“Greater Negligence” is a Soviet parody - satirical animated film created by the Brumberg sisters in the style of children's drawings, to show the world of adults perceived and thoughtful by the child. The cartoon was a well-deserved success [1] .
| Big trouble | |
|---|---|
 Cartoon frame | |
| Type of cartoon | painted |
| Genre | satire |
| Sequels | New big trouble |
| Producer | Valentina Brumberg , Zinaida Brumberg |
| written by | Maurice Slobodskoy |
| Production Designer | Lana Azarkh , Valentin Lalayants |
| Roles voiced | Maria Vinogradova |
| Composer | Alexander Varlamov |
| Multipliers | Igor Podgorsky , Fedor Khitruk , Maria Motruk , Marina Voskanyants , Elena Vershinina , Iosif Kuroyan |
| Operator | Elena Petrova |
| Sound engineer | Nikolay Prilutsky |
| Studio | Soyuzmultfilm |
| A country |  the USSR |
| Tongue | |
| Duration | 9 min 56 sec. |
| Premiere | April 3, 1962 |
| IMDb | ID 0211966 |
| Animator.ru | ID 2073 |
The picture was taken at the studio " Soyuzmultfilm " in 1961 . In 1973 a sequel came out - “ New big troubles ”.
Content
Story
A little girl hears adults discussing family issues. Her family consists of mom, dad, older brother Kolya and Capa's sister. Idioms occurring in their speech, she perceives literally, which is displayed by a pictorial series of children's analogies.
The list of phraseological units in the film:
- Kohl - from class to class “behind the ears”, “stuck” in the last class, “pulled out” helped, “failed” at the institute, “sat” on the neck, “shook out” the pocket, “thrown” with money, as the driver “lashes "Vodka .
- Kapa - she is “like a picture”, “jump out” for a man, “in her head” only rags, only dances, only foreign uncles, “fell” from the sky, behind her “dragged”, “lost” her head they peck, ”“ will dress up like a queen, ”will“ pray for her, ”“ carry on her hands, ”“ give up ”to Kapa .
- Dad - the whole family “dragged”, “left” started up, the refrigerators “went away”, “they found traces”, he is afraid that he will not “sweep up”, he dreams to “eat” daddy, “drips” to daddy, “digs under it”, the auditor "Set off", "grease" the auditor, "grease his paw", "close his eyes" on his father, "sew up", "get out", must "plant."
At the end of the cartoon, the girl wants to understand the meaning of the word “parasite”, which her neighbor, old turner, Uncle Fedya called her. He replies that this is her brother, sister, mom and dad. Only the girl herself and her cat are not parasites.
Creators
| Scenario | Maurice Slobodsky |
| Production directors: | Valentina and Zinaida Brumberg |
| Artists | Lana Azarkh , Valentin Lalayants |
| Composer | Alexander Varlamov |
| Operator | Elena Petrova |
| Sound engineer | Nikolay Prilutsky |
| Artists-animators: | Igor Podgorsky , Fedor Khitruk , Maria Motruk , Marina Voskanyants , Elena Vershinina , Iosif Kuroyan |
| Text reads | Maria Vinogradova |
| Director Assistants | Tatyana Fedorova, Nina Mayorova |
| Editor | Raisa Frichinskaya |
| Director of the picture | G. Kruglikov |
Interesting Facts
- The perception of idioms shown in the film is parodied in the children's humorous newsreel “ Yeralash ” (issue No. 194 “The Power of Imagination”) ..
Video
In the mid-1990s, the cartoon was released in a cartoon collection of Soyuzmultfilm studios on videotapes by the Soyuz studio. Released in 2003 by the same company in the collection of cartoons "Children and Parents" on VHS and DVD.
See also
- " New big trouble ." 1973 version.
- Data on the m / f "Big trouble" on the portal Multts_Info
Criticism
Film historians call the best work of the sisters Brumberg the satirical film Big Trouble (1961; the artists are Lana Azarkh and Valentin Lalayants), in which the narration is conducted on behalf of the girl. The graphic series of the film is made in the style of children's drawings. The picture played an important role in updating and enriching the artistic expressiveness of the animated drawing, the use of the metaphorical language and the convention of animation [2] .
The director-animator D. Babichenko in a review in the magazine “ Art of Cinema ” noted in the film not a new, but innovatively sounding technique (the image of what is happening from the girl’s point of view), a sharp satire, a light poetic text, no stamps in the drawing, expressive musical characteristics of the characters, thoughtful installation and, in general, fruitfulness of the search for a new form and content [3] .
Film expert S.V. Asenin noted the deserved success of the film, praising the laconic picture that is in harmony with the psychology of the girl narrator, the accuracy of the graphic characteristics of the characters, the contrast of children's perception and non-children's meaning [4] .
According to the director-multiplier I. P. Ivanov-Vano , the film became a milestone in the process of liberation from the “fetters of Disney aesthetics”, in search of new visual forms oriented to the adult viewer [5] .
Notes
- ↑ S. Asenin. Screen Wizards: Eighth Art. Image, word, expressiveness of movement . - Art , 1974. - 288 p. (inaccessible link)
- ↑ Kapkov S.A. Valentina and Zinaida Brumberg // Our cartoons / Arseny Meshcheryakov, Irina Ostarkova. - Interros , 2006. - ISBN 5-91105-007-2 . Archived August 31, 2007. Archived copy of August 31, 2007 on Wayback Machine
- ↑ Babichenko, 1961 , p. 62-65.
- ↑ Asenin, 1974 , p. 166.
- ↑ Ivanov-Vano, 1980 , p. 209-212.
Literature
- Asenin S.V. Screen wizards. Aesthetic problems of modern animation. - M .: Art, 1974. - 288 p.
- Babichenko D. N. Talented, witty! // The Art of Cinema. - 1961. - № 12 . - p . 62-65 .
- Ivanov-Vano I.P. Frame by frame / Literary writing by A. Volkov. - M .: Art, 1980. - 240 p.
Links
- Big Trouble on the Internet Movie Database
- "Big trouble" on " Animator.ru "