Kyushi - literally means “kyuev performer”. A musician playing dombra, kobyz and sybyzgy. Kyushi is also called a dombra player, kobyzist and sybyzistist. Kyushi are divided into those who perform compositions on a particular instrument, and composers who perform their own compositions.
Kui is a Kazakh folk instrumental piece, performed mainly on dombra . Kui embodies many years of folk art and reflects various manifestations of nature in a musical form. There are kui depicting horse races, birds flying, the rustling of snakes, etc. They are performed by kyushi , as well as parshes and akyns .
Cui have local styles that are pronounced in the intonation stock of tunes, types of instruments, and performing technique. Famous performers of kyusha are - Korkyt-ata (VII-VIII centuries), Ketbug (XII-XIII centuries). The best examples of cuvs in Western Kazakhstan are the works of outstanding composers - kuyshi Kurmangazy , Akhmedyarov and Dauletkerei , for East and North Kazakhstan - Tattimbet and Agashayak, for the South - Ihlas, Sugur, Bayserke and others.
Modern composers are kyushi: D. Nurpeisova , M. Yerzhanov , J. Kalambaev , A. Shingozhayev and others.
Literature
- Zataevich A.V., 500 Kazakh songs and cues, A.-A., 1931;
- Zataevich A.V., 1000 songs of the Kazakh people (songs and cuys), M., 1963;
- Gizatov B., Kazakh Orchestra named after Kurmangazy. Essay on the creative path, A.-A., 1955;
- Zhubanov A., Strings of centuries. Essays on the life and creative activity of Kazakh folk composers, A.-A., 1958;
- Aravin P.V., The sound system of the dombra system (on the problem of learning), in: Art and Foreign Languages, A.-A., 1964;
- Aravin P.V., Records of kuev Dauletkerei, in collection: Musicology, A.-A., 1967;
- Gizatov B., Hamidi L., School of dombra game, A.-A., 1964;
- Dauletkerey Shigaev, Cui. [Music collection], A.-A., 1961;
- Kurmangazy Sagyrbaev, Cui. Music Note., A.-A., 1961;
- Tiftikidi H. F., Features of the metric organization of cue music, in collection: Musicology, vol. 3, A.-A., 1967;
- Tiftikidi H. F., Song Origins of Dombra Kui, in: Folk Music in Kazakhstan, A.-A., 1967;
- Tiftikidi H. F., Metrorhythms and the form of dombra music, in collection: Musicology, vol. 4, A.-A., 1968;
- Bekkhozhina T., Cui - legends, in collection: Folk music in Kazakhstan, A.-A., 1967;
- Tarasova L.P., Kazakh three-voiced kui, in collection: Folk music in Kazakhstan, A.-A., 1967;
- Zarukhova SM., Form and mode of Kazakh dombra music, in collection: Musicology, vol. 3, A.-A., 1967;
- Zarukhova SM., On two methods of voice in Kazakh dombra music, in collection: Musicology, vol. 4, A.-A., 1968;
- Amanov B., Improvisation and Tradition in the Formation of Cui and Their Reflection in Popular Terminology, in: Theoretical Problems of Folk Instrumental Music, M., 1974;
- Mukhambetova A., Zone polyphony on a two-stringed dombra, M., 1974;