Dolin, Anton Vladimirovich

Anton Dolin
Anton Dolin
Birth name	Anton Vladimirovich Vorobiev
Date of Birth	January 23, 1976 (43 years)
Place of Birth	;
Citizenship	Russia
Profession	film critic , journalist , radio host , correspondent, columnist, editor
IMDb

Anton Dolimirovich Dolin (born January 23, 1976 , Moscow ) ^[3] is a Russian journalist, film critic, radio host, and film reviewer for the TV show “ Evening Urgant ” on Channel One ^[4] . From June 11, 2017 - the chief editor of the magazine " Art of Cinema " ^[5] .

Biography

Born January 23, 1976 in Moscow , mother - Veronika Dolina , famous Russian poetess and singer-bard. In 1997, he graduated from the Faculty of Philology of the Moscow State University named after MV Lomonosov , worked as a pre-diploma practice as a school teacher of the Russian language and literature ^[6] . In 2000, he graduated from the postgraduate program at the IMLI RAN and wrote a thesis for the degree of Candidate of Philology on the subject “History of the Soviet Tale”, which he did not defend as a result ^[7] ^[6] ^[8] . From 1997 to 2003, he worked as a correspondent and anchorman at the radio station Ekho Moskvy (“Booklets” and “Well and Day” programs). From 2001 to 2005 he worked in the newspaper " Gazeta " ^[9] . From 2006 to 2007 he worked in the newspaper " Moscow News " ^[10] ^[11] .

Anton Dolin at the presentation of the magazine “ Art of Cinema ” in the Hermitage Garden , 2017

Since 2007, he has been working at the Mayak radio station ^[4] : in 2007–2010, she is the host of a three-hour day show (co-hosted by Tutta Larsen ), in 2010–2012 she is a columnist for Kinonovinki with Anton Dolin in the day show by Anton Komolov and Olga Shelest , in 2012–2013 - the host of a three-hour daytime show (co-hosted by Anastasia Drapeko). From 2013 to the present, she is the host of the “Collection of Words” radio program and the film observer of the show “Polkino”, and she has been conducting the podcast “The Satellite of the Moviegoer with Anton Dolin” ^[12] .

At various times, led the author's columns in such publications as “ Expert ” (2006–2013), “ The New Times ” (2008–2017), “ Vedomosti ” (2011–2014), OpenSpace.ru (2012–2013), “ Gazeta.ru ”(2012–2013),“ Poster ”(2013–2017), Meduza (since 2017), and others ^[4] .

Since 2010 - film observer of the Vesti FM radio station ^[4] ^[13] .

Since 2012 - film reviewer heading "Let's go to the cinema, Oksana" in the entertainment TV show " Channel One " " Evening Urgant " ^[4] .

From June 11, 2017 - Chief Editor of the magazine “ Art of Cinema ”.

Twice winner of the Guild of Film Critics and Film Critics Prize of Russia for the book “Lars von Trier. Examinations: Analysis, interview. Dogville Scenario (2004) and Herman: Interview. Essay. Scenario (2011) ^[14] .

Family

Wife - Natalia Hlyustova, Director of WDSSPR Sales ("Walt Disney Studios Sony Pictures Releasing")
- Sons - Mark and Arkady

Artistic preferences

Anton Dolin after the lecture about Jarmusch . March 12, 2017, Yekaterinburg , Yeltsin Center

In 2012, during a survey conducted by Sight & Sound magazine about the greatest films in history, Anton Dolin chose the following pictures ^[15] :

Eraser Head ( David Lynch , 1977)
Idiots ( Lars Von Trier , 1998)
Indiana Jones and the Temple of Destiny ( Steven Spielberg , 1984)
The Mirror ( Andrei Tarkovsky , 1974)
My friend Ivan Lapshin ( Alexey German , 1984)
The Word ( Karl Theodore Dreyer , 1955)
The Phantom of Freedom ( Luis Bunuel , 1974)
Psycho ( Alfred Hitchcock , 1960)
Seventh Seal ( Ingmar Bergman , 1957)
Nibelungen ( Fritz Lang , 1924)

In one of the programs, he admitted that his favorite director is Manuel de Oliveira ^[16] .

In an interview with Nikolay Solodnikov he named three favorite composers: Richard Wagner , Wolfgang Mozart and Luigi Nono ^[17] .

Views

According to the worldview is an atheist ^[18] .

In the political sphere, "a supporter of liberalism and democracy ." Supports opposition politician A. A. Navalny , is a fan of many of his investigations and attended meetings for his release ^[4] .

In March 2013, he recorded a video message in support of the “Against Homophobia ” project in support of the LGBT community , in which he opposed the law banning “ propaganda of homosexuality ” ^[19] .

In March 2014, he signed a letter “We are with you!” KinoSouz , aimed at supporting the change of power in Ukraine and condemning Russia's intervention in the policies of the neighboring country ^[20] .

Anton Dolin's 100 Best Twentieth Century Films

From 2009 to 2011, the program “The Great Hundred of the Twentieth Century: 100 films to be watched” was broadcast on the Mayak radio station. In fact, the number of films is somewhat over a hundred, and 6 films have already been released in the 21st century. In his choice Dolin proceeded from the principle of "one director - one film."


Title	original name	Year of issue	Producer	A country	Oscar (1929)	Venetian Film Festival (1932)	Gold globe (1944)	Cannes Film Festival (1946)	British Film Academy (1948)	Berlin Film Festival (1950)
Intolerance	Intolerance: Love's Struggle Throughout the Ages	1916	David Wark Griffith	USA
Nosferatu, symphony of horror	Nosferatu, eine Symphonie des Grauens	1922	Frederick William Murnau	Germany
Metropolis	Metropolis	1927	Fritz lang	Germany
Andalusian dog	Un chien andalou	1929	Luis Bunuel	France
City Lights	City lights	1931	Charles Chaplin	USA
King Kong	King kong	1933	Merian Cooper, Ernest Shodsak	USA
Atalanta	L'atalante	1934	Jean vigo	France
Snow White and the Seven Dwarfs	Snow white and the seven dwarfs	1937	Walt Disney	USA
Great illusion	La grande illusion	1937	Jean renoir	France
Olympia	Olympia	1938	Leni Riefenstahl	Germany		Yes
The Wizard of Oz	The wizard of oz	1939	Victor Fleming	USA	Yes
Citizen kane	Citizen kane	1941	Orson Welles	USA	Yes
Casablanca	Casablanca	1942	Michael curtis	USA	Yes
Ivan the Terrible		1944	Sergey Eisenstein	the USSR
Bicycle hijackers	Ladri di biciclette	1948	Vittorio De Sica	Italy	Yes		Yes		Yes
Sunset Boulevard	Sunset boulevard	1950	Billie Wilder	USA	Yes		Yes
Orpheus	Orphée	1950	Jean Cocteau	France
Rimemon	Rashômon	1950	Akira Kurosawa	Japan	Yes	Yes
Fee for fear	Le salaire de la peur	1952	Henri Georges-Clouzot	France, Italy				Yes	Yes	Yes
Word	Ordet	1955	Karl Theodore Dreyer	Denmark		Yes	Yes
Twelve Angry Men	12 Angry Men	1956	Sidney Lumet	USA					Yes	Yes
Ash and diamond	Popiól i diament	1958	Andrzej Waida	Poland		Yes
Ben gur	Ben-hur	1959	William Wyler	USA	Yes		Yes		Yes
Four hundred hits	Les quatre cents coups	1959	Francois Truffaut	France				Yes
On the last breath	À bout de souffle	1960	Jean-Luc Godard	France						Yes
Psycho	Psycho	1960	Alfred Hitchcock	USA			Yes
Sweet life	La dolce vita	1960	Federico Fellini	Italy, France	Yes			Yes
Hussar ballad		1962	Eldar Ryazanov	the USSR
Leopard	Il gattopardo	1963	Luchino Visconti	Italy, France		Yes
Matthew's Gospel	Il vangelo secondo matteo	1964	Pier Paolo Pasolini	Italy, France		Yes
Fantômas	Fantômas	1964	Andre Yunebel	France, Italy
Cherbourg Umbrellas	Les parapluies de Cherbourg	1964	Jacques demi	France, Germany				Yes
Prisoner of the Caucasus, or the New Adventures of Shurik		1966	Leonid Gaidai	the USSR
Photo magnification	Blowup	1966	Michelangelo Antonioni	UK, Italy, USA				Yes
Good bad evil	Il buono, il brutto, il cattivo	1966	Sergio Leone	Italy, Spain, Germany						Yes
Ball of firefighters	Horí, má panenko	1967	Milos foreman	Czechoslovakia, Italy
Commissioner		1967	Alexander Askoldov	the USSR						Yes
Rosemary Baby	Rosemary's baby	1968	Roman Palansky	USA	Yes		Yes
Romeo and Juliet	Romeo and Juliet	1968	Franco Zafirelli	UK, Italy	Yes		Yes		Yes
White Sun of the Desert		1969	Vladimir Motyl	the USSR
Run		1970	Alexander Alov, Vladimir Naumov	the USSR
Gentlemen of Fortune		1971	Alexander Sery	the USSR
Clockwork Orange	A Clockwork Orange	1971	Stanley Kubrick	UK, USA
And dawns are quiet here		1972	Stanislav Rostotsky	the USSR
Aguirre, the wrath of God	Aguirre, Der Zorn Gottes	1972	Werner Herzog	Germany
Alice in the cities	Alice in den städten	1973	Wim Wenders	Germany
Big grub	La grande bouffe	1973	Marco ferreri	France, Italy				Yes
Monty Python and the Holy Grail	Monty Python and the Holy Grail	1975	Terry Gilliam, Terry Jones	Great Britain
Jaws	Jaws	1975	Steven Spielberg	USA	Yes		Yes		Yes
Twentieth Century	Novecento	1976	Bernardo Bertolucci	Italy, France, Germany
Empire of feelings	Ai no korîda	1976	Nagisa Oshima	Japan, France
Taxi driver	Taxi driver	1976	Martin scorsese	USA				Yes	Yes
Star Wars: Episode 4 - New Hope	Star wars	1977	George Lucas	USA	Yes		Yes		Yes
Annie Hall	Annie hall	1977	Woody Allen	USA	Yes
Harvest days	Days of heaven	1978	Terrence Malik	USA	Yes			Yes	Yes
Apocalypse today	Apocalypse Now	1979	Francis Ford Coppola	USA	Yes		Yes	Yes	Yes
Autumn marathon		1979	George Danelia	the USSR		Yes				Yes
Stalker		1979	Andrey Tarkovsky	the USSR				Yes
Alien	Alien	1979	Ridley Scott	UK, USA	Yes				Yes
Agony		1981	Elem Klimov	the USSR
Videodrome	Videodrome	1982	David Cronenberg	Canada
Something	The thinging	1982	John carpenter	USA
Flying in a dream and in reality		1982	Roman Balayan	the USSR
Wall	Pink Floyd: The Wall	1982	Alan Parker	Great Britain
Fanny and Alexander	Fanny och Alexander	1982	Ingmar Bergman	Sweden, France, Germany	Yes	Yes	Yes
Repentance	მონანიება	1984	Tengiz Abuladze	the USSR				Yes
Brazil	Brazil	1985	Terry Gilliam	UK, USA					Yes
Blue velvet	Blue velvet	1986	David Lynch	USA
The cold summer of the fifty-third		1987	Alexander Proshkin	the USSR
Blue abyss	Le grand bleu	1988	Luc Besson	France
Women on the verge of a nervous breakdown	Mujeres al borde de ataque de "nervios"	1988	Pedro Almodovar	Spain		Yes
Toughie	Die hard	1988	John McTyrnan	USA
My Neighbor Totoro	Tonari no Totoro	1988	Hayao Miyazaki	Japan
Short love movie	Krótki film o milosci	1988	Krzysztof Kieslowski	Poland
Short movie about murder	Krótki film o zabijaniu	1988	Krzysztof Kieslowski	Poland				Yes
Asthenic syndrome		1989	Kira Muratova	the USSR						Yes
The cook, the thief, his wife and her lover	The Cook, The Thief, His Wife & Her Lover	1989	Peter Greenaway	Netherlands, UK, France
Sex, Lies and Videos	Sex, Lies, and Videotape	1989	Stephen Soderberg	USA				Yes
Edward Scissorhands	Edward scissorhands	1990	Tim Burton	USA					Yes
Barton finck	Barton fink	1991	Joel Cohen, Ethan Cohen	United States, United Kingdom				Yes
Terminator 2: Judgment Day	Terminator 2: Judgment Day	1991	James Cameron	USA, France	Yes				Yes
The basic Instinct	Basic Instinct	1992	Paul Verhoeven	France, United States, United Kingdom
Qiu Tszyu goes to court	Qiu ju da guan si	1992	Zhang Yimou	China, Hong Kong		Yes
Queen Margo	La reine margot	1994	Patrice Chereau	France, Italy, Germany		Yes
Pulp Fiction	Pul fiction	1994	Quentin Tarantino	USA	Yes		Yes	Yes	Yes
The Shawshank Redemption	The shawshank redemption	1994	Frank Darabont	USA
Forrest Gump	Forrest gump	1994	Robert Zemeckis	USA	Yes		Yes		Yes
Dead man	Dead man	1995	Jim Jarmusch	USA, Germany, Japan
Life is Beautiful	La vita è bella	1997	Roberto Benigni	Italy	Yes			Yes	Yes
Khrustalev, car!		1998	Alexey German	Russia, France
Fight club	Fight Club	1999	David fincher	USA, Germany
Kikujiro	Kikujirô no natsu	1999	Takeshi Kitano	Japan
Magnolia	Magnolia	1999	Paul Thomas Anderson	USA			Yes			Yes
Juha	Juha	1999	Aki Kaurismaki	Finland						Yes
Love mood	Faa yeung nin wa	2000	Wong Kar-wai	Hong Kong, China				Yes
Dancing in the dark	Dancer in the dark	2000	Lars von Trier	Denmark, Sweden, United States				Yes
Amelie	Le Fabuleux destin d'Amélie Poulain	2001	Jean-Pierre Jeannet	France, Germany					Yes
Pianist	La pianiste	2001	Michael haneke	Austria, France, Germany				Yes
Oldboy	Oldeuboi	2003	Pak Chan Uk	South Korea				Yes
Death of Mr Lazarescu	Moartea domnului lazarescu	2005	Christie Puyu	Romania				Yes
Cargo 200		2007	Alexey Balabanov	Russia
WALL · AND	WALL · E	2008	Andrew Stanton	USA	Yes		Yes		Yes

Bibliography

Lars von Trier v . Art of Cinema : Journal. - 2001. - January ( No. 1 ).
The fruitless efforts of love . Art of Cinema. - 2001. - March ( No. 3 ).
Road where. Mulholland Drive, director David Lynch // The Art of Cinema. - 2001. - September ( No. 9 ).
Everything flows. “Warm Water Under the Red Bridge,” directed by Sehei Imamura // Art of Cinema. - 2001. - September ( No. 9 ).
Blood, carrots and the third one. Paradise, directed by Tom Tikver // The Art of Cinema. - 2002. - June ( No. 6 ).
A la guerre as in war // The Art of Cinema. - 2002. - July ( No. 7 ).
The specter of communism. Sketches for the portrait of David Fincher // Art of Cinema. - 2002. - August ( No. 8 ).
Copyright for a penny. "Kopek", directed by Ivan Dykhovichny // The Art of Cinema. - 2002. - September ( No. 9 ).
Cannes-2002: without form // Art of Cinema. - 2002. - October ( No. 10 ).
Abduction of Europe: take two. Essays on Danish Cinema // Art of Cinema. - 2003. - April ( No. 4 ).
Insect breeds insect. Portrait of David Cronenberg // Art of Cinema. - 2003. - May ( No. 5 ).
Wonderful nature. “His brother”, director Patric Shero // Art of Cinema. - 2003. - June ( No. 6 ).
Fire Extinguisher Ballad. Divine Fire, directed by Miguel Hermoso // Art of Cinema. - 2003. - October ( No. 10 ).
Jorgen Leth: who fears Lars von Trier. Portrait of a Danish director // Art of Cinema. - 2004. - January ( No. 1 ).
Belorus women and craftsmen. “In your hands,” directed by Annette K. Olesen // Art of Cinema. - 2004. - April ( No. 4 ).
False light. “Bad Education”, directed by Pedro Almodovar // Art of Cinema. - 2004. - August ( No. 8 ).
My sister, death. “The Sea Within”, directed by Alejandro Amenabar // Art of Cinema. - 2005. - January ( No. 1 ).
Dogs with a heart. "4", directed by Ilya Khrzhanovsky // Art of Cinema. - 2005. - March ( No. 3 ).
Dissolving the world. “Drawing Restraint 9,” directed by Matthew Barney // The Art of Cinema. - 2006. - January ( No. 1 ).
Earth and lack of will. “Flanders”, directed by Bruno Dumont // Art of Cinema. - 2006. - July ( No. 7 ).
Takeshi Kitano. Childhood. - M .: New Literary Review , 2006. - 216 p. - ISBN 5-86793-452-7 .
On this side of pleasure. “Irina Palm”, director Sam Garbarsky // Art of Cinema. - 2007. - March ( No. 3 ).
It is hard to be a god. “The Most Important Boss,” directed by Lars von Trier // The Art of Cinema. - 2007. - April ( No. 4 ).
Lars von Trier. Examinations: Analysis, interview. Dogville: Scenario. - M .: New Literary Review , 2007. - 416 p. - ISBN 5-86793-499-3 .
In oil we trust. “Oil”, directed by Paul Thomas Anderson // The Art of Cinema. - 2008. - March ( No. 3 ).
How scary to be serious // Session (magazine) . - 2008. - April ( No. 33/34 ).
Brotherhood of the lamb “Silence of Lorna”, directed by Jean-Pierre Dardenne, Luc Dardenne // Art of Cinema. - 2008. - July ( No. 7 ).
The transformation. “Ponyo Fish,” directed by Hayao Miyazaki // Art of Cinema. - 2008. - November ( No. 11 ).
Superstar. Manuela di Oliveira's centenary // Art of Cinema. - 2008. - November ( No. 11 ).
Looking Glass. “The Road to Change”, directed by Sam Mendez // Art of Cinema. - 2009. - February ( No. 2 ).
And the train is coming ... "The Oddities of a Young Blonde," directed by Manuel de Oliveira // Art of Cinema. - 2009. - March ( No. 3 ).
Samosud. The Antichrist, directed by Lars von Trier // The Art of Cinema. - 2009. - July ( No. 7 ).
Close to paradise. “Up,” directed by Pete Docter // Art of Cinema. - 2009. - July ( No. 7 ).
Jan Shvankmayer: “Doctor of puppet sciences” // Art of Cinema. - 2009. - September ( No. 9 ).
Direct Guidance. “Lebanon”, director Samuel Maoz // Art of Cinema. - 2009. - November ( No. 11 ).
I'm a stranger. Portrait of James Cameron // Art of Cinema. - 2010. - January ( No. 1 ).
The series "Wallace and Gromit." Canine joy // Art of cinema. - 2010. - February ( No. 2 ).
The bullet is not a fool. “Woman, Gun and Noodle Machine”, director Zhang Yimou // Art of Cinema. - 2010. - March ( No. 3 ).
The difficulties of the protocol. “Aurora”, director Christie Puyu // Art of Cinema. - 2010. - July ( No. 7 ).
Society of the performance // Art of Cinema. - 2010. - October ( No. 10 ).
Peacemaker. Portrait of Aphihatphonga Virasetakuna // Art of Cinema. - 2010. - November ( No. 11 ).
The story (not o) of the horse. “The Turin Horse”, directed by Bela Tarr // Art of Cinema. - 2011. - March ( No. 3 ).
Proper name. “Elena”, director Andrei Zvyagintsev // Art of Cinema. - 2011. - June ( No. 6 ).
Silence kids. Dialogue with Michelangelo Framartino // Art of Cinema. - 2011. - June ( No. 6 ).
Von Trier and Wagner // Art of Cinema. - 2011. - July ( No. 7 ).
The oath of Herostratus. “Chapito-show”, director Sergey Loban // Art of Cinema. - 2011. - September ( No. 9 ).
Faust, the patient. Theses to the treatise in ten chapters // Art of Cinema. - 2011. - October ( No. 10 ).
Gimmick XXI: Essays on New Century Cinema. - M .: Ad Marginem , 2010. - 552 p. - ISBN 978-5-91103-090-2 .
Herman: Interview. Essay. Scenario. - M .: New Literary Review , 2011. - 360 p. - ISBN 978-5-86793-920-5 .
Running. Spielberg and Tintin: comics as a self-portrait // Art of Cinema. - 2012. - February ( № 2 ).
Lift under the scaffold. “Cabin in the Forest”, directed by Drew Goddard // Art of Cinema. - 2012. - April ( No. 4 ).
Nekeleynoe. “Beyond the Hills,” directed by Christian Munju // The Art of Cinema. - 2012. - June ( No. 6 ).
Nolan and Batman. Illusionists. "Batman": from "The Beginning" to "Renaissance" // Art of Cinema. - 2012. - July ( No. 7 ).
Faith detector. “Master”, director Paul Thomas Anderson // Art of Cinema. - 2012. - October ( No. 10 ).
Open Day. “Camilla Claudel, 1915,” directed by Bruno Dumont // Art of Cinema. - 2013. - March ( No. 3 ).
Around the World. “Inside Lewin Davis,” directed by Ethan Cohen, Joel Cohen // The Art of Cinema. - 2013. - July ( No. 7 ).
Night Watch // Art of Cinema. - 2013. - September ( No. 9 ).
Black box. “The Wind Strengthens,” directed by Hayao Miyazaki // Art of Cinema. - 2013. - October ( No. 10 ).
Mirror without a hero. “It's hard to be a god”, director Alexey Herman // The Art of Cinema . - 2014. - January ( № 1 ).
Ending station. “The Way of the Cross,” directed by Dietrich Bruggemann // Art of Cinema. - 2014. - March ( No. 3 ).
Chamber of marble. Ai Weiwei and the cinema of the “sixth generation” // Art of Cinema . - 2014. - June ( No. 6 ).
Sorokin-Trip // Session (log) . - 2014. - June ( No. 59/60 ).
Three whales. Leviathan, director Andrei Zveaghintsev // The Art of Cinema . - 2014. - July ( No. 7 ).
Freedom of speech. Return to Itaka, directed by Laurent Kant // The Art of Cinema. - 2014. - October ( No. 10 ).
Zero gravity. Interstellar, directed by Christopher Nolan // Art of Cinema . - 2014. - November ( No. 11 ).
Jackson / Tolkien: two rings, two ends // Art of Cinema . - 2015. - January ( № 1 ).
Lars von Trier: Exams. - 2nd ed .. - M .: New Literary Review , 2015. - 352 p. - ISBN 978-5-4448-0233-5 .
Roy Andersson. The praise of banality. - Session (magazine) , 2015. - 240 p. - ISBN 978-5-9906802-0-3 .
Peace - Rome. Movies Paolo Sorrentino // Art of Cinema . - 2015. - July ( No. 7 ).
Poor Lisa. “Anomalies,” directed by Charlie Kaufman, Duke Johnson // The Art of Cinema. - 2015. - October ( No. 10 ).
Hamlet. Prince Hamlet. James Bond through the eyes of Sam Mendes // Art of Cinema. - 2015. - December ( No. 12 ).
That light. “Midnight Special Edition,” directed by Jeff Nichols // The Art of Cinema. - 2016. - March ( No. 3 ).
Epiphora. Paterson, director Jim Jarmusch // The Art of Cinema . - 2016. - July ( No. 7 ).
Road signs. “Night Animals”, directed by Tom Ford // The Art of Cinema . - 2016. - October ( No. 10 ).
Year of Russian cinema. Again Firs // Art of Cinema . - 2016. - November ( No. 11 ).
Lars von Trier: Exams. - 3rd ed .. - M .: New Literary Review , 2017. - 352 p. - ISBN 978-5-4448-0674-6 .
Little lives. Oscar and Berlin: There is no more faith in the global message // Art of Cinema . - 2017. - February ( No. 2 ).
Jim Jarmusch Poems and music. - M .: New Literary Review , 2017. - 224 p. - ISBN 978-5-4448-0625-8 .
Empty place. “Dislike”, director Andrei Zvyagintsev // Art of Cinema. - 2017. - April ( No. 4 ).
Dictatorship of kindness. Strokes to the portrait of Sarik Andreasyan // Art of Cinema. - 2017. - May-June ( No. 5/6 ).
Shades of Russian. - AST (publishing house) , 2017. - 496 p. - ISBN 978-5-17-983246-1 .

Notes

↑ Asya Valley. Asya Dolina - about himself (Unsolved) . Snob The date of circulation is March 6, 2014. Archived June 23, 2014.
↑ Masha Myers. Interview: Mothers Mommies (Neopr.) . Echo of Moscow (July 4, 2004). The date of circulation is March 6, 2014. Archived June 25, 2014.
↑ Anton Dolin: About me (Neopr.) . Snob The date of circulation is January 23, 2013. Archived June 30, 2014.
↑ ¹ ² ³ ⁴ ⁵ ^{6 A} fight at the Liberalnaya metro station. The dispute between Dolin and Navalny // Radio Liberty , 12/03/2018
↑ Film critic Anton Dolin became the chief editor of the magazine “Art of Cinema” // TASS , 10.06.2017
↑ ¹ ² Employees (rus.) . Echo of Moscow (January 22, 2000). The date of circulation is September 30, 2013. Archived June 30, 2014.
↑ Anton Dolin. Life line (rus.) . Channel "Culture" . The appeal date is January 15, 2019.
↑ Igor Fishkin. Idealists and Realists (rus.) (Inaccessible link) . Paradise (December 2010). The date of circulation is March 6, 2014. Archived March 10, 2014.
↑ Anton Dolin (rus.) . Session The date of circulation is January 23, 2013. Archived June 30, 2014.
↑ WHEN TERMS WILL GROW. In the program of Cannes, there is a popular, there is a social and, finally, an uncomfortable movie. Artistically it leads (Unsolved) . Moscow News (May 26, 2006).
↑ NUMBER 18 FOR 2007 (May 11, 2007) (Neopr.) . Moscow News (May 11, 2007).
Кино Satellite of the movie-goer with Anton Dolin / Podcasts (rus.) . Radio "Mayak" . The appeal date is January 15, 2019.
↑ Anton Dolin / Live (rus.) . Radio "Vesti Vesti" . The appeal date is January 15, 2019.
С ELEPHON Prize in the field of film critics and film studies (Neopr.) . Film press. The appeal date is August 31, 2015. Archived March 26, 2013.
↑ The greatest fillms poll. Anton Dolin ( Neopr .) . Sight & Sound . Дата обращения 23 января 2013. Архивировано 30 июня 2014 года.
↑ moskva.fm — Маяк (недоступная ссылка)
↑ ещёнепознер. Долин: мухи, люди и говно #ещенепознер (неопр.) (13 февраля 2019). The appeal date is February 17, 2019.
↑ Большое интервью Павла Басинского; 11:30-11:40 (неопр.) . Маяк (23 февраля 2015). The appeal date is May 6, 2015.
↑ Против гомофобии. Антон Долин (неопр.) . Грани.ру (5 марта 2013 года). Архивировано 15 марта 2013 года.
↑ We are with you! (Neopr.) kinosoyuz.com (March 8, 2014). The appeal date is July 13, 2015.

Links

Интервью с Антоном Долиным
Рецензии Антона Долина
Публикации Антона Долина на сайте OpenSpace.Ru архив
Антон Долин: «Кинокритик от зрителя отличается только тем, что может облечь эмоции в слова и передать их другим» — Интервью для журнала Яркуб , сентябрь 2016

[1] Asya Valley. Asya Dolina - about himself (Unsolved) . Snob The date of circulation is March 6, 2014. Archived June 23, 2014.

[2] Masha Myers. Interview: Mothers Mommies (Neopr.) . Echo of Moscow (July 4, 2004). The date of circulation is March 6, 2014. Archived June 25, 2014.

[3] Anton Dolin: About me (Neopr.) . Snob The date of circulation is January 23, 2013. Archived June 30, 2014.

[svoboda-4] ¹ ² ³ ⁴ ⁵ ^{6 A} fight at the Liberalnaya metro station. The dispute between Dolin and Navalny // Radio Liberty , 12/03/2018

[5] Film critic Anton Dolin became the chief editor of the magazine “Art of Cinema” // TASS , 10.06.2017

[Сотрудники-6] ¹ ² Employees (rus.) . Echo of Moscow (January 22, 2000). The date of circulation is September 30, 2013. Archived June 30, 2014.

[7] Anton Dolin. Life line (rus.) . Channel "Culture" . The appeal date is January 15, 2019.

[8] Igor Fishkin. Idealists and Realists (rus.) (Inaccessible link) . Paradise (December 2010). The date of circulation is March 6, 2014. Archived March 10, 2014.

[9] Anton Dolin (rus.) . Session The date of circulation is January 23, 2013. Archived June 30, 2014.

[10] WHEN TERMS WILL GROW. In the program of Cannes, there is a popular, there is a social and, finally, an uncomfortable movie. Artistically it leads (Unsolved) . Moscow News (May 26, 2006).

[11] NUMBER 18 FOR 2007 (May 11, 2007) (Neopr.) . Moscow News (May 11, 2007).

[12] Кино Satellite of the movie-goer with Anton Dolin / Podcasts (rus.) . Radio "Mayak" . The appeal date is January 15, 2019.

[13] Anton Dolin / Live (rus.) . Radio "Vesti Vesti" . The appeal date is January 15, 2019.

[14] С ELEPHON Prize in the field of film critics and film studies (Neopr.) . Film press. The appeal date is August 31, 2015. Archived March 26, 2013.

[15] The greatest fillms poll. Anton Dolin ( Neopr .) . Sight & Sound . Дата обращения 23 января 2013. Архивировано 30 июня 2014 года.

[16] skva.fm — Маяк (недоступная ссылка)

[17] ещёнепознер. Долин: мухи, люди и говно #ещенепознер (неопр.) (13 февраля 2019). The appeal date is February 17, 2019.

[18] Большое интервью Павла Басинского; 11:30-11:40 (неопр.) . Маяк (23 февраля 2015). The appeal date is May 6, 2015.

[19] Против гомофобии. Антон Долин (неопр.) . Грани.ру (5 марта 2013 года). Архивировано 15 марта 2013 года.

[20] We are with you! (Neopr.) kinosoyuz.com (March 8, 2014). The appeal date is July 13, 2015.

Anton Dolin

Birth name	Anton Vladimirovich Vorobiev ^[1] ^[2]
Date of Birth	January 23, 1976 ( 1976-01-23 ) (43 years)
Place of Birth
Citizenship	Russia
Profession	film critic , journalist , radio host , correspondent, columnist, editor
IMDb