Kazachkov, Eduard Osherovich

1947-1950 he studied at the Sverdlovsk school of military musicians in the tuba class N. Lychevsky. In 1957 he graduated from the Institute of Military Conductors in the conducting class of V.I. Petrov, X. M. Khakhanyan, M.N. Ryumshin, in the instrumentation class of S.P. Gorchakov, in the tube class of I.A. Lebedev, the Belarusian State Conservatory in the class compositions of A. V. Bogatyrev. 1967-1968 conductor of the orchestras of the Belarusian military district ,

While serving in the city of Grodno, combined service with teaching at a music school. He led the city symphony orchestra

1968-1973 —conductor of a military band in the central group of forces (Czechoslovakia).

1974 −1986 Head of the Military Orchestra Service of the Far Eastern District . Since 1978, Chairman of the Board of the Far Eastern Organization of Composers of the RSFSR and a member of the Union of Composers of the USSR , honorary member of the Russian Choral Society.

1986-1994 teacher of the Belarusian State Conservatory , member of the Union of Composers of Belarus.

Since 1994, lives in Ashdod , Israel , artistic director of the Ose Shalom choir.

Op .: for soloist, choir and symphony. orc. - cantatas:

• My Belarus (lyrics by A. Kharkevich, 1967),
• the ballad Lenin came forever (f. M. Seidov, 1969),
• Belorussian birch (f. Nar., 1972),
• Earth poem (words by D. Tereshchenko, 1968), Watercolors (words by V. Shulzhik, 1976);

for symph. orc. -

• painting of the Holy (1966),
• Symphony (1968),
• Suite of Amur Region (1974);

for trumpet and symph. orc. - Concertino (1968);

for strings. orc. - Symphonietta (1973);

for the spirit. orc. - suites:

• Winter Pictures (1966),
• Belarusian mosaic (1972),

poems:

• Belarus (1968),
• The Twelve (1970)
• Fortress over the Bug (1972),
• Overture of Partizana of the Amur Region (1975);

for in. ensemble and spirit. orc. - A poem about the Komsomol member-Budyonnovts (f. N. Kool, 1974);

strings. Quartets - I (1968), II (1976);

for quartet spirit. instr. - Russian tunes (1966);

for skr. and fp - Sonata (1967);

vocal choreographic Suite Seeing off (1971);

for voice and fp - cycles:

• School cantata (words by V. Shumilin, 1974),
• Dumki (words by A. Gurlo, 1975),
• My happiness (r. R. Burns, 1975);

for the choir - the ballad Boundary (lyrics by V. Stepanov, 1974), cycles:

• Korchagin tribe (class V. Zakharova, 1975),
• On the edge of Russia (f. P. Komarova, 1976);

for voice and fp - romances on the next R. Burns, S. Yesenin; choirs on the next N. Berestina, V. Koryzna, G. Shutenko and others; songs on the next A. Bondarenko, P. Brovka, S. Grakhovsky, V. Shulzhik, V. Zakharov, P. Prikhodko, S. Ostrovoy and others;

music to dramas. performances, including “I swore allegiance to the Homeland” by A. Strunin (1968), “Buzz from Budapest” by L. Zhukhovitsky (1976)

Literature:

A. Chernykh "Soviet wind instrumental art", ed. Owls, composer, 1989, pp. 249-250.

T.G. Mdzivani, P.I. Sergіenka "Comparisons of Belarus", ed. Minsk Belarus, 1997, pp. 158-164.

N.A.Solomonova "Leading theme of creativity", ed. Music of Russia. Moscow 1989

Boris Turchinsky “Jerusalem Divertissement,” Essays on Music and Musicians, “Work and Believe in Yourself!”, Ed. Click, Jerusalem 2016, pp. 117-188

Internet resources:

Eduard Kazachkov "Work and Believe in Yourself" - essay by B. Turchinsky

http://www.forumklassika.ru/showthread.php?t=98475

N.A.Solomonova The musical culture of the peoples of the Far East of Russia of the 19-20 centuries The dissertation on art criticism of the All-Russian Academy of Arts and Sciences of the Khabarovsk-2002

http://cheloveknauka.com/muzykalnaya-kultura-narodov-dalnego-vostoka-rossii-xix-xx-vv