List of works by Igor Stravinsky

• “The Firebird ” ( fr. L'Oiseau de Feu , the English The Firebird ), ballet in two scenes (1909-1910), libretto by M. Fokine. First performance - June 25, 1910, Paris , Grand Opera , under the direction of Gabriel Pierne .
• “ Parsley ”, Russian comic scenes in four paintings (1910-1911, revised 1948), libretto by A. Benoit. First performance - June 13, 1911, Paris, Chatelet Theater , directed by Pierre Monteux .
• “ The Rite of Spring ” ( French: Le Sacre du printemps , The Rite of Spring ), scenes of pagan Russia in two paintings (1911-1913, revision 1943), libretto by N. Roerich. First performance - May 29, 1913, Paris, Theater of the Champs Elysees, directed by Pierre Monteux
• The Nightingale , an opera in three acts (1908–1914), the libretto by the author and S. Mitusov based on the fairy tale of the same name by Andersen. First performance - May 26, 1914, Paris, Grand Opera, conducted by Pierre Monteux.
• “The Tale of the Fox, the Rooster, the Cat and the Sheep ” ( French Renard: Histoire burlesque , 1915-1916). "A fun performance with singing and music." Libretto of the author according to Russian fairy tales from the collection of A.N. Afanasyev. First performance - May 18, 1922, Paris, Grand Opera.
• " Wedding " ( French Les Noces ), Russian choreographic scenes for soloists, choir, four pianos and percussion (1921-1923), the author’s libretto for Russian folk songs from the collection of P. V. Kireevsky . First performance - June 13, 1923, Paris, under the direction of Ernest Anserme. It exists in several editorial editions, in Russian, French and English.
• “ The Story of a Soldier ” (“The Tale of a Runaway Soldier and the Devil, Played, Read and Danced”; fr. L'Histoire du Soldat ) for three readers, a dancer and an instrumental ensemble (1918), a libretto by Sh. F. Ramu in a Russian folk tale . First performance - September 28, 1918, Lausanne, under the direction of Ernest Anserme.
• " Pulcinella ", a ballet with singing in one act on the music of Gallo , Pergolesi and other composers (1919-1920), the libretto of L. Myasin. First performance - May 15, 1920, Paris, Grand Opera, under the direction of Ernest Anserme.
• “ Mavra ”, comic opera in one act (1922), libretto by B. Kokhno based on the poem by A. Pushkin “ House in Kolomna ”. First performance - June 3, 1922, Paris, Grand Opera, under the direction of Grzegorz Fitelberg.
• Oedipus Rex , an opera-oratorio for reader, voices, male choir and orchestra (1926-1927), the libretto by J. Cocteau after the tragedy of Sophocles. The first performance in a concert - May 30, 1927, Paris, under the direction of the author; first production - February 23, 1928, Vienna State Opera.
• " Apollo Musaget ", a ballet in two scenes (1928). First performance - April 27, 1928, Washington, Library of Congress, managed by Hans Kindler
• “ Fairy Kiss ”, a ballet in four scenes based on Tchaikovsky’s music (1928), the author’s libretto based on Andersen’s tales. First performance - November 27, 1928, Paris, Grand Opera, under the direction of the author
• " Persephone ", a three-stage melodrama for reader, tenor, choir and orchestra (1933-1934), libretto by A. Gide. First performance - April 30, 1934, Paris, Grand Opera, under the direction of the author.
• “ Playing Cards ” ( French: Jeu de cartes ), the ballet “in three change” (1936-1937), the author’s libretto. First performance - April 27, 1937, New York, Metropolitan Opera, choreography by George Balanchine, directed by the author.
• “Ballet Scenes” ( French Scènes de ballet ) (1944). The premiere of February 11, 1948 on the stage of Covent Garden (London) , performed by "Sadler's Wells Ballet"; choreography by F. Ashton .
• " Orpheus ", a ballet in three scenes (1947). First performance - April 28, 1948, New York City Music and Drama Center, under the direction of the author.
• “ The Rake's Progress ” ( English The Rake's Progress ), opera in three acts with an epilogue (1947-1951), the libretto by Chester Collman and Uisten Auden based on paintings by William Hogarth . First performance - September 11, 1951, Venice, La Fenice Theater, under the direction of the author.
• Agon , ballet (1957). First performance - June 17, 1957, Los Angeles, under the direction of R. Kraft . First production - December 1, 1957, New York City Music and Drama Center, directed by R. Irving
• The Flood , a biblical opera for soloists, actors, a reader, and an orchestra (1961-1962). The first performance - June 14, 1962 on the CBS channel, under the direction of the author and R. Kraft. The first stage production was April 30, 1963, the Hamburg State Opera, under the direction of Kraft.

• Symphony Es-dur, op. 1 (1905-1907). First performance: second and third parts - April 14 (27), 1907, Petersburg, under the direction of Hugo Varlich , fully - January 22 (February 4), 1908, in the same place, under the direction of F. Blumenfeld .
• Fantastic scherzo, op. 3 (1907-1908). First performance - January 24 (February 6) 1909, St. Petersburg, under the direction of A.I. Ziloti .
• Fireworks ( eng. Fireworks ), op. 4. The first performance - January 9 (22), 1910, St. Petersburg, under the direction of Ziloti.
• The Funeral Song , op. 5. First performance - January 17 (30), 1909, St. Petersburg, under the direction of F. Blumenfeld
• Suite from the ballet Firebird :
  • First edition (1910). First performance - October 23 (November 5) 1910, St. Petersburg, under the direction of Ziloti.
  • Second edition (1919). First performance - April 12, 1919, Geneva, under the direction of Ernest Anserme
  • Third edition (1945). First performance - October 24, 1945, New York, directed by Yasha Gorenstein
• Song of the Nightingale . Symphonic poem on the material of the opera The Nightingale (music of the 2nd and 3rd acts). First performance - December 6, 1919, Geneva, under the direction of Ernest Anserme
• Suite from the ballet “ Pulcinella ” for chamber orchestra (1922; 2nd ed. 1949; 3rd ed. 1965). First performance - December 22, 1922, Boston, conductor Pierre Monteux
• Concert for piano, brass band, timpani and double basses (1923-1924). First performance - May 22, 1924, Paris, author and orchestra conducted by S. Kusevitsky.
• Capriccio for piano and orchestra (1928-1929). First performance - December 6, 1929, Paris, author and orchestra conducted by E. Anserme.
• Symphony of psalms ( English Symphony of psalms ), choral symphony (1930). First performance - December 13, 1930, Brussels, under the direction of E. Anserme
• Concert for violin and orchestra D-dur (1931). First performance - October 23, 1931, Berlin, Samuel Dushkin and the orchestra conducted by the author.
• Divertissement (from the ballet Fairy Kiss ; 1934). First performance - November 4, 1934, Paris, under the direction of the author.
• “Dumbarton Oaks” ( eng. Dumbarton Oaks ), concert for chamber orchestra (1937-1938). First performance - May 8, 1938, Washington, under the direction of Nadi Boulanger .
• Symphony in C ( English Symphony in C ) (1938-1940). First performance - November 7, 1940, Chicago, under the direction of the author.
• " " for the chamber orchestra (1940-1942). First performance - February 8, 1942, Los Angeles, under the direction of the author.
• "Circus polka for a young elephant" ( Eng. Circus Polka , 1942). First performance - January 13, 1944, under the direction of the author.
• "Four Norwegian moods" ( English Four Norwegian Moods , 1942). First performance - January 13, 1944, under the direction of the author.
• Ode ( Eng. Ode. Elegiacal chant , 1943). First performance - October 8, 1943, Boston, under the direction of S. Kusevitsky.
• Symphony in three parts ( English Symphony in three movements ), translation: Symphony in three movements (1945). First performance - January 24, 1946, New York, under the direction of the author.
• Scherzo in the Russian style ( French Scherzo à la russe ), translation: “Russian scherzo”. The first edition (1944) was instrumented for P. Whiteman jazz band, the second (1945) - for a regular orchestra, the third (1954) - for two pianos. First performance - March 24, 1946, San Francisco, with an orchestra conducted by the author.
• Basel Concerto ( English Basle Concerto ) for strings; alternative name: Concerto in D for String Orchestra (1946). First performance - January 27, 1947, Basel, directed by Paul Sacher
• Congratulatory Prelude ( Eng. Greeting Prelude ), to the 80th anniversary of Pierre Monteux (1955)
• “Movements” ( Eng. Movements ) ^[1] for piano and orchestra (1958-1959). First performance - January 10, 1960, New York, M. Weber and the orchestra conducted by the author
• Variations of the memory of Aldous Huxley ( English Variations Aldous Huxley in memoriam , 1963-1964). First performance - April 17, 1965, Chicago, directed by Robert Kraft
• Canon on the theme of Russian folk song (Canon on a Popular Russian Tune; 1965)

• Star-faced. Cantata to the poems of C. Balmont for voices and orchestra (1912). First performance - April 19, 1939, Brussels, directed by F. Andre
• “The underlings . Four Russian Peasant Songs for the Female Choir ”( Eng. Four Russian Peasant Songs (1917); 1954 edition - for the choir and four horns):
  1. At the Savior in Chygis
  2. Oats
  3. Pike
  4. Pusishche
• “Our Father” for an unaccompanied choir (1926); 1949 edition called Pater noster , with Latin text
• “Creed” for an unaccompanied choir (1932); 1949 edition called Credo , with Latin text
• “Hail Virgin Mary” for an unaccompanied choir (1932); 1949 edition called Ave Maria , with Latin text
• "Babylon" ( born Babel ). Cantata for Reader, Male Choir and Orchestra (1944)
• Mass, for mixed choir and wind ensemble (1948). Premiere: October 27, 1948, Milan. Performers: choir and orchestra of the La Scala theater, conducted by E. Anserme.
• Cantata to verses of unknown English poets of the XV — XVI centuries. ( Cantata on Anonymous 15th and 16th Century English Lyrics ), for voices, female choir and instrumental ensemble (1952)
• Sacred chant in the name of St. Mark ( lat.Canticum Sacrum ad honorem Sancti Marci Nominis ) for tenor and baritone solo, choir and orchestra
• “The Lamentation of the Prophet Jeremiah” ( lat. Threni, id est lamentationes Jeremiae Prophetae ) for soloists, choir and orchestra (1957-1958)
• Cantata "Sermon, Parable and Prayer" ( Eng. Cantata: a Sermon, a Narrative, and a Prayer ), for viola and tenor solo, reciter, choir and orchestra
• Anthem to verses by T. S. Eliot ( Eng. Anthem: "The dove descending breaks the air" ), for unaccompanied choir (1962)
• Introit in memory of T. S. Eliot ( Eng. Introitus. TS Eliot in memoriam ), for male choir and chamber ensemble (1965, text - a fragment of a standard Latin requiem )
• Requiem Canticles , songs for soloists, choir and chamber orchestra (1965-1966)

• "Cloud", a romance on Pushkin's verses for voice and piano (1902)
• “How mushrooms were collected for war” for bass and piano (1904)
• "Faun and the Cowgirl." Three songs for mezzo-soprano and orchestra, op. 2 (1906):
  1. Shepherdess
  2. Faun
  3. River
• From the memories of his youth. Three songs (for voice and fp., 1906; for soprano and ensemble - 1930 edition):
  1. Sorochenka
  2. Crow
  3. Chicher Yacher
• Two romances for mezzo-soprano and piano, op. 6 (1908?)
• Pastoral. Song without words ( French Pastorale: Chant sans paroles ), for soprano and piano (1907)
• Two poems by P. Verlaine for baritone and piano (1910; revised 1951 - for male voice and ensemble):
  1. White moon (La lune blanche)
  2. Wisdom (Sagesse)
• Two poems by K. Balmont for soprano or tenor and piano (1911; revision 1954 - for soprano and instrumental ensemble):
  1. Forget-me-not flower
  2. Dove
• Three poems from Japanese lyrics for soprano and piano (1912-1913):
  1. Akahito
  2. Masatsumi
  3. Tsaraiuki
• “Jokes” ( French Chansons plaisantes , English Pleasant Songs ) for male voice and piano (1914, the latest edition for voice and eight stringed instruments). To Russian folk texts from the collection of fairy tales by A. Afanasyev:
  1. Root
  2. Natasha
  3. Colonel
  4. The elder and the hare
• “Cat Lullabies” ( French: Berceuses du Chat ) for contralto and three clarinets (1915)
  1. Sleep cat
  2. Cat on the stove
  3. Bye Bye
  4. Cat, cat
• Children's Songs (Three Stories for Children) for voice and piano (1916-1917)
• Lullaby for voice and piano (1917)
• Four Russian songs ( English Four Russian Peasant Songs ) for voice and piano (1918-1919; 1954 edition - for voice, flute, harp and guitar):
  1. Drake
  2. Sectarian
  3. Swan geese...
  4. Tilim bom
• “Little Harmonic Ramuzan”, dedication to S. Ramus (1937)
• Dedication to Nadia Boulanger for two tenors (1947)
• Three Songs from William Shakespeare, for mezzo-soprano, flute, clarinet and viola (1953):
  1. Musick to heare
  2. Full fadom five
  3. Spring (When Dasies pied)
• In memory of Dylan Thomas . Funeral canons and song for tenor, string quartet and four trombones (1954)
  1. Dirge-Canons (Prelude)
  2. Do not go gentle into that good night
  3. Dirge-Canons (Postlude)
• Abraham and Isaac. Ballad for Baritone and Orchestra (1962-1963)
• Elegy of J. F. Kennedy ( English Elegy for JFK ), for baritone or mezzo-soprano and three clarinets (1964)
• An Owl and a Cat ( The Owl and the Pussy-cat , French: Le Hibou et le chat ), for voice and piano (1966), to verses by Edward Lear

• Three Pieces for String Quartet (1914) (pieces have no headings)
• Ragtime ( English Rag-Time , 1917-1918). First performance - April 27, 1920, London, under the direction of Arthur Bliss.
• Three Pieces for Clarinet Solo (1918)
• Duet for Two Bassoons (1918)
• Suite from “The Story of a Soldier” for violin, clarinet and piano (1918-1919)
• Concertino for String Quartet (1920)
• Symphonies of wind instruments ( English Symphonies of Wind Instruments ), in memory of Debussy; translation: Symphony for winds (1920, revision 1947). First performance - June 10, 1921, London, under the direction of S. Kusevitsky
• Wind Octet (1924)
• Concert duet ( FR. Duo concertant ) for violin and piano (1931-1932).
• Prelude for a jazz band ( English Preludium for Jazz Band , 1936-1937; revision 1953). First performance - October 18, 1953, Los Angeles, under the direction of Kraft
• Elegy for Viola (1944)
• Ebony concert ( Eng. Ebony Concerto ; translation: Black concert), for clarinet and jazz orchestra (1945). First performance - March 25, 1946, New York, Woody Herman and the ensemble led by Walter Handle .
• The Septet for Strings, Winds and Piano (1952531953)
• Epitaph for the tombstone of Max Egon ( English Epitaphium for the Tombstone of Prince Max Egon zu Fürstenberg ), for flute, clarinet and harp (1959)
• Double Canon in memory of Raoul Dufy ( English Double Canon "Raoul Dufy in memoriam" ) for string quartet (1959)
• Lullaby for two recorders (1960)
• Fanfare for Two Trumpets (1964)

• Scherzo (1902)
• Sonata f-moll (1902)
• Etudes, op. 7 (1908)
• Waltz of flowers (Flower Waltz) for fp. four hands (1914) ^[2]
• Three Easy Pieces Four Hands (1914-1915)
  1. March
  2. Waltz
  3. Polka
• Children's Waltz (1916?)
• Madrid. Study for Pianola (1917)
• Five Easy Pieces Four Hands (1917)
  1. Andante
  2. Spanish
  3. Balalaika
  4. Neapolitan
  5. Gallop
• Ragtime (1918)
• Piano-Rag-Music (1919)
• Four Hands Concertino (1920)
• Five fingers. Eight easiest melodies for 5 notes (1921):
  1. Andantino
  2. Allegro
  3. Allegretto
  4. Larghetto
  5. Moderato
  6. Lento
  7. Vivo
  8. Pesante
• Sonata for Piano (1924):
  • I. <quarter> = 112
  • II. Adagietto
  • III. <quarter> = 112
• Serenade in A (1925):
  • I. hymne
  • II. Romanze
  • III. Rondoletto
  • IV. Cadenza finale
• Concert for two pianos (1932-1935)
  • I. Con moto
  • II. Notturno. Adagietto
  • III. Quattro variazioni
  • IV. Prelude e Fuga
• Tango (1940)
• Sonata for Two Pianos (1943-1944)
  • I. Moderato
  • II. Theme with variations
  • III. Allegretto

Throughout his life, Stravinsky worked and processed his own and (less often) foreign works. Most often, the processing was an arrangement of an early composition for a different (compared to the original) instrument or composition of instruments. In some cases, the processing was accompanied by alteration of the original music (expansion, reduction, variation, etc.), in such cases they speak of the “editorial office”. In addition to his own, Stravinsky worked on the works of other composers within the same very moving borders - from “simple” instrumentation (spiritual songs by G. Wolf ) to full-scale author's rethinking (“Pulcinella” to the music of JB Pergolezi ).

• "Club" ( English Song of the Volga Boatmen ) for wind and percussion instruments. Arrangement of Russian folk song (1917)
• Tomb of Claude Debussy ( Fr. Tombeau de Claude Debussy ). Mourning Chorale for Piano (Piano Arrangement of the Finale of the Symphony of the Wind) (1920)
• Three fragments from the ballet “Parsley”, for piano (1921)
• Suite No. 2 for a small orchestra (1921). Orchestration of early piano compositions. First performance - November 25, 1925, Frankfurt, under the direction of Hermann Scherchen :
  1. March
  2. Waltz
  3. Polka
  4. Gallop
• Pastoral, for soprano, oboe, English horn, clarinet and bassoon (1923). Instrumentation Pastorals for soprano and fp. (1907)
• Suite No. 1 for a small orchestra (1925). Orchestration of early piano compositions. First performance - March 2, 1926, Haarlem, under the direction of the author:
  1. Andante
  2. Neapolitan
  3. Spanish
  4. Balalaika
• Four Etudes for Orchestra and Piano (1928-1929). Instrumentation of Three Pieces for String Quartet (1914, without names) and Etude “Madrid” for Pianola (1917). First performance - November 7, 1930, Berlin, under the direction of E. Anserme
  1. Danse / Dance
  2. Eccentrique / Eccentric
  3. Cantique / Chant
  4. Madrid / Madrid
• Italian Suite for Cello and Piano. Arrangement of the music of the ballet Pulcinella (1932)
• Italian Suite for violin and piano. Arrangement of the music of the ballet Pulcinella (1933)
• Pastoral, for violin and fp. (1933). Instrumentation and extended edition Pastorals for soprano and fp. (1907)
• Pastoral, for violin, oboe, English horn, clarinet and bassoon (1933). Instrumentation and extended edition Pastorals for soprano and fp. (1907)
• Bluebird ( English Bluebird ). Pas de deux from the ballet Sleeping Beauty by P. Tchaikovsky, for chamber orchestra (1941)
• Tango for a chamber orchestra (1941). Instrumentation Tango for Piano (1940). First performance - Benny Goodman, July 1941.
• Concertino for Twelve Instruments (1952). Arrangement of Concertino for String Quartet (1920). First performance - November 11, 1952, Los Angeles, under the direction of the author.
• Tango for 19 Instruments (1953). Instrumentation Tango for Piano (1940). First performance - October 19, 1953, Los Angeles, directed by R. Kraft
• Variations on the choir "Vom Himmel hoch", for choir and orchestra (1956). Arrangement of music by I.S.Bach (BWV 769)
• “Monument to Gesualdo on the 400th anniversary” ( lat. Monumentum pro Gesualdo di Venosa ad CD Annum: three madrigals recomposed for instruments ), orchestration of the three madrigals of Gesualdo (1960). First performance - September 27, 1960, Venice, under the direction of the author:
  • Asciugate i begli occhi (madrigal 14 from the Fifth book)
  • Ma tu, cagion (madrigal 18 from the Fifth book)
  • Beltà poi che t'assenti (madrigal 2 from the Sixth book)
• Stars and Stripes ( The Star Spangled Banner ). Arrangement of an American anthem for orchestra (1945)
• Eight Instrument Miniatures for Fifteen Instruments (1962). Instrumentation of the piano suite “Five Fingers” (1921). First performance - April 29, 1962, Toronto, under the direction of the author.
• Two spiritual songs by G. Wolf , for soprano and instrumental ensemble (1968):
  • Herr, was trägt der Boden hier
  • Wunden trägst du ...

• Tarantella, for piano (1898)
• Cantata on the 60th anniversary of Rimsky-Korsakov, for choir and piano (1904)
• "Conductor and Tarantula" for voice and piano (1906)
• March for Twelve Instruments (1915, unpublished)

• List of Stravinsky's works in chronological order