Five hundred hryvnias ( Ukrainian P'yat hundred hryvnias ) is the face value of UNR banknotes circulating in 1918-1920, as well as the face value of banknotes of independent Ukraine , put into circulation on September 15, 2006. At the time of introduction, the banknote was worth more than $ 100 , and was the heaviest banknote [ specify ] post-Soviet space after a banknote of 5,000 rubles in Russia, introduced the day before. After several devaluations (2008 and 2014-2015), the banknote gradually depreciated against the dollar, and currently (March 2019) its value is less than 19 US dollars.
| 500 hryvnia | |
|---|---|
| Ukrainian P'yat hundred hryvnia | |
| A country | |
| Face value | 500 hryvnia |
| Width | 154 mm |
| Height | 75 mm |
| Print date | 2006 |
| Obverse | |
| Obverse drawing | The Obverse of five hundred hryvnias of a sample of 2006 |
| Reverse | |
| Reverse pattern | Reverse of five hundred hryvnias of a sample of 2006 |
Due to the peculiarities of the scale of prices in different regions of Ukraine, this banknote was not found everywhere. As of August 2013, a number of Ukrainian banks did not refill their Crimean ATMs with this banknote (the choice was limited to banknotes of 50, 100 and 200 hryvnias).
Content
History
1918 Sample
2006 Sample
The first banknotes were printed at the NBU Banknote in 2006.
The banknote is made on special tinted paper in a beige hue, which corresponds to the prevailing color of the banknote, with a multi - color watermark in the form of a portrait. In addition, the banknote contains other security elements: anti-scanner mesh, protective tape, microtext, invisible protective fibers, composite image, relief elements, rainbow and Oryol prints, fluorescent and magnetic numbers, light element. The predominant color is yellow.
On the obverse side of the banknote is a portrait of an outstanding Ukrainian philosopher and scientist Grigory Skovoroda against the background of the hand-made Skovoroda graphic image of the fountain with the inscriptions “Not Equal All Equality” (above the fountain) and “Flowing from different pipes, different currents: different” (under the fountain) ; the image is taken from the section “Signs of certain affinities” included in the dialog of the Pan “Conversation, called the alphabet, or ABC book” [1] . In addition, the front side of the banknote contains an image of the Small State Emblem of Ukraine (trident), the inscription “Ukraine” and the “ National Bank of Ukraine ”, the banknote denomination indicated by number and words (“P'YATSOT Hryvnia”), the signature of the NBU chairman (with the name of the post : “HEAD”), a label for people with impaired vision in the form of three dots, an image of a violin, the inscription “Grigory SKOVORODA 1722-1794”.
On the reverse side of the banknote is an image of the building of the Old Academic Building of the Kiev-Mohyla Academy . The background depicts the seal of the Kiev-Mohyla Academy used in the 18th century with a circular Latin inscription “ACADEMIA KIIOVIENSIS SIGILLUM” and an image of the Old Academic Corps in the center. To the right of the academy’s image is a vertical inscription “Kyiv-Mogilyanska academy”. To the left of the Academy’s image is an illustration for the Pythagorean Triangle in the form of a triangle with an eye inscribed in a circle with the Greek letters α, β, and ω placed at the corners. Also, the reverse side of the banknote contains a series (two letters) and the number (seven digits) of the banknote; face value indicated by number and words (“P'yatsot hundred hryvnias”); year and place of printing ("Kyiv 2006"); vertical inscription "UKRAINE".
The banknotes contain the signature of Vladimir Stelmakh , chairman of the National Bank of Ukraine at the time the banknote was issued on September 15, 2006.
2011 Sample
Banknotes were printed at the NBU Banknote in 2011. Banknotes of the 2011 model are identical to those issued in 2006. Differences: on the front side contains the signature of Sergei Arbuzov , on the back - the year of printing was changed to 2011. Put into circulation on December 1, 2011.
2015 Sample
Since 2015, the design of the banknote has been brought to standardization with previously issued banknotes of 20 and 100 hryvnias of the fourth series. At the same time, the portrait of Grigory Skovoroda, mirrored with respect to the 2006 model, was modified, and the eye was removed from the Pythagorean triangle on the reverse, strongly resembling a Masonic sign.
Commemorative and negotiable coins
Golds
| Title | Circulation | Release date | Obverse | Reverse |
|---|---|---|---|---|
| Oranta | 1000 | July 28, 1997 | ||
| The final tournament of the European Football Championship 2012 | 500 | December 16, 2011 |
Statistics
| Banknotes of different years of issue | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| Picture | Signature | Dimensions | Main color | Description | date | ||||
| Obverse | Reverse | Obverse | Reverse | first print | release | retirements | |||
| 184 × 119 mm | light orange and blue | face value, coat of arms of the UPR, head in a wreath | face value, coat of arms of the UPR, a warning about counterfeiting money | 1918 | October 17, 1918 | after 1921 | |||
| V. Stelmakh | 154 × 75 mm | Peach | Grigory Skovoroda | Kiev-Mohyla Academy | 2006 | September 15, 2006 | in circulation | ||
| S. Arbuzov | 2011 | December 1, 2011 | |||||||
| S. Kubiv | 2014 | September 1, 2014 | |||||||
| V. Gontareva | 2015 | November 1, 2015 | |||||||
| V. Gontareva | 154 × 75 mm | Beige | Grigory Skovoroda | Kiev-Mohyla Academy | 2015 | April 11, 2016 | in circulation | ||
Links
Notes
- ↑ Text by G. Skovoroda surrounding and explaining this drawing in the manuscript: “The rich God is like a fountain filling various vessels according to their capacity. Above the fountain is the inscription siya: “Unequal all equality”. Different currents flow from different tubes into different vessels, standing around the fountain. A smaller vessel has less, but in that it is equal to eat more, which is equal to complete. And what is more stupid than the equal equality that fools encroach upon in vain in vain? ” [1]