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Palomino, Antonio

Asisclo Antonio Palomino de Castro and Velasco ( Spanish: Acisclo Antonio Palomino de Castro y Velasco ; 1655 , Buchalance - August 12, 1726 , Madrid ) is a Spanish Baroque artist , [1] better known not because of his artistic heritage, but because of his writing he has a collection of biographies of Spanish painters “Museum of Painting and Optical Rock” , covering the biographies of many masters of the Spanish Golden Age . Thanks to this work, Palomino earned the nickname "el Vasari español".

Antonio Palomino
Spanish Acisclo Antonio Palomino de Castro y Velasco
Portrait of Palomino by Juan Bautista Simo
Portrait of Palomino by Juan Bautista Simo
Birth nameAcisclo Antonio Palomino de Castro y Velasco
Date of Birth1655 ( 1655 )
Place of BirthBalance sheet
Date of deathAugust 12, 1726 ( 1726-08-12 )
Place of deathMadrid
NationalitySpain
StudyValdes Leal
Stylebaroque

Content

Biography

He was born in 1655 in a wealthy family. As a child, he moved with his family to Cordoba , where he received a good education; studied grammar , philosophy , jurisprudence , and also received painting lessons from Juan de Valdes Leal, who lived there in 1672 , and then Juan de Alfaro and Gamez (1675). Since 1678 in Madrid , where he enjoys success, as well as the patronage of Carreño . He worked together with Claudio Coelho . [2]

In 1691 he received the post of court artist .

Between 1705 and 1715 he lived in Salamanca , Granada and Cordoba , and then in Madrid .

Painting

His manner bears the imprint of the influence of the Neapolitan Luke Giordano - these are the first works of Palomino in Madrid . He was known as the creator of painting cycles - the plafonds of the city ​​hall in Madrid , the church of Valencia - Saints Juan ( 1697 ) and the Virgen de los Desamparados ( 1701 ). In Salamanca , the church of San Esteban created a large fresco “The Triumph of the Church” ( 1705 ), while in the Granadian Carthusian monastery his best works, already marked by Rococo features, have been preserved.

Pictures

  • Confession of St. Peter,
  • frescoes in the church of San Juan del Mercado and
  • The Basilica of Dezparap in Valencia,
  • 5 paintings of the great altar representing San Fernando, the ghost and martyrdom of San Aisclo and Santa Victoria in the Cathedral of Cordoba,
  • fresco on the doors in the church of San Esteban de Salamanca,
  • painting of San Antonio de Padua in Sigüenza,
  • St. Thomas Aquinas from the Museum of Sacred Art of Malaga.

Picture Gallery

  •  

    Allegory of the Air - Prado Museum, Madrid.

  •  

    St. Joseph's Dream - Prado Museum, Madrid.

  •  

    Dome of Sagrario

  •  

    Dome in Valencia

  •  

    Church Triumph - Monastery of San Esteban, Salamanca

  •  

    Escape from Egypt

  •  

    Sleeping jesus

Composition

The most important legacy of Palomino is not his painting, but his biographical book about Spanish artists. The Museum of Painting and the Optical School itself ( Museo pictórico y escala óptica ), written in 1715–1724 , had three volumes, the first two of which were devoted to the theory and practice of painting, and were not very popular. But the third ( El Parnaso español pintoresco laureado ), became the main written source about episodes of the life of many Spanish masters.

Death

After the death of his wife in 1725 , Palomino became a priest .

He died on August 12, 1726 in Madrid .

See also

Baroque

The Golden Age of Spain

Valdes Leal, Juan de

Court painter

Notes

  1. ↑ Antonio Palomino - Oxford Reference . - DOI : 10.1093 / oi / authority.20110803100303179 .
  2. ↑ Palomino De Castro Y Velasco | Spanish painter (English) , Encyclopedia Britannica . Date of appeal September 21, 2017.

Links

  • Palomino i Velasco, Antonio // Encyclopedic Dictionary of Brockhaus and Efron : in 86 volumes (82 volumes and 4 additional). - SPb. , 1890-1907.
  • Antonio Palomino - tips for beginning artists from the book "Museum of Painting and the School of Optics".
Source - https://ru.wikipedia.org/w/index.php?title=Palomino,_Antonio&oldid=97815468


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