Aronson, Oleg Vladimirovich

Born in the city of Orsha (now the Republic of Belarus ) in a family of doctors - Vladimir Borisovich A. and Nina Iosifovna Adashkevich. He graduated from the Moscow Institute of Railway Engineers , Department of Applied Mathematics (1981-1986).

Graduate School of the Institute of Philosophy of the Russian Academy of Sciences (1991-1994).

The dissertation for the degree of candidate of philosophical sciences (1997).

Doctoral studies at the Institute of Philosophy of the Russian Academy of Sciences (2001-2003).

• Senior Researcher, Institute of Philosophy, Russian Academy of Sciences
• Senior Researcher, Institute of Russian Anthropological School, Russian State Humanitarian University

• Bohemia: Community Experience. Outline to the philosophy of antisociality. - M: Pragmatics of Culture, 2002.
• Metakino. - M.: Ad Marginem , 2003. (Prize named after Miron Chernenko)
• Communicative image. Movie. Literature. Philosophy. - M.: New Literary Review, 2007. (Andrey Bely Prize in the nomination “Humanitarian Studies” ^[5] )
• Beyond the imagination. Contemporary art and modern philosophy. - Nizhny Novgorod, 2009. (co-authored with Elena Petrovskaya)
• What remains of art. - M.: Institute of Contemporary Art, 2015. (co-authored with Elena Petrovskaya)
• The power of the false. The experiences of non-political democracy. - M.: Phalanster, 2017 .-- ISBN 978-999999-0-42-4 .

• P.P. Pasolini . Theorem. - M: Ladomir, 2000. - Afterword Approaching passion.
• J. Deleuze . Nietzsche and philosophy. - M .: Ad Marginem, 2003. - introductory article Game of random forces.
• J. Deleuze. Cinema 1: Image-movement. Cinema 2: Image-time. - M.: Ad Marginem, 2004. - Scientific editorial and introductory article.
• M. Mamardashvili . The experience of physical metaphysics. Vilnius lectures on social philosophy. - M .: Progress-tradition, 2008. - afterword Inappropriate being.
• K. Metz. Imaginary signifier. Psychoanalysis and cinema. St. Petersburg: Publishing House of the European University in St. Petersburg, 2010. - Preface Semiotic dream.

• Radio Liberty
• "Theories and Practices"

• Oleg Aronson on the affective economics of art: from the second volume of the “Proceedings of the IPSI”
• Forms of Thought at the Limits of the Body (On the Analytical Metaphysics of Valery Podoroga) // Russian Studies in Philosophy. 2016. Vol. 54. No. 4. P. 257–266.
• Maidan: Redefining Democracy // Russian Studies in Philosophy. 2016. Vol. 54. No. 3. PP. 223-232.
• Nobody expressed the essence of auteur cinema better than Pasolini. // Aperto Game Over # 2, Autumn 2016, p.16
• Trust in Distrust: Myths and Values ​​of the European Union in. (in English) - United by or Against Euroscepticism? An Assessment of Public Attitudes towards Europe in the Context of the Crisis / Eds. A. Bârgăoanu, L. Radu, D. Varela. Newcastle-upon-Tyne: Scholars Publishing, 2015. P. 189–205. (coauthored with T. Havlin)
• Personification and Consumption // Criticism. Summer 2014. Vol. 56. No. 3. P. 525–534.
• Andrei Tarkóvski: a economia do plano-sequência. - Kinoruss. 2014. No. 5.
• Übersetzung und Politik: Carl Schmitt in heutigen Russland. In: Kultur und / als Übersetzung. Russisch-deutsche Beziehungen im 20. und 21. Jahrhundert. Christine Engel / Birgit Menzel (Hg.). : Frank & Timme, 2011, S. 57-76
• Das Zeit-Bild und die Bilder des Sowjetischtn. - In: Das Zeit-Bild im Psreuropäischen Film mach 1945. Böhlau Verlag, 2010, pp. 127–140
• Die Wiedererfindung des Wunders ”, in: Faktur und fRaktur: Gestorte asthetische Prasenz in Avantgarde und Spatavantgarde. Wien / München, 2006.
• Das Fernsehbild oder Adam wird nachgeahmt. - In: Russische Medientheorien. Haupt Verlag, Berne, 2005.
• Le travail des images. Le cinéma stalinien et l'art du réalisme socialist. - In: L'Idealisme soviétique. Pienture et cinéma 1925-1939. Musée de l'art Wallon, Brussels, 2005.
• The Actor's Body. Constantin Stanislavski's Cinematic Theater. - Third Text, Vol.17, Issue 4. Routledge, 2003.

• Epidemiology of the Political // New Literary Review. 2016. No. 138 (2). C. 37-48.
• Affect in the coordinates of nephilosophy // Philosophical Journal. 2015. Vol. 8. No. 1. P. 33–46.
• Instant document and full memory. In the book. Document Status: Final Paper or Alienated Certificate? Sat articles. Moscow, 2013.P. 218–244.
• The language of feeling and the language of law. - Captivity 2008, No. 16
• Censorship as an experience: symptomatology and ethics. - “Index. Dossier on the censorship ”, N 20, 2004.
• The invention of a miracle. - “ Blue Sofa ”, N 4, 2004.
• Anarchist ethnicity. - “ Blue Sofa ”, N 6, 2005.
• Arrogance and magic. - “The Art of Cinema ”, N 9, 2003
• Imitation policies (approaches to the logic of non-violence). - “The Art of Cinema ”, N 7, 2003
• Art in the era of its total consumption. - “Critical Mass”, N 3, 2003
• Screen version: translation and experience. - “ Blue Sofa ”, N 3, 2003
• The humanism of the enemy: film images of war. - “Index. Dossier on the censorship ”, N 19, 2003.
• Clash of film adaptations. - “ Cinema Notes ”, N 61, 2003.
• Community participation - non-participation in the work. - “The Art Journal”, N 41, 2002.
• Kant and the movie. - On Sat Aesthetics at the turn of cultural traditions. M: IF RAS, 2002.
• The truth of pornography. - “Critical Mass”, N 1, 2002.
• Conflicts and communities (about a political function in a statement). - In the book. Language and ethnic conflict. - M.: Gandalf, 2001.
• Immanent biography ("language of reality" in the concept of P. P. Pazolini). - In the book. Autobiography. Notebooks on analytical anthropology. -M .: Gnosis, 2001
• Censorship: kinosymptomatics. - “The Art of Cinema ”, N 8, 2001
• Certificate of life. - “ Cinema Notes ”, N 51, 2001
• Intonation in philosophy. - “ New Literary Review ”, N 6 (52), 2001
• Metacino Gilles Deleuze . - On Sat Theory of Artistic Culture, issue 4, M: State. Institute of Art Studies, 2000.
• Cinema and stage border (comments on the work of KS Stanislavsky "The actor’s work on himself"). - “ Cinema Notes ”, N 47, 2000
• The return of philosophy (the logic of the cinema of Gilles Deleuze ). - “ Cinema Notes ”, N 46, 2000
• Philosophical approaches to the analysis of cinema. - On Sat Close-up Historical and theoretical seminar at VGIK. Lectures. 1996-1998. - M., 1999
• Words and reproductions. - "Logos", N 6, 1999
• Philology of the sensual. - “ New Literary Review ”, N 29, 1998. (book review by H. Lovgren. Eisenstein's Labirinth: Aspects of Cinematic Synthesis of Arts)
• Broken desire. - "Art Journal", N 24, 1999
• Metaphorical foundations of thought. - In the book: Produced and named. Philosophical readings dedicated to M.K. Mamardashvili. 1995 year. - M .: Ad Marginem, 1998.
• Art and languages ​​of technology. - Chapter in the monograph "Philosophy of Technology", M: IF RAS, 1997
• Ways of improvisation (Pazolini - Lacu-Labarte). - “ Cinematographic notes ”, N 32, 1997 (in co-authorship with E. Petrovskaya)
• Face, scene, transcendence (experience of Ingmar Bergman). - “ Cinema Notes ”, N 33, 1997
• Facial expressions and grammar. The project of the movie Bela Balash. - “ Cinema Notes ”, N 25, 1995.
• Cinema anthropology of the "Earth". - “ Cinema Notes ”, N 23, 1994.
• About the cruelty of the theater. - Yearbook of Ad Marginem'93. RIC "Culture", M., 1993.
• The mise en scene of the cinema theory (phenomenology of Andre Bazin ). - “ Cinema Notes ”, N 20, 1993.

• Carnegie.ru (inaccessible link - history )
• New.hse.ru (inaccessible link) (inaccessible link)
• Biography
• Oleg Aronson in the program "Gordon" on September 13, 2001 on YouTube (inaccessible link)
• Oleg Aronson in the Gordon program on 09.24.2001 on YouTube (inaccessible link)