Post-postmodernism ( English Post-postmodernism ) - a term for updating the understanding of the tasks of critical theory , philosophy, art, literature, architecture and culture by overcoming postmodernism.
"Post-postmodernism" should be considered a temporary term, since the phenomenon itself is still in the process of formation, although at the moment there are already several options: "pseudo-modernism", "digital-modernism" and " metamodernism ". The term “pseudo-modernism” was introduced by the English philosopher Alan Kirby in the article “Death of postmodernism and beyound” (2006), but later replaced it with “digital-modernism” in his book “Digimodernism”. “Metamodernism” appeared thanks to two Dutch philosophers: Timothy Vermeulen and Robin van der Akker , in their essay “Notes of Metamodernism” (2010), the new movement is associated with the possibility of overcoming postmodern irony and the development of new romanticism. Perhaps it was precisely on their ideas that the “Manifesto of Metamodernism” (2011) subsequently arose.
One of the features of post-postmodernism is that this trend not only refuses intertextuality, but moves to a qualitatively new level of recreation of perceptual and cultural layers of information in which virtual reality occupies one of the key provisions and the concept of hyperreality is one of the basic ones.
There are already authors and works in art that are considered to be metamodernism, in literature these are Haruki Murakami , Roberto Bolagno , David Foster Wallace and Jonathan Franzen , in music CocoRosie , Antony and the Johnsons , Georges Lenz and Devendra Banhart , in fine art these are Peter Doig and Olafur Eliasson , in the architecture of the Herzog and de Meron building .