Vudon Ivanovich Baklitsky ( January 16 [1] 1942 - July 7, 1992 ) - Ukrainian innovative artist, representative of postmodernism in Ukraine. In Soviet times, was not recognized, stayed in the underground .
| Woodon Ivanovich Baklitsky | |
|---|---|
| Date of Birth | |
| Place of Birth | Novoelovka village, Kazakhstan |
| Date of death | |
| A place of death | |
| A country | |
| Genre | painting , graphics |
| Style | postmodernism |
Content
- 1 Biography
- 2 notes
- 3 Literature
- 4 References
- 4.1 Pictures
Biography
V. Baklitsky was born in with. Novoelovka, ( Kazakhstan ) during the Second World War , where the family was evacuated after injuring his father at the front . In 1949 they moved to Kiev .
Father Ivan was a laborer, mother Marta looked after the children (son and daughter Lyudmila).
Woodon, dreaming of becoming an artist, studied independently: he copied the works of his favorite artists, read a lot, studied paintings by the Hermitage and other museums. He changed many professions, combining them with continuous artistic creativity: he worked at the Kiev Rechflot, a guide, decorator, loader, decorator at the movie studio named after Dovzhenko , participated in archaeological expeditions, etc.
Since 1962 he held "underground" joint exhibitions with his best friend, artist Nikolai Trigub at the old brick factory.
In 1977, he took part in the exhibition of the informal association "Ruh" [2] .
He showed his work in the apartments of the Kiev intelligentsia or in abandoned premises. [3]
Most of the work was acquired by foreign collectors.
He was a member of the New Bent group of artists (in which, apart from Nikolai Trigub , Vladimir Borozenets participated, who soon separated from them). [four]
In 1990-1992 he was a member of the group of independent artists "Strontium-90", who in their works defended the purity of the ecology of the Earth.
V. Baklitsky was a vivid representative of non-conformism , the unofficial art of the USSR . In his work, he continued the line of Ukrainian and Russian avant-garde of the 1920s : in the increased expressiveness of the picture, the rejection of the illusion of space.
Shortly before his death, he described his legacy as follows: 2,500 works (of which about 700 are painted in oil, the rest are watercolors, tempera and original technique, 100 works are chased, 100 are ceramic, 80 are wood carvings).
He was married three times, the father of three daughters: Natalia, Alexandra, Ivanna.
Notes
- ↑ January 16
- ↑ Elena Golub . In "Rusі." On the anniversary of the underground exhibition, which has become history. // Day . 2007 - December 5
- ↑ in Ukrainian: Vysheslavsky G. , Sidor-Gibelinda O. // Terminology of contemporary art. Paris-Kyiv. Terra Incognita, 2011, - p. 35. ISBN 978-966-96839-2-2 .
- ↑ in Ukrainian: Oleg Sidor-Gibelinda. New Band (Exhibition Catalog). Kiev, 2011
Literature
- in Ukrainian: Vera Vaysberg, Nikolai Leonenko. Woodon Baklitsky and Nikolai Trigub. // Art Ukraine, 2011, - No. 20, January-February, S.128 −137.
- Elena Golub . The unquenchable palette of Woodon Baklitsky. // Mirror of the week . 2002, January 5th. [1] (inaccessible link) .
- Marina Dolya. Woodon Baklitsky: portrait of the artist.// COLLEGIUM, 1993, - No. 1, C. 69-74.
- Elena Golub . Hanging on one wall - connected by one chain. // Rainbow, No. 7-8, 2004, - S. 161-168.
Links
- Baklitsky Vudon Ivanovich (1942-1992) (Russian)
- The unquenchable palette of Woodon Baklitsky (Russian)