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Morgunov, Alexey Alekseevich

Aleksei Alekseevich Morgunov ( October 9 (21), 1884 , Moscow - February 15, 1935 , Moscow ) - Russian and Soviet artist, illegitimate son of a landscape painter Alexei Savrasov . He was in the center of the artistic life of the Russian avant-garde , from which he later completely departed. As an avant-garde artist , he began with neo-primitivism with a strong influence of Fauvism , created significant works in cubofuturism , was a co-founder (together with Kazimir Malevich and Ivan Klyun ) of Februaryism ; in Soviet times, evolved into neoclassicism and ended with socialist realism . Like his father, he was sick with alcoholism and prone to hard drinking .

Alexey Morgunov
Februaryists (“loshkari”) Kazimir Malevich, Ivan Klyun, Alexey Morgunov (from left to right). Moscow, March 1, 1914
Februaryists (“loshkari”) Kazimir Malevich , Ivan Klyun , Alexey Morgunov (from left to right).
Moscow, March 1, 1914
Birth nameAlexey Alekseevich Morgunov
Date of BirthOctober 9 (21), 1884 ( 1884-10-21 )
Place of BirthMoscow , Russian Empire
Date of deathFebruary 15, 1935 ( 1935-02-15 ) (50 years old)
A place of deathMoscow , USSR
Citizenship Russian Empire →
the USSR
Genrepainting
StudyImperial Stroganov Central Art and Industry College (1899-1902, 1909)
Styleneo-primitivism , fauvism , cubofuturism , februaryism , neoclassicism , socialist realism
SignatureAutograph of Alexey Morgunov.jpg

Content

  • 1 Biography
    • 1.1 Family and family ties
  • 2 Participation in group exhibitions
    • 2.1 Lifetime exhibitions
    • 2.2 Posthumous exhibitions
  • 3 Location of works
  • 4 Works
  • 5 Comments
  • 6 notes
  • 7 Literature
  • 8 References

Biography

 
Father Alexei Morgunov, artist Alexei Savrasov , in the 1890s - during the period of chronic alcohol intoxication

Alexey Morgunov - illegitimate [K 1] son of the landscape painter Alexei Kondratievich Savrasov [1] - was born on October 9 (21), 1884 in Moscow [2] [3] .

He studied at the Imperial Stroganov Central School of Industrial Art (1899-1902, 1909) and in private studios of Konstantin Korovin and Sergey Ivanov [4] [5] . In 1904, at the age of twenty, he was admitted to the Moscow Association of Artists and began to participate in exhibitions (he left this association in 1910) [4] . He visited the intellectual salon of Konstantin Kracht [3] . In 1909-1910, Morgunov traveled to Germany , France and Italy , where he studied modern Western European painting. The impressionists , Pierre Puvis de Chavannes , Eduard Manet , Gustave Courbet , Paul Cezanne had a great influence on him [5] [6] . In the early 1910s, the artist kept a workshop on Ostozhenka in Moscow (Ostozhenka, 57 [7] ), which became known as Morgunovka; it was a meeting place for left-wing painters and a kind of club and a “free academy” for drawing nature [1] .

 
Alexey Morgunov. Portrait of Natalia Goncharova and Mikhail Larionov . 1913

Returning in 1910 from a trip to Europe, in which he plunged into the European proto-avant-garde , Alexey Morgunov naturally joined the most radical group of Russian artists, headed by Mikhail Larionov . The group was named after the first exhibition, held in late 1910 - early 1911, - Jack of Diamonds . Morgunov was not a key participant in this association, but he was not an outsider among the 37 participants of the first exhibition. It was Morgunov who performed the exhibition poster of one of the most significant events of the world avant-garde [8] . Aristarkh Lentulov, after more than twenty years, recalled this:

 Morgunov made a circle in the middle of the canvas in a circle, which slightly shifted in the center, and in each half he drew a jack of diamonds, one upside down and the other down, as it is on the cards. The field was covered in orange and written in black letters: "exhibition of paintings by B.V." ("Jack of Diamonds"). Walking down the street and reading this sign it might well seem that there are not only paintings, but also something like a gambling house [9] . 
 
Alexey Morgunov. Under the pink shadow. 1911

The influence of Jack of Diamonds on the early avant-garde work of Alexei Morgunov was decisive: in his works of this time he combined Fauvism and neo-primitivism as edited by Mikhail Larionov [1] . Later, like many leading Russian avant-garde artists, Morgunov went through a fascination with cubofuturism . Alexey Morgunov participated in exhibitions and disputes of the Jack of Diamonds until 1914, having actually departed from the artistic ideology of the Jack of Diamonds and Mikhail Larionov’s new brainchild, the Donkey’s Tail , in which he also participated in the only exhibition in 1912.

In 1914-1915, Alexei Morgunov was one of the closest associates of Kazimir Malevich , who, together with Morgunov and Ivan Klyun, founded Februaryism . The beginning of Februaryism was laid on the public debate of the Jack of Diamonds on February 19, 1914 according to the old style [K 2] in the hall of the Polytechnic Museum . Malevich, who declared a subjugation of reason in a debate, and provoked disputants, the Morguns came to a dispute with wooden spoons attached to their lapels. The chairperson, Pyotr Konchalovsky, was forced to close the meeting after Morgunov said: “I got an upset stomach from Tugendhold’s report, and I’m tired, I’m a fool ...” [10]

 
Alexey Morgunov. Tea Room No. 5
 
Alexey Morgunov. Composition with the letter Yu. Mid 1910s

A photograph of people walking March 1, 1914 with spoons in their buttonholes on the Kuznetsk Bridge of Malevich and Morgunov was in the Moscow newspapers. Outside the newspapers there was a photograph of the trinity of Februaryist “loshkari” with Klyun, taken the same day, a little earlier, in an art studio on Arbat [11] .

In addition to shocking and illogism in the February paintings of Alexei Morgunov, according to the observation of Alexandra Shatsky , “there are those same planes of the correct outlines that with their silent look so disturbed the future suprematist ” Malevich [12] . However, Morgunov did not fall into Suprematism. Shatskikh writes about this:

 The forced caesura in a creative relationship, which Malevich had to inform Matyushin on September 28, 1915 (“Morgunov completely surrendered and was in a terrible state”) was not caused by the “intrigue” of the suprematist who was wasted trying to incriminate him, but by the hereditary disease of the son of Savrasov. Monstrous drinking bouts overshadowed the life of both father and son [13] . 

For two years, Morgunov almost completely dropped out of artistic life, partially returning to it only in the early Soviet era [14] . After the October Revolution in 1918, he was a member of the board of the Fine Arts of the People's Commissariat of Education ; in 1920-1921 he worked in the procurement and tariff commissions of the People's Commissariat of Education [3] . In 1918-1920 he was a professor of painting at the First Free State Art Workshops [3] . He was a member of the Proletcult , was a member of the group " Objective Analysis " in INHUK [3] . In the 1920s, the artist turned to neoclassicism , and in the last years of his life he painted in the style of socialist realism [1] . Morgunov was also a member of the Society of Moscow Artists (OMX); several of his paintings (Dneprostroy, RionGES, Tuapse. Oil Pipeline, Tuapse. Worker Village) were reproduced in the 1930s by OMX on postcards [15] .

Alexey Morgunov died at the age of fifty in Moscow on February 15, 1935 [2] [3] - at the same age as Kazimir Malevich.

Family and Family Relationships

  • Father - Alexei Kondratievich Savrasov (1830-1897), Russian artist [16] [17] .
  • Mother - Ekaterina Matveevna Morgunova (circa 1856 - circa 1920) [16] [17] .
  • Sister - Nadezhda Alekseevna Morgunova [16] [17] .
  • The grand-nephew (father’s great-grandson of his first and only marriage) is Oleg Borisovich Pavlov (1921–2014), a Soviet and Russian artist [17] .

Participation in group exhibitions

Lifetime Exhibitions

  • 1904 - 24th Periodic Exhibition, Moscow , History Museum (with the painting "Forest") [18]
  • 1908 - 27th Periodic Exhibition, Moscow , Moscow Society of Art Lovers (with a picture without a name) [19]
  • 1910 - 7th exhibition of the New Society of Artists , St. Petersburg , Passage (with paintings "Evening", "Flowers", "Autumn") [20]
  • 1910-1911 - Jack of Diamonds , Moscow , December 1910 - January 1911 (with paintings by Nature morte , Paris , Luxembourg , Aprè smidi , At the Table , Landscape, Pine Trees ) [21] [22]
  • 1911 - The 2nd exhibition of paintings by the Union of Youth Artists Society, St. Petersburg [23]
  • 1912 - Exhibition of paintings by the group of artists " Donkey's Tail ", Moscow , Moscow School of Painting, Sculpture and Architecture (with paintings "Tea Party", "Winter", Nature morte , "Flowers", "Butchers", "Landscape", "Landscape", “Window”, “Landscape”, “Winter landscape”, “In a restaurant”, “Landscape”, “Butcher's shop”, “In a tea room”, “At a table”, “Dance”, “Before a thunderstorm”, “Landscape”, “In the Tea Room”) [24]
  • 1912 - Exhibition of paintings "The World of Art " [25]
  • 1913 - Exhibition of paintings by the society of artists “ Jack of Diamonds ” (with 10 paintings) [26]
  • 1913-1914 - Exhibition of paintings by the Union of Youth Artists Society, St. Petersburg , November 10, 1913 - January 10, 1914 [27]
  • 1914 - Exhibition of paintings by the society of artists “ Jack of Diamonds ” (with paintings “Landscape”, “Old Man's Head”, “Flowers”, “Citrist”, “Frant” [drawing], “Self-portrait”, “Inkwell”, “Decanter with Wine” ) [28]
  • 1915 - 1st futuristic exhibition of paintings “Tram B” , Petrograd , Small Hall of the Imperial Society for the Promotion of Arts (with paintings “Flowers”, “The Head of the Old Man”, “Musical Instrument”, “Self Portrait”, “Frant”, “Alcohol”, “Landscape”, “Horse racing”, “High school student”, “Breakfast”, “Portrait of a lady”, “Aviator”, “Smoker of opium”, “Sailor”, “Postman”, “Horseman”) [29]
  • 1916 - The Shop, Moscow [3]
  • 1917 - Moscow Salon, Moscow [3]
  • 1919 - 5th state exhibition of paintings, Moscow [3]
  • 1922 - Berlin [3]
  • 1925 - 3rd art exhibition of paintings by Kaluga and Moscow artists [3]
  • 1929 - 2nd exhibition of paintings and sculptures of the Society of Moscow Artists, Moscow , Park of Culture and Rest (with paintings “Spectators” [sketches], “Sitting Woman”, “Walking Boy”, Nature morte , “Landscape”) [30]
  • 1929 - “Children in the Arts”, Moscow (with the picture “In the Tatar School”) [31]
  • 1929 - Exhibition of contemporary art of Soviet Russia, New York , Grand Central Palace (with painting Boat Landing ) [32]
  • 1931 - 6th exhibition " Crimea and the Caucasus - health resorts of S. S. S. R. ", Moscow (with paintings "Caucasus", "Tuapse", "Hosta", "Sochi-Sukhum Highway") [33]
  • 1931 - 3rd traveling exhibition, Sverdlovsk , Magnitogorsk , Omsk , Novosibirsk , Kuzbass , Semipalatinsk , Alma-Ata , Tashkent , Samarkand , Rostov-on-Don , Krasnodar , Grozny , Novorossiysk , State Farm “Giant”, Minsk , Smolensk (with the painting "The Oil Pipeline in Tuapse") [34]
  • 1932 - Anniversary exhibition " Artists of the RSFSR for 15 years ", Leningrad, State Russian Museum (with paintings "Dneprostroy", "Sochi-Sukhumi Highway", "Hosta. Black Sea") [35]
  • 1933 - Traveling art exhibition (with the painting "Tuapse. Oil Pipeline") [36]

Posthumous Exhibitions

  • 2004-2005 - Russian avant-garde from the collection of the Russian State Archive of Literature and Art ("ARCHIVE avant-garde"), Moscow , State Tretyakov Gallery (June 8 - August 15, 2004); St. Petersburg , State Russian Museum (August 11 - September 12, 2005) [37]
  • 2005 - Jack of Diamonds, Moscow , State Tretyakov Gallery , February 1 - May 15 [38]

Location of Works

  • State Tretyakov Gallery ("Portrait") [17]
  • State Museum of Modern Art (Thessaloniki) (“Standing Figure (Aviator)”, “Aviator Laboratory”, “Still Life with a Comb”, “Still Life with a Wheel”) [1] [39]
  • Khardzhiev Center — Chaga [1]
  • Institute of Chicago Art ("Portrait of Natalia Goncharova and Mikhail Larionov") [40]
  • State Russian Museum (“Composition with the letter U”) [41]
  • Yaroslavl Art Museum ("Butcher Shop")
  • Kursk Regional Art Gallery named after A. A. Deineka (“Under the Pink Shadow”)
  • Kaluga Museum of Fine Arts (Tea Room No. 5) [42]
  • Krasnodar Regional Art Museum named after F. A. Kovalenko (“Composition No. 1”)
  • Taganrog Art Museum ("Demonstration") [43]
  • Museum of Fine Arts of Komsomolsk-on-Amur (“Tom River”, “Dam Profile”, “Moonlit Night”, “Pines”, “Road to Hosta”, “Tuapse”, “Decorative Motif”, “Health Resort Kislovodsk”, “Kislovodsk "," Winter. Yard "," Manor with Towers "," Flowers "," Landscape "," Dneprostroy ") [44]

Compositions

  • Gan Al. , Morgunov A., Malevich K. Tasks of art and the role of art stranglers // Anarchy . - March 23, 1918. - No. 25 .
  • Morgunov A. To hell! // Anarchy . - March 29, 1918. - No. 30 .
  • Morgunov A. Vicious circle // Anarchy . - April 4, 1918. - No. 35 .
  • Morgunov A. A. [Memories] // Khardzhiev N. I. Articles about the avant-garde. - M. , 1997 .-- T. I.

Comments

  1. ↑ According to other sources, from the beginning of the 1880s Savrasov was married to the mother of Alexei Morgunov E.M. Morgunova with a second marriage (see: Sarabyanov A.D. Morgunov Alexey Alexeyevich // Encyclopedia of the Russian avant-garde . - M .: RA, Global Expert & Service Team, 2013. - T. II: Biographies. L — Ya . - S. 138. - ISBN 978-5-902801-11-5 . ).
  2. ↑ From here comes Februaryism .

Notes

  1. ↑ 1 2 3 4 5 6 Shatsky, 2009 , p. 37.
  2. ↑ 1 2 Sarabyanov, 2013 , p. 138.
  3. ↑ 1 2 3 4 5 6 7 8 9 10 11 Biography of Alexei Morgunov (neopr.) . The official website of the Russian State Archive of Literature and Art . Date of treatment November 8, 2014.
  4. ↑ 1 2 Biography of Alexei Morgunov (neopr.) . Site "Last Century". Date of treatment November 6, 2014.
  5. ↑ 1 2 Biography of Alexei Morgunov (neopr.) . ARTinvestment.RU accessdate = 2014-11-06.
  6. ↑ Biography of Alexei Morgunov (neopr.) . The official website of the I.V.Savitsky State Museum of Art. Date of treatment November 6, 2014.
  7. ↑ Pospelov, G. Jack of Diamonds: Primitive and urban folklore in Moscow painting of the 1910s. - 2nd ed., Ext. - M .: Pinakothek , 2008 .-- S. 272. - 3000 copies. - ISBN 978-5-903888-01-6 .
  8. ↑ Pospelov, G. Jack of Diamonds: Primitive and urban folklore in Moscow painting of the 1910s. - 2nd ed., Ext. - M .: Pinakothek, 2008 .-- 288 p. - 3000 copies. - ISBN 978-5-903888-01-6 .
  9. ↑ Aristarchus of Lentulov. Memories. Cit. by: Pospelov, G. Jack of Diamonds: Primitive and urban folklore in Moscow painting of the 1910s. - 2nd ed., Ext. - M .: Pinakothek, 2008 .-- S. 272. - 3000 copies. - ISBN 978-5-903888-01-6 .
  10. ↑ Shatsky, 2009 , p. fourteen.
  11. ↑ Shatsky, 2009 , p. 32.
  12. ↑ Shatsky, 2009 , p. 36.
  13. ↑ Shatsky, 2009 , p. 38.
  14. ↑ Shatsky, 2009 , p. 38-39.
  15. ↑ Postcards from the 1920s - 1930s Publishers of the Association of Artists of the Revolution (AHR) and the Society of Moscow Artists (OMX) (Neopr.) (Inaccessible link) . The official site of the Russian National Library. Date of treatment November 8, 2014. Archived on November 8, 2014.
  16. ↑ 1 2 3 Novouspensky, N. Alexei Kondratievich Savrasov. - M. — L .: Art , 1967.
  17. ↑ 1 2 3 4 5 Ksenia Larina . Alexey Savrasov's painting “The Rooks Have Arrived”: Interview with Galina Churak (transmission from the series “The Tretyakov Collection”) // Echo of Moscow . - February 26, 2006.
  18. ↑ Morgunov, A.A. (Moscow, 1st Petty Bourgeois., Banny Lane, D. Prokhorova). No. 241. Forest // Twenty-Fourth Periodic Exhibition in the building of the Imperial Russian Historical Museum. Moscow Society of Art Lovers, consisting under the auspices of the Empress Augustine of the Empress Maria Fedorovna: [Catalog]. - M. , 1904. - S. 15, 25 .
  19. ↑ Morgunov A.A. No. 178. [untitled] // Twenty-seventh Periodic Exhibition in the premises of the Moscow Island of Art Lovers, consisting under the August patronage of the Empress Maria Fedorovna. Malaya Dmitrovka. First Edition: [Catalog]. - M. , 1908. - S. 15 .
  20. ↑ A.A. Morgunov. Moscow, Maly Theater, apt. K.V. Kandaurova. Number 173. Evening. Number 174. Flowers. Number 175. Autumn. // Seventh exhibition of the New Society of Artists of 1910. SPb. Nevsky, 48. Passage Building: [Catalog]. - SPb. , 1910. - S. 18 .
  21. ↑ Catalog of the Jack of Diamonds exhibition. December - January. 1910-1911 gg. - M. , 1910.
  22. ↑ Gospel Pospelov . Jack of Diamonds: Primitive and urban folklore in Moscow painting of the 1910s. - 2nd Edition, revised. - M .: Pinakothek , 2008 .-- S. 271. - 3000 copies. - ISBN 978-5-903888-01-6 .
  23. ↑ Catalog of the 2nd exhibition of paintings of the Society of Artists “Youth Union”. - SPb. , 1911.
  24. ↑ Gospel Pospelov . Jack of Diamonds: Primitive and urban folklore in Moscow painting of the 1910s. - 2nd Edition, revised. - M .: Pinakothek , 2008 .-- S. 273. - 3000 copies. - ISBN 978-5-903888-01-6 .
  25. ↑ Catalog of the exhibition of paintings "World of Art". - 1st ed. - SPb. , 1912.
  26. ↑ Gospel Pospelov . Jack of Diamonds: Primitive and urban folklore in Moscow painting of the 1910s. - 2nd Edition, revised. - M .: Pinakothek , 2008 .-- S. 279. - 3000 copies. - ISBN 978-5-903888-01-6 .
  27. ↑ Youth Union. Catalog of the exhibition of paintings. Nevsky, 73. From November 10, 1913 to January 10, 1914 - St. Petersburg. , 1913.
  28. ↑ Gospel Pospelov . Jack of Diamonds: Primitive and urban folklore in Moscow painting of the 1910s. - 2nd Edition, revised. - M .: Pinakothek , 2008 .-- S. 282. - 3000 copies. - ISBN 978-5-903888-01-6 .
  29. ↑ Morgunov, Alexey Alekseevich. (Moscow, Lavrushensky, 9-3). Number 27. Flowers. Number 28. The head of an old man. Number 29. Musical instrument. No. 30. Self-portrait. No. 31. Frant. Number 32. Alcohol. Number 33. Landscape. Number 34. Horse racing. No. 35. Grammar school student. No. 36. Breakfast. Number 37. Portrait of a Lady. Number 38. The Aviator. No. 39. The smoker of opium. No. 40. Sailor. No. 41. The Postman. No. 42. The Horseman // 1st Futuristic Exhibition of Paintings Tram V. [Petrograd]. Small Hall of the Imperial Society for the Promotion of Arts. Catalog. - Pg. : Type of. Imp [oratorical] T [ether], 1915.
  30. ↑ A.A. Morgunov. (Kropotkina St., Poluektov per., D. No. 6). No. 236-250. [No. 236-238. Spectators (sketch [s]). Number 239. A seated woman. No. 241. A walking boy. No. 242. Nature morte. No. 243. Landscape] // Catalog [second] of the exhibition of paintings and sculptures of the Society of Moscow Artists. With the articles of Ign. Khvoynika and N.M. Moscow. Park of culture and rest. - M .: OMX Edition; Printing house "Moskoprompechat", 1929. - S. 5-6, 19-20 .
  31. ↑ Morgunov A. A. In the Tatar school, oil // Children in art. Catalog of the exhibition of paintings, drawings, film-photos, printing and sculpture on the theme: Life and Life of Children of the Soviet Union. The main art of N.K. P. - to the rally of pioneers / Ign. Ephedra (standing), K. Kozlova (issued), Yu. Pimenov (drawings). - M: Main Art of the People's Commissariat of Education, 1929. - S. 9 .
  32. ↑ Exhibition of contemporary art of Soviet Russia: painting, graphic, sculpture. Grand Central Palace, New York, February 1929 / Christian Brinton (foreword), P. Novitsky (introduction). - New York: Amtorg Trading Corporation, 1929.
  33. ↑ A.A. Morgunov. Caucasus: No. 184. Tuapse. No. 185. The host. No. 186. Highway Sochi - Sukhum // [Sixth] exhibition "Crimea and the Caucasus - health resorts S. S. S. R." Moscow. Kuznetsk bridge, 11. [Catalog] / N. A. Semashko (stand. Stat.). - M .: All-Russian Cooperative T-in "Artist", 1931. - S. 60 .
  34. ↑ Morgunov, A. A. No. 86. The oil pipeline in Tuapse. 1930 B.A. // Catalog of the [third] traveling exhibition. Painting, drawing, graphics, poster, textiles. Sverdlovsk, Magnitogorsk, Omsk, Novosibirsk, Kuzbass, Semipalatinsk, Alma-Ata, Tashkent, Samarkand, Rostov-on-Don, Krasnodar, Grozny, Novorossiysk, State Farm “Giant”, Minsk, Smolensk / N. Maslenikov (Art. Third mobile). - M .: Arts Sector of the People's Commissariat of the RSFSR; Ed. V.K. T-va "The Artist", 1931. - S. 23 .
  35. ↑ Morgunov, Alexey Alekseevich. (Moscow, Poluektov per.). No. 1304. Dneprostroy. 1932. - oil on canvas No. 1305. Sochi-Sukhumi Highway. 1932. - oil on canvas No. 1306. The host. Black Sea. 1932. - oil on canvas // Artists of the RSFSR for 15 years. Catalog of the anniversary exhibition. Painting, Graphics and Sculpture / M.P. Arkadiev, Igor Grabar , N. Punin (article). - L .: Timing , 1932 .-- S. 66 .
  36. ↑ Morgunov A.A. Tuapse. Pipeline. 1931 // Traveling art exhibition. Painting, drawing, engraving, etching. [Catalog] / N.N. Maslenikov (standing). - M .: All- artist , 1933.
  37. ↑ "Russian avant-garde from the collection of the Russian State Archive of Literature and Art" ("ARCHIVAL important avant-garde") (neopr.) . The official website of the Russian State Archive of Literature and Art. Date of treatment November 8, 2014.
  38. ↑ "Jack of Diamonds" in the Tretyakov Gallery (Neopr.) . The site "Museums of Russia". Date of treatment November 8, 2014.
  39. ↑ Pictures of Alexei Morgunov at the State Museum of Modern Art (Thessaloniki) (Neopr.) . The official website of the State Museum of Modern Art (Thessaloniki). Date of treatment November 6, 2014.
  40. ↑ Alexey Morgunov. Portrait of Natalia Goncharova and Mikhail Larionov. 1913 (neopr.) . Official site of the Chicago Institute of the Arts. Date of treatment November 8, 2014.
  41. ↑ Alexey Morgunov. Composition with the letter U (unopened) (inaccessible link) . Site “Russian Museum. Augmented Reality. " Date of treatment November 6, 2014. Archived November 6, 2014.
  42. ↑ Russian painting of the XX century (neopr.) . Official site of the Kaluga Museum of Fine Arts. Date of treatment November 8, 2014.
  43. ↑ Alexey Morgunov. Demonstration (neopr.) . The official site of the Taganrog Art Museum. Date of treatment November 6, 2014.
  44. ↑ Pictures of Alexei Morgunov at the Museum of Fine Arts of Komsomolsk-on-Amur (Neopr.) . The official website of the Museum of Fine Arts Komsomolsk-on-Amur. Date of treatment November 8, 2014.

Literature

  • RGALI . F. 1938. Op. 1. Unit hr 41; F. 1334. Op. 1. Unit hr 1298; F. 665. Op. 1. Unit hr 35; F. 660. Op. 1. Unit hr 739.
  • Obolsina O. Forgotten Pages of Soviet Art // Art . - 1974. - No. 3 . - S. 32-37 .
  • Kotovich T.V. Morgunov Aleksei Alekseevich // Kotovich T.V. Encyclopedia of the Russian avant-garde. - Mn. : Econompress, 2003 .-- S. 210 . - ISBN 985-6479-30-4 .
  • Shatskikh A. S. The Februaryist- "loshkar" Morgunov // Kazimir Malevich and Supremus Society. - M .: Three squares , 2009 .-- S. 37-39. - 700 copies. - ISBN 978-5-94607-120-8 .
  • Morgunov, Alexey Alekseevich (Morgunov, Alexei) // Russian Museum. Painting. The first half of the XX century. Catalog (Russian Museum. Painting. First Half of the 20th Century. Catalog) / V. Lenyashin (scientific editor of the volume) and others - St. Petersburg. : Russian Museum , Palace Editions , 2011.- T. 11: L, M. - S. 138-140 .
  • Sarabyanov A. D. Morgunov Aleksei Alekseevich // Encyclopedia of the Russian avant-garde / Compiled by V. I. Rakitin , A. D. Sarabyanov; Scientific editor A.D. Sarabyanov. - M .: RA, Global Expert & Service Team, 2013. - T. II: Biographies. L — I. - S. 138-140 . - ISBN 978-5-902801-11-5 .

Links

  • Biography of Alexei Morgunov (neopr.) . The official website of the Russian State Archive of Literature and Art . Date of treatment November 8, 2014.
  • Biography of Alexei Morgunov (neopr.) . Site "Last Century". Date of treatment November 6, 2014.
  • Biography of Alexei Morgunov (neopr.) . ARTinvestment.RU. Date of treatment November 6, 2014.
  • Pictures of Alexei Morgunov at the State Museum of Modern Art (Thessaloniki) (neopr.) . The official website of the State Museum of Modern Art (Thessaloniki) . Date of treatment November 6, 2014.
Source - https://ru.wikipedia.org/w/index.php?title=Morgunov,_Aleksey_Alekseevich&oldid=95708495


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