas, oil 54 × 43.8 | Shtedelev Art Institute , Frankfurt am Main | ||
| [four] | Trophy, hypertrophied ( fr. Trophée, Hypertrophique ) | 1919 | Paper ink 41.9 x 28 | New York Museum of Modern Art (Gift of Tristan Ttsara , 1936 ) | |
| Master bedroom It is worth spending the night there ( German: Das Schlafzimmer des Meisters es lohnt sich darin eine Nacht zu verbringen ) ( fr. La chambre à coucher de Max Ernst cela vaut la peine d'y passer une nuit ) | 1919 | Paper, gouache, pencil 16.5 × 22.2 | Private collection, Zurich | ||
| [five] | Large orthochromatic wheel that makes love to order ( fr. La Grande Roue orthochromatique qui fait l'amour sur mesure ) | 1920 | Paper, pencil, ink, watercolor 33.5 × 22.5 | State Museum of Contemporary Art , Paris (Gift of Louise and Michel Leyry, 1984) | |
| [6] | The horse is a little sick ( fr. Un peu malade le cheval ) | 1920 | Pencil paper Photo Engraving Collage 22.5 x 30.2 | New York Museum of Modern Art (Purchased from Andre Breton in 1935 ) | |
| [7] | Steam and fish ( fr. Le vapeur et le poisson ) | 1920 | Pencil paper Photo Engraving Collage 16.5 x 21 | New York Museum of Modern Art (Purchased from Tristan Tzara in 1937 ) | [K 1] |
| Pleiades ( fr. Les Pléiades ) | 1920 | Paper paint Photo collage 22.5 × 16.5 | Private collection | ||
| Flamingo ( German Die Flamingi ) | 1920 | Paper Collage 15.6 × 13 | Private collection | ||
| [eight] | Dada-Gauguin ( fr. Dada-Gauguin ) | 1920 | Paper, gouache, ink 30.3 × 40 | Chicago Institute of Art (A partial gift from the Fulton family) | |
| [9] | Massacre of the innocents ( fr. Le massacre des innocents ) | 1920 | Black and white photography, watercolor, gouache, ink 21.5 x 28.9 | Chicago Institute of Art (Collection of Cindy and Edwina Bergman) | |
| Chinese nightingale ( fr. Le rossignol chinois ) | 1920 | Paper ink Photo collage 14 x 9.8 | Grenoble Museum | ||
| It is midnight above the clouds. ( fr. Au dessus des nuages marche la minuit [...] ) | 1920 | Paper ink Photo Engraving Collage 14 x 9.8 | Private collection, New York | [K 2] | |
| The Mystery of Central Europe ( fr. L'Enigme de l'Europe central ) | 1920 | Cardboard, gouache, ink Collage 17.1 x 20.6 | Private collection | [K 3] | |
| Hydrometric killing by temperature ( fr. Demonstration hydrométrique à tuer par la température ) | 1920 | Gouache on paper Collage 23.8 x 16.8 | Collection Jacques Tronchet, Paris | ||
| [ten] | Laminated rocks [...] ( fr. Schichtgestein [...] ) | 1920 | Paper, gouache, pencil Photo Engraving Collage 19.1 x 24.1 | New York Museum of Modern Art (Purchased from Tristan Tzara in 1937 ) | [K 4] |
| [eleven] | Katharina Ondulata ( Katharina Ondulata ) | 1920 | Paper, gouache, pencil, ink Collage 31.5 x 27.5 | Scottish National Gallery of Modern Art , Edinburgh (Purchased in 1995 ) | |
| [12] | Little Lacrimal Fistula That Tells Tick ( fr. La Petite fistule lacrimale qui dit tic tac ) | 1920 | Paper, gouache, pencil, ink 44.5 x 33 | New York Museum of Modern Art (Purchased from Andre Breton in 1935 ) | |
| [13] | Hat makes a man ( fr. C'est le chapeau qui fait l'homme ) | 1920 | Paper, gouache, pencil, oil, ink Collage 35.2 x 45.1 | New York Museum of Modern Art (Purchased from Andre Breton in 1935 ) | |
| Pear or the Immortality of Buonarroti ( fr. Le Punching Ball ou l'Immortalité de Buonarroti ) | 1920 | Paper, gouache, ink Photography collage 17.8 x 11.4 | Arnold Crane Collection, Chicago | ||
| Young chimera ( fr. Jeune Chimère ) | 1920 | Watercolor paper Collage 26 x 8.9 | Private collection | ||
| Draft manifest | 1920 | Tempera, watercolor on paper Collage 60 x 48.9 | National Gallery of Modern Art (Turin) (?) | ||
| Switzerland, dada's birthplace ( fr. La Suisse, lieu de naissance de dada ) | 1920 | Paper, Collage 11.1 x 25.1 | Kestner Museum , Hannover (?) | [K 5] | |
| Somnambulic lift ( fr. Ascenseur somnambule ) | 1920 | Gouache, watercolor, pencil on paper Collage 19.7 x 12 | Private collection | ||
| Making glue from bones ( him. Leimbereitung auf Knochen ) ( fr. La Préparation de la colle d'os ) | 1921 | Collage 7.6 x 11.4 | Private collection | ||
| [14] | Elephant Celebes ( fr. L'Eléphant Célèbes ) | 1921 | Canvas, oil 125.4 x 107.9 | Tate Gallery , London (Purchased in 1975 ) | [K 6] |
| Odious rex. ( lat. Oedious Rex. ) | 1922 | Canvas, oil 93 x 102 | Private collection | ||
| Word (Bird Woman) ( fr. La parole (Femme-oiseau) ) | 1922 | Gouache on paper Collage 18.5 x 10.6 | Private collection | ||
| Meeting friends ( fr. Au rendez-vous des amis ) | 1922 | Canvas, oil Collage 130 x 95 | Ludwig Museum , Cologne | ||
| Double portrait of Max Ernst and Paul Eluard ( fr. Double portrait de Max Ernst et Paul Eluard ) | 1922 | Paper ink | , Paris | ||
| Broken fans II ( fr. Des éventails brisés II ) | 1922 | Gouache on paper Collage | [K 7] | ||
| Bird in the landscape ( fr. Oiseau dans un paysage ) | 1922 | Canvas, oil | Private collection | ||
| Inner sight ( fr. L'Intérieur de la vue ) | 1922 | Canvas, oil 86.5 x 66.5 | Private collection [1] | ||
| [15] | Couple ( fr. Le Couple ) | 1923 | Canvas, oil Collage 106.5 x 142 | Boymans Museum - van Beuningen , Rotterdam | |
| [sixteen] | Pieta or Night Revolution ( fr. Pietà ou la révolution la nuit ) | 1923 | Canvas, oil 116.2 x 88.9 | Tate Gallery , London (Purchased in 1981 ) | |
| [17] | Saint Cecilia (The Invisible Piano) ( fr. Sainte Cécile (Le piano invisible) ) | 1923 | Canvas, oil 101 × 82 | ||
| [18] | No need to see reality as I am ( fr. Il ne faut pas voir la réalité telle que je suis ) | 1923 | Gypsum (on canvas), oil 172.4 × 80 | State Museum of Contemporary Art , Paris | [K 8] |
| Natural history ( fr. Histoire Naturelle ) | 1923 | Canvas, oil 23.2 x 35.4 | Museum of Contemporary Art , Tehran | ||
| The first pure word ( fr. Au premier mot limpide ) | 1923 | Canvas, oil 232 x 167 | Art collection of North Rhine-Westphalia , Düsseldorf | ||
| Wobbling woman ( fr. La Femme chancelante ) | 1923 | Canvas, oil 130.5 x 65 | Art collection of North Rhine-Westphalia , Düsseldorf | ||
| [nineteen] | Portrait of Andre Breton ( fr. Portrait d'André Breton ) | 1923 | Paper ink 40 x 32 | ||
| [20] | Forest ( fr. La Forêt ) | 1923 | Canvas, oil 73 x 50.3 | Philadelphia Museum of Art (Collection of Louise and Walter Arensberg) | |
| [21] | Men will not know anything about it ( fr. Les Hommes n'en sauront rien ) | 1923 | Canvas, oil 80.3 x 63.8 | Tate Gallery , London (Purchased in 1960 ) | |
| [22] | Woman, old man and flower ( fr. Femme, Vieillard et fleur ) | Paris 1923 Obonn 1924 | Canvas, oil 96.5 x 130.2 | New York Museum of Modern Art | |
| [23] | Emperor Ubu ( Latin Ubu Imperator ) | 1924 | Canvas, oil 81 x 65 | State Museum of Contemporary Art , Paris (Received as a gift in 1984 ) | |
| Sunday guests ( fr. Les invités du dimanche ) | 1924 | Canvas, oil 55 x 65 | Private collection |
Notes
Comments
- ↑ Fatagaga collage ( "Fatagaga" = "Fabrication de tableaux garantis gazométriques" = "Manufacture of guaranteed gasometric pictures" ) with Hans Arp
The painting is also known as “ Here Everything is Still Floating. ” - Full name " Au-dessus des nuages marche la minuit. Au-dessus de la minuit plane l'oiseau invisible du jour. Un peu plus haut que loiseau l'éther pousse et les murs et les toits flottent. "
- ↑ The painting is also known as “ Always the best man wins. ”
- ↑ Full name " Schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2
- ↑ Fatagaga collage ( "Fatagaga" = "Fabrication de tableaux garantis gazométriques" = "Manufacture of guaranteed gasometric pictures" ) with Hans Arp
- ↑ Name written on the picture: CELEBES
- ↑ Illustration for the collection of poems by Paul Eluard and Max Ernst “ Les malheurs des immortels ” (Immortal Misfortunes) (p. 37)
- ↑ Painting on the wall in the house of Paul Eluard in Obonne
Sources
- Diane Waldman, Max Ernst Max Ernst: a retrospective. Exhibition Catalog // Solomon R. Guggenheim Museum, New York, 1975. 271 p.
- Werner Spies Max Ernst, vie et œuvre // Éditions du Center Pompidou, Paris 2007 - ISBN 978-2-84426-341-4