Alla Anatolievna ( July 3, 1957 , Moscow ) - Russian Soviet ballet dancer. People's Artist of the RSFSR (1986), Honored Artist of the Uzbek SSR (1981) [1] .
| Alla Mikhalchenko | |||
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| Birth name | Alla Mikhalchenko | ||
| Date of Birth | |||
| Place of Birth | |||
| Citizenship | |||
| Profession | ballerina , ballet teacher | ||
| Theater | The Bolshoi Theatre | ||
| Awards |
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Content
Biography
Born in Moscow. She entered the Moscow Choreographic School , where in the pre-graduation class she performed the pas de deux to the music of A. Adana . She graduated from college in the class of SN Golovkina in 1976. After graduating from college at the Bolshoi Theater (1976-1999). Teachers Mikhalchenko in the Bolshoi Theater - G. S. Ulanova and R. S. Struchkov .
On the plastic talent Mikhalchenko V.I. Uralskaya wrote: “Slender, all stretching upwards, with an exquisitely touching bend of the neck, a flexible refined line of the back, Alla is strict and restrained in the manner of gesture, glance, and, at the same time, always stands out for her unusual and outwardly impressive. "
The conductor of the Kirov (Mariinsky) Theater Y. Gamaley recalled about Giselle-Mikhalchenko:
| ... the most gratifying impression left by Alla Mikhalchenko in Giselle . She arrived on the day of the performance (1986), so the rehearsal was during the day in “half tone”. She did not make a single request, but I already realized through rehearsal that she was dancing perfectly true, nothing was crumpled up and was not stuck anywhere. The performance confirmed the impression of the rehearsal. The first thing I liked Mikhalchenko, was the performance of the movement "ballot" in the second half of Giselle's release. So, without haste, with a short fixation of poses with the ejection of legs, then forward, then back, we did not dance for a long time - twenty-five years. Thanks to this, Mikhalchenko’s entire output went at a single pace, which, according to the laws of the musical performance, was certainly competent. We have already for many years, as everyone began to hasten the movement of "ballot", which caused unjustified acceleration of the pace. And then everything was danced and played by Mikhalchenko in the best old traditions. |
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Repertoire (major parts)
| External images | |
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| Alla Mikhalchenko, a portrait on the RIA news website | |
| Alla Mikhalchenko, Kitri, I act "Don Quixote" | |
- Giselle ( Giselle , choreography by J. Coralli, J. Perrot, M. Petipa)
- Aegina ( Spartak , choreographer Yu.N. Grigorovich)
- Valentina (“ Angara ”, choreographer Yu.N. Grigorovich)
- Odette-Odile ( Swan Lake , edited by Yu. N. Grigorovich)
- Soloist ("These charming sounds ...")
- Kitri ( Don Quixote , choreographer A. A. Gorsky)
- Eola (" Icarus ", choreographer V. V. Vasilyev)
- Rita (“ Golden Age ”, choreographer Yu.N. Grigorovich)
- Anastasia (“ Ivan the Terrible ”, choreographer Yu.N. Grigorovich)
- Princess Florina (“ Sleeping Beauty ”, edited by Yu. N. Grigorovich)
- Raymonda (“ Raymond ”, edited by Yu. N. Grigorovich)
- Nargis ("The Indian Poem", choreographers Yu. G. Scott, Yu. V. Papko, first performer, 1981)
- Shirin (“ The Legend of Love ”, choreographer Yu. N. Grigorovich)
- Mistress of the Copper Mountain (“The Stone Flower ”, choreographer Yu.N. Grigorovich)
- Nina Zarechnaya (“The Seagull ”, choreographer M. M. Plisetskaya)
- Gamzatti (“ Bayadere ”, edited by Yu. N. Grigorovich)
- Roxana (“Cyrano de Bergerac”, choreographer R. Petit, first performer in Russia, 1987)
- Sylphide (“ Sylphide ”, choreographer A. Bournonville, edited by O. M. Vinogradov)
- The Temptress (The Prodigal Son, choreographer D. Balanchine, production D. Taras)
- The Lady of the Heart ("Fantasy on the theme of Casanova", choreographer M. L. Lavrovsky)
- The Girl (“ The Vision of the Rose ”, choreography by M. M. Fokine)
Awards and prizes
- First Prize and Gold Medal at the Third International Ballet Competition in Moscow (1977) [2]
- The first degree difference at the VIII International Ballet Competition in Varna (1977)
- First Prize of the All-Union Competition of Ballet Artists and Choreographers in Moscow (1976)
- USSR State Prize (1983)
- Lenin Komsomol Prize (1979)
Educator
She taught at the Department of Choreography of the ballet master's department of GITIS (RATI) . Head of the Department of Choreography (classical dance) at the Moscow State University of Culture and Arts (2003-2004).
Filmography
She starred in the television screen of the ballets "These charming sounds ..." (1981), "Fragments of a biography", "I want to dance" (both 1985). In the musical film "The Ostankino Palace" (choreographer-director Georgy Aleksidze, musical edition of "CT", 1986)
Literature
- Valeria Ural. Alla Mikhalchenko, “Soviet Ballet”, 1984, May 15.
- Valeria Ural. Alla Mikhalchenko, “Soviet Ballet”, 1985, No. 2.
- "Theatrical life." 1979. Issues 9-16.
- Journal "Ballet", Annotations of articles for 2003 (№ 1 [121] January-February).
- Vladimir Zarubin. Encyclopedia "Russian Ballet". 1997. p. 303.
- Elena Lutskaya. Literary and artistic review "Panorama", the article "Youth is a wonderful moment," M., 1982, p. 54—63
- Alexey Narochnitsky. Encyclopedia Moscow. Alla Mikhalchenko on with. 126, 322. M, publishing house "Soviet encyclopedia", 1980.
- Alexander Demidov, the magazine "Theater", "Youth" № 1, 1983.
- Alexandra Dashicheva. Newspaper "Soviet Culture" Virtuosity, 1983.
- Boris Morozov. The newspaper "Izvestia". "With faith in the power of beauty" 1983.
- Alexander Avdeenko. An article to the booklet of the anniversary evening dedicated to the 20th anniversary of creative activity at the Bolshoi Theater of Y. Grigorovich, 1984, January 11.
- Arkady Sokolov-Kaminsky. Scientific and methodical publication. “Soviet Ballet Today”, M. 1984. Knowledge Publishers
- Sania Davlekamova. "Dreams come true", M., 1985
- Vladimir Golubin. "How to become a ballerina", M., 1987
- "Culture and Life." 1987. Issues 7-12. Pp. 20
- Olga Maleina. "Theater Moscow". “Debut, Success, Recognition”, 1990, May 17-23, No. 20, p. 3-6
- Olga Svistunova. Magazine "Theater Life". “Grand Pas from Paris” 1991, No. 22, p. 20-21
- Alexander Kolesnikov. Digest of articles. "The Bolshoi Theatre. New Names. ”Release One. Alla Mikhalchenko in the section of the master of the older generation, Moscow, 1992
- Sania Dovlekamova. Magazine "Bolshoi Theater". "Lady of the heart and the queen of the ball." Season 218, 1994, No. 5 March-April, p. 20-21.
- Irina Yurieva. The newspaper "Pravda". "Benoit Prize awarded to the best dancers of the world." 1994, May.
- Alexander Kolesnikov. Booklet of the ballet prize "Benoit de la dance 1994". Essay by Galina Ulanova, 1994, May
- Christ of Christ. All-Russian newspaper "Muscovite". Ordinary goddess. Interview with Galina Ulanova, correspondent edition. 1994, No. 18, June 23,
- Andrei Tazhiev. "Russian newspaper". "The golden age of the ballerina." 1994, September 21.
- Elena Litovchenko. The newspaper "Evening Moscow". "The contract - and in the Big contract", 1994, September 22.
- Olga Belan. Weekly "Interlocutor." Essay "The big premiere of Alla Mikhalchenko". 1995, No. 10.
- RIA News". "Moscow's comsomolets". "Zeus in the Acropolis." 1995, July 11th.
- Elena Fedorenko. Newspaper "Evening Club". "Happy moments of the Kremlin Zeus", 1995, July 6
- Elena Litovchenko. "Evening Moscow". Essay on the series of concerts "Stars of World Musical Art in the Kremlin" 1995, September 30.
- Andrei Tazhiev. The newspaper "Modus". “Strong characters of Alla Mikhalchenko”, 1996, No. 2.
- Natalia Kolesova. Newspaper "Moskovsky Komsomolets". "From the life of Olympians." 1996, February 6th.
- Catherine Mironova. The newspaper "Culture". “The Big Ballet in Piraeus” (a group of ballet artists led by Bolshoi Alla Mikhalchenko gives a concert in the cities of Greece). 1996, No. 32, August 24
- Alexander Maksov. Magazine "Bolshoi Theater". “Love is a magical sound” (review of the premiere of the opera “La Traviata” at the Bolshoi Theater), 1996-1997, No. 4
- Marina Yurieva. Magazine "Caprice". "Magic of Hellas", 1997, No. 4, p. 92—93
- Andrei Tazhiev. Beauty magazine. "This miracle is not ordinary." 1997, No. 2.
- Alexander Maksov. Magazine "Bolshoi Theater". “Joyful debut for children” (essay on the performance of Alla Mikhalchenko in the new ballet “Snow White”), 1997
- Natalia Kurova. Woman magazine. Reason and Feelings: “the lane of change is not only loss, but also gaining.” 1998, № 1
- Vitaly Wulf. Almonach. "Theatrical rain." Notes and essays. Ballet section. Art World Series. 1998, № 4
- "Word". Issues 1-6. Publisher "Book Chamber", 1986
- Vladimir Zarubin. "The Bolshoi Theatre". 1998. p. 428
- Galina Inozemtsev. Magazine "Ballet". “The exposition includes premieres” (essay on sculpture, Moscow Prize winner, Lyubov London), 1999, September - December.
- Violet Miniece. Magazine "Bolshoi Theater" edited by Alexei Parin. Alla Mikhalchenko - creative portrait of a ballerina, 2004, № 2.
- Ekaterina Shaposhnikova. Magazine "NRG". Russian Seasons, 2004, No. 53 (May).
- Ekaterina Belyaeva. Belcanto.ru [3] The Return of the Ballet Ivan the Terrible, November 18, 2012.
Notes
- ↑ Mikhalchenko, Alla Anatolevna // Russian Ballet: Encyclopedia. - M .: Great Russian Encyclopedia, Concord, 1997.
- ↑ III International Ballet Competition, Moscow, 1977, June 13–24 - on russianballet.ru/competition.
- ↑ Ekaterina Belyaeva. Return of the ballet Ivan the Terrible .