Igor Mikhailovich Krasilnikov (born November 25, 1952 ) is a Russian composer , pianist and teacher - a promoter of electronic musical creativity, a leading Russian expert in the field of electronic music , the creator of new disciplines "Keyboard Synthesizer", "Ensemble of Keyboard Synthesizers", "Computer Studio music ”for children's art schools and institutions of further education [1] [2] [3] ; member of the Union of Composers of Russia ( 1979 ), doctor of pedagogical sciences ( 2007 ), professor at the Moscow Institute of Open Education , leading researcher at the Federal State Scientific Institution "Institute of Art Education" of the Russian Academy of Education , editor-in-chief of the magazines "Music and Electronics" and "CINTerra" Member of the editorial boards of the journals “Pedagogy of Art” and “Music at School”, Chairman of the Jury of the International Competition of Creativity “Music and Electronics”, All-Russian Competition of Electronic Music SINTerra children’s and youth’s creative activity, regional children and youth electronic music competitions in Moscow , Ivanovo , Izhevsk , Krasnoyarsk , Mytishchi , Novotroitsk , Novocheboksarsk , Syktyvkar , Tolyatti , Yaroslavl .
| Igor Mikhailovich Krasilnikov | |
|---|---|
 Igor Mikhailovich Krasilnikov | |
| basic information | |
| Date of Birth | November 25, 1952 (66 years old) |
| Place of Birth | Odessa the USSR |
| A country | |
| Professions | composer , pianist , music teacher |
| Instruments | piano synthesizer |
| Genres | classical music , electronic music |
| art-education.ru/otd-bas... | |
Biography
I.M. Krasilnikov was born on November 25, 1952 in Odessa .
In 1976, he graduated with honors from the Moscow State Tchaikovsky Conservatory in composition classes (under professor E.K. Golubev ) and piano (studied under professors L.N. Oborin and M.S. Voskresensky ).
In 1979, he graduated with honors from an assistant internship in the composition class (under Professor E.K. Golubev).
Since 1979 - a member of the Union of Composers of the USSR , and since 1990 - a member of the Union of Composers of Russia.
He taught instrumentation at the Moscow Conservatory (1979 - 1987 ), and also taught the piano class at Moscow State Pedagogical University. M.A. Sholokhov ( 1992 - 1996 ).
Since 1997 - candidate of pedagogical sciences . The theme of the Ph.D. thesis: "Musical and creative development of elementary schoolchildren in the process of learning to play keyboard synthesizers (cybords)."
Since 2007 - Doctor of Education. Theme of the doctoral dissertation: "Electronic musical creativity in the system of art education." [four]
| The main problem of modern pedagogy, with which it still copes poorly, is the education of a creatively and morally developed personality. The reason for this is the lack of attention at school to the subjects of the art cycle, which are the only ones that can provide a solution to this problem ... I fully understand Kabalevsky, who devoted decades of his life to pedagogy, sacrificing his musical and creative projects to it. By the way, I consider Dmitry Borisovich the godfather of his pedagogical work - it was he who suggested that I seriously engage in the field of mass music education. My string quartet No. 2 is dedicated to the memory of Kabalevsky. [five] |
Scientific and pedagogical activity
The field of scientific interests of I. M. Krasilnikov is related to the problem of the development of electronic musical creativity in the system of art education. On this subject, he has published over 240 scientific and methodological works.
At the training courses for teachers in the keyboard synthesizer and computer music studio classes conducted by I. M. Krasilnikov in 38 cities of Russia, several thousand art education workers were trained [6] :
| The author’s method of introducing students to electronic musical creativity has proven its effectiveness and has become widespread in pedagogical practice. Classes and departments of the educational disciplines developed by Krasilnikov in music schools, art schools and other institutions of additional musical education began to open throughout the country. And today, based on the methodology of Krasilnikov, training is carried out in several thousand such institutions. [7] |
| The vast majority of teachers who conduct classes in the class of electronic instruments in Russia today are either students of I. M. Krasilnikov or students of his students. [eight] |
| In addition to composition, I. Krasilnikov pays a lot of attention to the problems of introducing electronic musical creativity into mass music education. He is the author of many, many articles on this subject. Under his editorship, a “Program” was created for learning how to play the synthesizer for music educational institutions. [9] |
For his great contribution to the development of domestic musical culture and pedagogy, I.M. Krasilnikov was awarded the Certificate of Honor of the Ministry of Education and Science of the Russian Federation (2011), Certificate of Honor of the Russian Academy of Education (2012), and the Gold Medal of the Union of Moscow Composers (2012 .), as well as Certificates of Honor of the leadership of the Russian State Vocational Pedagogical University, Culture Directorates of various regions of Russia and other relevant organizations.
I. M. Krasilnikov represents Russia at major international conferences on various issues and problems of musical pedagogy . [10] [11]
Major scientific papers
Monographs
Electronic musical creativity in the system of art education. - Dubna: Phoenix +, 2007 .-- 31 pp;
Methods of learning to play the keyboard synthesizer. - M.: Library. “Art at school”, 2007. - 10 pp; 2nd and 3rd ed., Rev. and add. - M.: Econ-Inform, 2009, 2011.
Computer music studio: teaching methodology. - M .: Econ-Inform, 2011 .-- 12 pp.
Synthesizer and computer in music education (problems of pedagogy of electronic musical creativity). - M.: Library. Art at school, 2002; 2nd edition 2004. - 7 pp;
Chronicles of music electronics. - M.: Econ-Inform, 2010 .-- 8 pp. and etc.
Teaching and teaching aids
Synthesizer School: A Training Manual. - M .: VLADOS, 2005 .-- 25.5 p.p. (co-authors - Alemskaya A. A., Clip I. L.);
Electronic musical creativity in a comprehensive school (elementary grades): A teaching aid. - M.: Izhitsa, 2004 .-- 12 pp. (co-author - Glagoleva N.A.);
Learning to Arrange: Pieces for a Synthesizer: Study Guide for Middle School Students. - M .: Classic - XXI, 2005. - 8.5 pp. (co-author - E. Liskina);
Works for the ensemble of synthesizers. Textbook for students in elementary and middle grades. - M.: Music and Electronics, 2006. - 7 pp. (co-author - T. Kuzmicheva) and others;
Educational-methodical complex "Electronic musical creativity" for students of grades 5-9 of the secondary school (textbooks, workbooks, teaching aids, digital educational resources. - 2008. - 30 pp. (Co-author D. A. Semenova) [ 12] and others.
Educational Programs
Sample programs for academic disciplines “Keyboard Synthesizer”, “Ensemble of Keyboard Synthesizers”, “Computer Music Studio” for children's music schools, music departments of art schools. - M.: Ministry of Culture of the Russian Federation. Scientific and Methodological Center for Art Education, 2002. - 3.5 pp;
Keyboard synthesizer // Programs for additional art education of children. - M .: "Education", 2005. - 1.4 pp .;
Keyboard synthesizer ensemble // Programs for additional art education of children. - M .: "Education", 2005. - 0.8 pp .;
Computer Music Studio // Programs for additional art education of children. - M .: "Education", 2005. - 1.9 pp;
Man-orchestra (playing music on a keyboard synthesizer) // Programs for additional art education of children in vacation time. - M .: "Education", 2007. - 0.4 p.p. and etc.;
Articles in journals and collections
Musical culture and education: actual problems of interaction // Art and Education. - M., 1999 / No. 4. - 1.7 pp .;
The intonational concept of musicality and the model of additional musical education // Art at School. - M., 2000 / No. 1, 2, 4. - 1.9 p.p.
Musical education based on digital instruments // Pedagogy. - M., 2006 / No. 6. - 0.8 pp .;
Stereophonic texture warehouse as an essential property of electronic music // Musicology, 2011 / No 7. - 0.3 pp;
The pedagogy of digital arts is a new direction in the development of the theory and practice of art education // Problems of Modern Education, 2011 / No 6. - 1.3 pp. [13] et al.
Performing Art
I.M. Krasilnikov performed solo concerts of piano music in Moscow , Berlin , Halle and other cities. He recorded a large number of works of composers of the XX century in the radio fund in Moscow and a CD of piano music in Berlin
| Krasilnikov’s performing skills combine the grace of pianism, the refined manner of intoning with brilliant virtuoso technique, the power of sonority, and endless gradations of expressiveness. The interpretation of the works performed by him is striking in its deep interpretation of the figurative and poetic sphere of the work, the philosophical reading of the composer's intention, and concentration. [14] |
I. M. Krasilnikov also performs with author concerts of music for the keyboard synthesizer.
Composer
I. M. Krasilnikov is the author of 45 opuses of musical works - orchestral , chamber , vocal , choral .
| The works of composer Krasilnikov are characterized by vivid emotionality, relief of musical images, soulful melody that reaches the heart and remains in memory. His composer's style is characterized by masterful use of the richest resources of musical expressiveness of our time, where the musical language combines both innovative trends and an organic fusion of the traditions of the long history of music. [15] |
| The multifaceted work of the composer Igor Mikhailovich Krasilnikov organically fits into the culture of modernity. But at the same time his music - inspired, as if "nostalgic" for better times - lives as if out of time. Apparently, composing it, the author did not think about short-term fashion trends, but thought about the eternal ... [16] [17] |
| There are few composers who speak in their own voice, and Igor Krasilnikov is one of them ... “We showed a concert in two sections with different compositions by one composer, and they are all very worthy,” N.N. said after one of the concerts. Nekrasov / People's Artist of the USSR, Professor /. - I think that these compositions will certainly be included in the repertoire of the Russian folk orchestra. The next generations of musicians will certainly turn to the work of I. Krasilnikov. I am convinced of that. ” [18] |
| Listening to the vivid graphic works of the author, you understand that I.M. Krasilnikov is a successor to the Russian traditional composer school and such masters as the composers of The Mighty Handful, N. A. Rimsky-Korsakov and A.K. Lyadov. He is a wonderful melodist. The newly heard melodies are immediately remembered and then arise in the memory, uplifting. I want to say about I.M. Krasilnikov that he is an excellent toolkeeper. He knows and feels the soul of every instrument. From this arises a feeling of harmony, beauty, fullness and diversity in each work. [nineteen] |
| The author’s symphonic thinking determines the thoroughness of the elaboration of details and gives the sound of a folk orchestra depth and diversity. A sophisticated modern language using variable sizes, dissonances individualizes the sound, without making it any harder. Even the use of the synthesizer in “Fads” (performed by the author) does not create the impression of alienness. The "Symphonietta on Russian Themes" in 4 parts gives you the opportunity to hear not only the traditional groups of the orchestra, but also multiple solo parts - gusli, harmonics or double basses. You are convinced that the composer knows the orchestra thoroughly and gives him the opportunity to perform at the limit of artistic possibilities - from brilliant, bright, enchanting sound to an exquisitely soft, bright, exciting soul. [20] |
The works of I. M. Krasilnikov are the subject of scientific analysis:
| In symphoniette I.M. Krasilnikova presented an original example of the organic interaction of folklore and the invariant features of the symphony genre. Using the expressive capabilities of a large orchestra of Russian folk instruments, the features of modern musical shaping, the composer realized the optimistic concept of hope for a brighter future — in the unity of man and nature. [21] |
Works for symphony orchestra:
- Symphonies: No. 1, No. 2 based on the novel by V. Astafyev “The Shepherd and the Shepherdess”, No. 3 “Rus-988”
- Symphonietta
- “Calls to distant worlds” - symphonic cycle
- "Dramatic poem"
- Russian Rhapsody
- Concert for piano and orchestra
- Concert for violin and orchestra
- 3 overtures, etc.
Works for the orchestra of Russian folk instruments:
- "Symphonietta on Russian themes"
- “Ancient melodies” - a suite in three parts
- “Four photos from an old family album” - a four-part suite
- “Simple Music” - Suite in four parts
- "Fairy Tale Images" - a suite in six parts
- "Fairy tale"
- Romance and humor
- “Two eastern sketches”
- "Two waltzes in the old style"
- "Russian Overture" and others.
Works for brass band:
- Partita
Chamber works:
- Adagio for strings
- String Quartets No. 1 “Don Songs”, No. 2 in memory of D. B. Kabalevsky
- "At the ruins of an ancient temple" for guitar and string quartet
- Sonata for viola solo, “Polyphonic suite” for bassoon solo, “Landscape with penguins, seagulls and an iceberg in the fog” for oboe solo, “Five Bryansk songs” for oboe, clarinet and bassoon and other works for various instruments and ensembles
- Sonata, Sonatina, Variations, Seven Preludes, Twenty Five Pieces, “Five Songs without Words” for piano
- Organ chorale
- Vocal cycle "Six poems by Eugene Baratynsky" and others.
Choral works:
- Gospel Strings for Female Choir
- “From Spring to Spring” - Cantata
- “Landscapes” - Suite and other works for children's choir
Works for children:
- 25 songs
- “Five popular prints” for piano, “Three figures from the designer” for violin and piano, 3 pieces for French horn and piano and other instrumental pieces
- 30 works for the keyboard synthesizer, more than 400 published treatments and arrangements of classical, folk and modern works for electronic musical instruments, etc.
A number of works by I. M. Krasilnikov were noted at national competitions: “Symphoniet on Russian themes” for the orchestra of Russian folk instruments - first prize in 1978 , Symphony No. 1 - first prize in 1980 , string quartet No. 1 “Don songs” - diploma in 1985 at the international festival in Moscow.
The compositions of I.M. Krasilnikov were publicly performed in Russia and the CIS, as well as in Germany, Finland, Hungary, Portugal, France, Holland, the Netherlands, Denmark, Great Britain and other countries. Some are multiple. For example, the string quartet No. 1 “Don songs” was performed by five professional groups, the symphonic cycle “Calls of distant worlds” - by three.
The composer's orchestra compositions were conducted by: B. S. Voron, V. P. Gusev, I. B. Gusman, B. A. Diev, V. B. Dudarova, N. N. Kalinin, D. G. Kitaenko, S. M Kolobkov, E. S. Makovsky, F. Sh. Mansurov, G. I. After, NN Nekrasov, L. V. Nikolaev, V. A. Ponkin, G. P. Provatorov, V. Yu. Rappoport , E. A. Serov, V. S. Sinaisky, P. Sh. Sorokin, V. I. Fedoseev, I. I. Chalyshev, G. N. Cherkasov, A. V. Shlyachkov, P. A. Yadykh and others .
The compositions for the children's choir by I.M. Krasilnikov were performed by groups led by T.V. Kulemina, M.G. Obshadko, A.S. Ponomarev, V.S. Popov, L.K. Sivukhin. Among chamber compositions and performers-soloists of music Krasilnikov - quartet them. Tchaikovsky, Glazunov-quartet, Moscow String Quartet, A. E. Vinnitsky (violin), M. S. Voskresensky (piano), A. Yu. Klechevsky (bassoon), A. P. Martynov (tenor), A. V. Ryazanov (oboe) and other groups and soloists.
The music of Igor Krasilnikov repeatedly sounded on the central Soviet and Russian radio channels broadcasting to Russia and many foreign countries. Radio Russia hosted programs entirely devoted to his work. Orchestral works sounded on the radio of Germany (Prelude) and the Netherlands (Symphony No. 3).
A large number of works by Krasilnikov were published by the publishers: “Soviet Composer”, “Composer”, “Music”, “Vlados”, “Classic-XXI”, “Deca-VS”, MGIM them. A. G. Schnittke, Supraphon (Czechoslovakia), Neue Musik (Germany), etc.
IM Krasilnikov wrote music for films (16), plays (5) and computer games (4 CDs).
Among the films, the music of which was written by I. M. Krasilnikov:
- Labyrinth ( 1979 )
- Lantern Festival ( 1980 )
- How I was a Child Prodigy ( 1983 )
- Summer Impressions of Planet Z ( 1986 )
- Obsession ( 1989 )
- Pansies and lordly caresses ( 1990 )
- Tit, Grove and Fire ( 1991 )
- In the country of bobbers ( 1991 )
- Say Jupiter! ( 1992 )
- The Taming of the Shrew ( 1993 )
- Julius Caesar ( 1994 )
- Chapaychik Boy ( 2012 ) and others
See also
- Institute of Art Education of the Russian Academy of Education
- Pedagogy of art (magazine)
- Music and computer technology
- Musical pedagogy
- Union of Composers of Russia
Notes
- ↑ I. M. Krasilnikov . A retrospective of the development of music education in Russia based on computer technology. (inaccessible link) . Date of treatment July 6, 2012. Archived October 27, 2014.
- ↑ I. M. Krasilnikov. Pedagogy of digital arts - a new direction in the development of theory and practice of art education
- ↑ I. M. Krasilnikov . Formation and development of electronic musical creativity in children's music schools and art schools
- ↑ Krasilnikov Igor Mikhailovich . Electronic musical creativity in the system of art education: a dissertation for the degree of Doctor of Pedagogical Sciences 13.00.02 Moscow, 2007. 494 p. (inaccessible link)
- ↑ Igor Krasilnikov: “I consider myself primarily a musician who is interested in music in a wide variety of manifestations”, Music and Time, 2012, No. 9, pp. 22-26
- ↑ I. M. Krasilnikov. Training of teachers in the class of electronic musical instruments
- ↑ E. N. Piryazeva, Candidate of Art Criticism : “Pushing the limits of the performance of schoolchildren,” Journal of Art at School, 2012, No. 5, p. 47.
- ↑ E. N. Piryazeva, Candidate of Art Criticism : “Igor Krasilnikov: music is interesting in all its manifestations”, “Music at School” magazine, 2012, No. 5, p. 65
- ↑ Vladimir Zelev, Igor Krasilnikov, Russian Musical Newspaper, 2002, No. 3
- ↑ I. M. Krasilnikov. Foreign scientists on information and computer technologies as a means of forming musical competencies
- ↑ I. M. Krasilnikov. Learning with a computer or learning with a computer like a musical instrument? The composer's view on the pedagogical problem (based on materials from the 29th ISME conference)
- ↑ Posted on school-collection.edu.ru
- ↑ Posted on the site pmedu.ru
- ↑ E. N. Piryazeva, Candidate of Art Criticism : “Pushing the limits of the performance of schoolchildren,” Journal of Art at School, 2012, No. 5, p. 48
- ↑ E. N. Piryazeva, Candidate of Art Criticism : “Pushing the limits of the performance of schoolchildren,” Journal of Art at School, 2012, No. 6, p. 47
- ↑ The author’s program of Lyudmila Kirillova about the life and work of famous musicians, about musical events in our country on Radio Russia (inaccessible link) . Record of air of February 3, 2013 Archived May 10, 2013 on Wayback Machine
- ↑ Igor Krasilnikov, a famous Moscow composer, professor at the Moscow Institute of Open Education, editor-in-chief of the magazines Music and Electronics and SIN-Terra (Synthesizer Territory), takes part in the author’s program of the music commentator of Radio Russia Lyudmila Kirillova. The guest of the studio acquaints the listeners with his compositions, telling along the way how they were created. (link not available) Record of air from 2013/02/11 18:30. Archived May 9, 2013 on Wayback Machine
- ↑ I. Chernyshova, About the author’s concert of I. Krasilnikov, Narodnik, 2002, No. 4, p. 21-22
- ↑ E. Liskina , Remembering the anniversary concert of composer I.M. Krasilnikova, Music and Time, 2003, No. 2, pp. 13-14
- ↑ Natalia Balashova, Bravo, Maestro !, Narodnik, No. 4 - 2012, pp. 68-69
- ↑ Professor P. Belik , Symphonietta on Russian topics I.M. Krasilnikova: on the problem of the interaction of folklore and professional art // Zh. Musicology, 2009, No. 2, p. 8-17.
Links
- I. M. Krasilnikov on the website of the Institute of Art Education of the Russian Academy of Education
- I. M. Krasilnikov on the website of the journal Pedagogy of Art
- I. M. Krasilnikov on the website of the journal Music and Electronics
- I. M. Krasilnikov on the website kino-teatr.ru
- I. M. Krasilnikov on the site of the Union of Composers of Russia
- I.M. Krasilnikov . Music and computer technology as a means of spiritual and moral education. (inaccessible link)
- Igor Krasilnikov (piano): N. Ya. Myaskovsky — op. 25 “Fads,” 6 drafts for piano. On the website classic-online.ru
- Video from the composer Igor Krasilnikov’s evening
- Information about the author’s concert of Igor Krasilnikov on the website of the Academic Orchestra of Russian Folk Instruments
- The author's “Concert Duel: Synthesizer Against the Piano” is a doctor of pedagogical sciences, a leading researcher at the Institute of Art Education and Cultural Studies of the Russian Academy of Education, a member of the Union of Composers of Russia Igor Mikhailovich Krasilnikov. The concert was held on May 6, 2015 at the Children's Art School No. 8 of Krasnoyarsk.