Vyzgo, Tamara Semenovna

Baptized on 9.6.1906 in the Lomzhinsky Orthodox Holy Trinity Cathedral (Warsaw Diocese). Her father, Semyon Mikhailovich Abramov (1870s - 1943), a graduate of the historical and philological faculty of Moscow University , taught history at the girls' gymnasium in Lomza, and from 1908 in Tashkent. Later he became the head of the gymnasium in Tashkent, however, with the advent of Soviet power, he was evicted in the village. Trinity near Tashkent, where he continued to teach. Her mother Tamara Zdislavovna Izdebska (1888 - 7.5.1966) taught French in elementary school. Living in Tashkent since her childhood (with a break in 1912-14, when she studied at a girl’s boarding school in French Switzerland), Tamara Semyonovna was passionate about the East and put a lot of effort into developing the musical culture of Uzbekistan. In the years 1924-1928 she worked in educational schools. In 1935, she graduated from the State Uzbek Musical College (later the Khamza School of Music) in Tashkent in piano. In 1940 she graduated from the Tashkent Conservatory , receiving diploma No. 1; studied here with V. A. Tsukkerman , Yu. N. Tyulin , V. A. Uspensky , Yu. A. Fortunatov . In 1935-1936 taught at the Glier School of Music, in 1940-1943. - at the Hamza School of Music. In 1943-1947 Researcher Research Institute of Art Studies Uzb. SSR (now the Institute of Art Studies of the Academy of Sciences of the Republic of Uzbekistan), in 1947-1952. Head The music department there, in 1952-1957. deputy Director of Science, since 1957 senior researcher in the same place. At the same time in 1940-1953. (intermittently) taught at the Tashkent Conservatory (since 1948, associate professor), including in 1949-1953 taught a course in musical form. From the 1980s until his final departure from Tashkent to Moscow to his daughter (1990), he was a consultant in the sector of contemporary music and folklore at the Khamza Research Institute of Art History. Her musicological works of the 1940-1960s contributed to the establishment of a professional composer school in Uzbekistan.

At the beginning of the 1970s, at the suggestion of the oriental archaeologist G. A. Pugachenkova, she began studying the medieval musical heritage of Central Asia, one of her most important works in this direction was the article “Afrasiab Lute”, based on materials from excavations of ancient Samarkand (published in 1972 ) TS S. Vyzgo is one of the first specialists in the USSR in the field of musical archeology (an interdisciplinary branch of knowledge, developing on the basis of the joint work of musicologists, archaeologists and ethnographers ). She supported the theory of the Central Asian origin of the short-necked lute , the predecessor of the classical instruments of Europe and Asia.

The most significant works: the monograph “Development of the musical art of Uzbekistan and its connection with Russian music” (published in 1970), which became the basis of the doctoral dissertation; the monograph "Musical Instruments of Central Asia" (published in 1980); co-authored with ethnomusicologist F. M. Karomatov and archaeologist V. A. Meshkeris of the Illustrated History of Music, dedicated to Central Asia (published in 1987; in German).

Under the leadership of T. S. Vyzgo, the candidate's dissertations were defended by N. S. Yanov-Yanovskaya, Ch. R. Nasyrov, Z. G. Karimov, D. A. Rashidov, A. A. Malkeev, I. M. Golovach (Uzbekistan) , S. Agaev (Azerbaijan), musicologists from Russia, Armenia, Turkmenistan.

The last years of her life T. S. Vyzgo spent in Moscow. She was buried in Moscow at the Miussky cemetery (plot 3).

Married to M.S. Vyzgo (1928-1959). Their children: E. M. Frayonova ; Irina Mikhailovna Vyzgo-Ivanova (7.4.1929, Tashkent - 16.3.2005, St. Petersburg) - musicologist, Ph.D. in art, author of the monograph “M.I. Glinka's opera“ Ruslan and Lyudmila ”” (S.-Pb., 2004) .

04/29/2016 at the Institute of Art Studies of the Academy of Sciences of the Republic of Uzbekistan, a seminar "The Scientific Heritage of T. S. Vyzgo and Modern Uzbek Musicology" was held, dedicated to the 110th anniversary of her birth.

• V. A. Uspensky. Tash., 1950;
• Uzbek SSR. M., 1954 [Musical Culture of the Union Republics], 2nd ed. 1957;
• To the question of the relationship between Uzbek and Russian musical cultures in the pre-revolutionary period // Social Sciences in Uzbekistan. 1961, No. 4;
• [joint with D. Rashidova] On the musical and theoretical heritage of the peoples of Central Asia // ibid. 1962, No. 3;
• [joint with A. Petrosyants] The Uzbek Orchestra of Folk Instruments. Tash., 1962;
• Uzbek music // The peoples of Central Asia and Kazakhstan. M., 1962. T. 1;
• On the formation of the national composer school in Uzbekistan // Social Sciences in Uzbekistan. 1964, No. 1;
• Alexey Kozlovsky. M., 1966;
• Uzbekistan // History of music of the peoples of the USSR. T. 1-3. M., 1966–72;
• About the characteristic features of the language of modern Uzbek music // Music and the present. Vol. 6. M., 1969;
• Musical instruments in miniatures of manuscripts of the 14-16th centuries. // Social sciences in Uzbekistan. 1969, No. 8-9;
• The development of the musical art of Uzbekistan and its connection with Russian music. M., 1970;
• Afrasiab Lute // From the history of the art of the great city. To the 2500th anniversary of Samarkand. Tash., 1972;
• Uzbek musicology in the post-war twenty-fifth anniversary // History and modernity. Problems of musical culture of the peoples of Uzbekistan, Turkmenistan and Tajikistan. M., 1972;
• To the question of the study of makoms // in the same place;
• The history of Uzbek Soviet music. T. 1-2. Tash., 1973-1975 [chapters on opera, vocal-symphonic and chamber music];
• Musical instruments of Central Asia. Historical essays. M., 1980;
• [joint with A. Petrosyants] Folk instrumental culture of modern Uzbekistan // Musical art. Tash., 1982;
• Karomatov F., Meskeris V., Vyzgo T. Mittelasien // Musikgeschichte in Bildern. . Bd. 2, Lfg. 9. Lpz., 1987.

• Prize named after B.V. Asafiev (1984).
• Order of Friendship of Peoples (1986) .

• Yanov-Yanovskaya N. The diversity of the scientist // Soviet music , 1981, No. 10, p. 111-113.
• Frayonova E.M. Vyzgo Tamara Semenovna // BDT . T. 6. Moscow, 2006.
• Fraenova O.V. Tashkent aspect // Ode to Merzlyakovka. 125 years of the Academic Music College at the Moscow State Conservatory named after P.I. Tchaikovsky. M., 2016. ISBN 978-5-88697-268-9