Death-doom-metal ( death-doom or “doom-death” ) is an extreme subgenre of metal , combining the leisurely pace and gloomy atmosphere of doom-metal with growling and double barrels of death-metal . [1] The subgenre appeared in the mid-1980s and gained some popularity in the 1990s, but became less common around the turn of the 21st century. [1] In turn, death-doom metal spawned closely related funneum-doom , as well as more melodic and romantic gothic metal .
| Death doom metal | |
|---|---|
| Direction | Extreme metal |
| The origins | Death metal , doom metal |
| Place and time of occurrence | Late 1980s |
| Derivatives | |
| Gothic metal , funeral doom metal | |
Content
History
Doom / death arose in the mid-1980s when early predecessors, such as Dream Death, began to mix traditional doom metal with the sound of a thrash scene and a nascent death scene. [2] The early recordings of the bands Paradise Lost , My Dying Bride and Anathema (also known as “Peaceville trinity”, as all three were released on Peaceville Records at that time) combine the sound of Celtic Frost and Candlemass from the mid-1980s, with the addition of female vocals , [3] keyboards and, in the case of My Dying Bride, violins. The influence of the trinity was recognized by Within Temptation , Lacuna Coil , The Gathering , Celestial Season and Saturnus . [1] [4] By the end of the 1990s, death / doom lost its popularity when many bands changed their hard sound to a lighter and more acceptable for a wide audience. [1] However, the subgenre remained in the form of a funeral thought that appeared in the mid-1990s, in particular, thanks to the Finnish groups Thergothon , Unholy, and Skepticism . [five]
Characteristics of the genre
The reference dumdat is usually referred to the “dark” directions of the metal - due to the gloom imparted by low-tuned guitars, active bass drums, general leisurelyness and the widely used “growling” vocal technique, due to which the frequency range of the sound of the dodet often lies in very low ranges, thereby creating a “mystical” and gloomy, cold atmosphere and mood in the listener.
Groups
| Title | A country | Year of foundation | Notes |
|---|---|---|---|
| Amorphis | Finland | 1990 | [6] [7] |
| Anathema | Great Britain | 1990 | [3] [8] |
| Autopsy | USA | 1987 | [one] |
| Beyond dawn | Norway | 1990 | [9] |
| Celestial season | Netherlands | 1991 | [one] |
| Corrupted | Japan | 1994 | [10] [11] |
| Daylight dies | USA | 1996 | [12] [13] |
| Demenzia | Bulgaria | 2003 | [14] |
| Disembowelment | Australia | 1989 | [1] [3] |
| Draconian | Sweden | 1994 | [15] |
| Esoteric | Great Britain | 1992 | [sixteen] |
| Evoken | USA | 1994 | [17] |
| Forest stream | Russia | 1995 | [18] |
| The gathering | Netherlands | 1989 | [3] [19] |
| Incantation | USA | 1989 | [one] |
| Katatonia | Sweden | 1991 | [20] [21] |
| Morgion | Sweden | 1990 | [1] [3] [22] |
| Mourning beloveth | Ireland | 1992 | [23] [24] |
| My dying bride | Great Britain | 1990 | [1] [3] [25] |
| My silent wake | Great Britain | 2005 | [26] |
| Necare | USA | 1997 | [27] |
| Novembers doom | USA | 1989 | [1] [28] |
| Opera IX | Italy | 1988 | [29] |
| Orphaned land | Israel | 1991 | [thirty] |
| Paradise lost | Great Britain | 1988 | [1] [3] [31] |
| Paramaecium | Australia | 1990 | [32] |
| Rapture | Finland | 1997 | [33] |
| Runemagick | Sweden | 1990 | [34] |
| Saturnus | Denmark | 1991 | [one] |
| Septic Flesh | Greece | 1990 | [one] |
| Skepticism | Finland | 1991 | [1] [5] |
| Swallow the sun | Finland | 2000 | [35] |
| Thergothon | Finland | 1990 | [1] [5] |
| The 3rd and the mortal | Norway | 1992 | [36] |
| Thorr's hammer | USA | 1994 | [37] |
| Unearthly trance | USA | 2000 | [38] |
| Unholy | Finland | 1990 | [1] [5] |
| Winter | USA | 1988 | [1] [3] [39] |
Notes
- ↑ 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 Tracey, Ciaran (March 2006). "Doom / Death: United in Grief", Terrorizer # 142, pp. 54-55.
- ↑ Bardin, Olivier (May 2006). Forgotten Doom: Raiders of the Lost Art, Terrorizer # 144, p.56
- ↑ 1 2 3 4 5 6 7 8 Purcell, Nathalie J. Death Metal Music: The Passion and Politics of a Subculture . - McFarland & Company, 2003. - P. 23. - ISBN 0-7864-1585-1 .
- ↑ Metal Hammer # 173
- ↑ 1 2 3 4 Hinchcliffe, James (April 2006). "Funeral Doom / Dron Doom: Hearse Play", Terrorizer # 143, pp. 44-45.
- ↑ Purcell, Nathalie J. Death Metal Music: The Passion and Politics of a Subculture . - McFarland & Company, 2003. - P. 23. - ISBN 0786415851 .
- ↑ Sharpe-Young, Garry. Amorphis . MusicMight . Date of treatment August 5, 2009. Archived June 6, 2012.
- ↑ Huey, Steve. Anathema . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Hinchcliffe, James (May 2006). “Doom / Death & Gothic Doom Top Ten: Beyond Dawn, Pity Love ”, Terrorizer # 144, p. 53.
- ↑ Rivadavia, Eduardo. Corrupted . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Mincemoyer, John (May 2006). “Doom / Death & Gothic Doom Top Ten: Corrupted, Llenandose de Gusanos ”, Terrorizer # 144, p. 53.
- ↑ Rivadavia, Eduardo. Daylight Dies . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Sharpe-Young, Garry. Daylight Dies . MusicMight Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Born, R. Demenzia . MusicMight . Date of treatment August 20, 2009. Archived March 15, 2012.
- ↑ Rivadavia, Eduardo. The Burning Halo review . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Rivadavia, Eduardo. Esoteric . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Borges, Mario Mesquita. Evoken . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Sharpe-Young, Garry. Forest Stream . MusicMight Date of treatment August 19, 2009. Archived March 15, 2012.
- ↑ Chantler, Chris (May 2006). “Doom / Death & Gothic Doom Top Ten: The Gathering, Always, ” Terrorizer # 144, p. 53.
- ↑ Huey, Steve. Katatonia . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Sharpe-Young, Garry. Katatonia . MusicMight Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Rivadavia, Eduardo. Morgion . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Heaney, Gregory. Mourning Beloveth . Allmusic . Date of treatment May 22, 2010. Archived March 15, 2012.
- ↑ Archaic-Magazine.com (inaccessible link)
- ↑ Jeffries, Vincent. Turn Loose the Swans review . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Sharpe-Young, Garry. My Silent Wake . MusicMight Date of treatment August 21, 2009. Archived March 15, 2012.
- ↑ Sharpe-Young, Garry. Necare unopened (inaccessible link) . MusicMight Date of treatment August 5, 2009. Archived March 3, 2016.
- ↑ Rivadavia, Eduardo. To Welcome the Fade review . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Rivadavia, Eduardo. Opera IX . Allmusic . Date of treatment August 25, 2009. Archived March 15, 2012.
- ↑ Sharpe-Young, Garry. Orphaned Land . MusicMight Date of treatment August 19, 2009. Archived March 15, 2012.
- ↑ Rivadavia, Eduardo. Gothic review . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Sharpe-Young, Garry. Paramaecium . MusicMight . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Rivadavia, Eduardo. Rapture . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Rivadavia, Eduardo. Runemagick . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Rivadavia, Eduardo. Swallow the Sun . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.
- ↑ Hinchcliffe, James (May 2006). “Doom / Death & Gothic Metal Top Ten: The Third and the Mortal, Tears Laid in Earth ”, Terrorizer # 144, p. 53.
- ↑ Rivadavia, Eduardo. Thorr's Hammer . Allmusic . Date of treatment August 5, 2009.
- ↑ Rivadavia, Eduardo. Unearthly Trance . Allmusic . Date of treatment August 19, 2009. Archived March 15, 2012.
- ↑ Rivadavia, Eduardo. Winter . Allmusic . Date of treatment August 5, 2009. Archived March 15, 2012.